The Significance of Rimsky-Korsakov in the Development of a Russian National Identity PDF Download
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Author: John Nelson
Publisher:
ISBN: 9789521093906
Category :
Languages : en
Pages : 360
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Book Description
Author: John Nelson
Publisher:
ISBN: 9789521093906
Category :
Languages : en
Pages : 360
Get Book Here
Book Description
Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
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Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Author: Nikolay Rimsky-Korsakov
Publisher: Faber & Faber
ISBN: 9780571142453
Category : Music
Languages : en
Pages : 478
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Book Description
The Russian composer describes his experiences in the musical life of the late nineteenth century, his role in the development of Russian nationalism in music, and his relations with his contemporaries
Author: Rutger Helmers
Publisher: Boydell & Brewer
ISBN: 1580465005
Category : History
Languages : en
Pages : 252
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Book Description
Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov. In the nineteenth century, Russian composers and critics were encouraged to cultivate a national style to distinguish their music from the dominant Italian, French, and German traditions. Not Russian Enough? explores this aspiration for a nationalist musical tradition as it was carried out in the cosmopolitan world of opera. Rutger Helmers analyzes the cultural context, music, and reception of four important operas: Glinka's A Life for the Tsar (1836), Serov's Judith (1863), Tchaikovsky's The Maid of Orléans (1881), and Rimsky-Korsakov's The Tsar's Bride (1899). He discusses such issues as the influence of Italian and French opera, the use of foreign subjects, the application of local color, and the adherence to the classics, and considers how these related to a sense of "Russianness." Besides yielding new insights for each of these works, this study offers a fresh perspective on the function of nationalist thought in the nineteenth-century Russian opera world.. Rutger Helmers is Assistant Professor in Historical Musicology at the University of Amsterdam and lectures in literary and cultural studies at Radboud University Nijmegen.
Author: Adalyat Issiyeva
Publisher: Oxford University Press
ISBN: 0190051388
Category : Music
Languages : en
Pages : 433
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Book Description
Throughout history, Russia's geo-political and cultural position between the East and West has shaped its national identity. Representing Russia's Orient tells the story of how Russia's imperial expansion and encounters with its Asian neighbors influenced the formation and development of Russian musical identity in the long nineteenth century. While Russia's ethnic minorities, or inorodtsy, were located at the geographical and cultural periphery, they loomed large in composers' perception and musical imagination and became central to the definition of Russianness itself. Drawing from a long-forgotten archive of Russian musical examples, visual art, and ethnographies, author Adalyat Issiyeva offers an in-depth study of Russian art music's engagement with oriental subjects. Within a complex matrix of politics, competing ideological currents, and social and cultural transformations, some Russian composers and writers developed multidimensional representations of oriental "others" and sometimes even embraced elements of Asian musical identity. In three detailed case studies--on the leader of the Mighty Five, Milii Balakirev, Decembrist sympathizer Alexander Aliab'ev, and the composers affiliated with the Music-Ethnography Committee--Issiyeva traces how and why these composers adopted "foreign" musical elements. In this way, she provides a fresh look at how Russians absorbed and transformed elements of Asian history and culture in forging a national identity for themselves.
Author: Arthur Pougin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 352
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Book Description
Author: Robert C. Ridenour
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 274
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Book Description
Author: Marina Frolova-Walker
Publisher: Princeton University Press
ISBN: 069118271X
Category : Music
Languages : en
Pages : 384
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Book Description
A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018
Author: Luis Campos
Publisher: Cambridge Scholars Publishing
ISBN: 1527562018
Category : Music
Languages : en
Pages : 301
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Book Description
Performance by its very nature embraces many constituents, the theories of which have developed into discreet disciplines as on-going research deepens our understanding and knowledge of each one of them. Concomitantly, there continues to grow a greater interlinking, fusion and blurring of discreet boundaries between traditional genres – features highlighted in the seventeen papers presented here. Topics explored in this volume include: the intermedial performance of the Irrepressibles and electronically controlled sounds on the concert platform; the ways in which the physical body dictates movement and character and how the embodiment of the voice goes beyond character stereotypes; how Romeo Catellucci legitimized the audience’s gaze whilst staging brain-damaged patients; interculturalism in a new operatic work focusing on the current Israeli-Palestinian crisis; interrogating transgenerational depictions of Otherness in the Rocky Horror Show; musical speech in Iannis Xenakis’ reworking of ancient Greek in his Oresteia; genre conflation in terms of unaccompanied monodrama; trans-genre adaptation in Strauss’s Der Rosenkavalier and Philip Glass’s “Cocteau trilogy”; and textual and musical comedy in Ligeti’s Le Grand Macabre, among others.
Author: David L. Ransel
Publisher: Indiana University Press
ISBN: 9780253110541
Category : History
Languages : en
Pages : 238
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Book Description
At a time when Poland is emphasizing its distance from Russia, Polish Encounters, Russian Identity points to the historical ties and mutual influences of these two great Slavic peoples. Whether Poland adopted a hostile or a friendly stance toward Russia, the intense responses of Russian thinkers, writers, and political leaders to Poland and to Polish culture shaped Russians' idea of themselves and their place in the world. Countering the recent trend to deny the rich interactions between Russia and Poland, this collection reminds readers that these longstanding, if often difficult, contacts constitute an important and enduring element in the consciousness of the peoples of both countries. The contributors are Manon de Courten, Megan Dixon, Halina Goldberg, Leonid Efremovich Gorizontov, Irina Grudzinska, Beth Holmgren, Judith Deutsch Kornblatt, Matthew Pauly, Nina Perlina, Robert Przygrodski, David L. Ransel, Bozena Shallcross, Barbara Skinner, and Andrzej Walicki.
