The Sienese Trecento Painter Bartolo Di Fredi

The Sienese Trecento Painter Bartolo Di Fredi PDF Author: Patricia Harpring
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204

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Book Description
This study follows the stylistic evolution of Bartolo di Fredi, who studied with Niccolo di Ser Sozzo, and was influenced by the giants of the early Trecento: Martini, da Siena, and Pietro and Ambrogio Lorenzetti. Bartolo mined his rich Sienese artistic heritage for its most valuable characteristics, which he transformed into his own unique and appealing style.

The Sienese Trecento Painter Bartolo Di Fredi

The Sienese Trecento Painter Bartolo Di Fredi PDF Author: Patricia Harpring
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204

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Book Description
This study follows the stylistic evolution of Bartolo di Fredi, who studied with Niccolo di Ser Sozzo, and was influenced by the giants of the early Trecento: Martini, da Siena, and Pietro and Ambrogio Lorenzetti. Bartolo mined his rich Sienese artistic heritage for its most valuable characteristics, which he transformed into his own unique and appealing style.

The Sienese Painter Paolo Di Giovanni Fei (c. 1345-1411)

The Sienese Painter Paolo Di Giovanni Fei (c. 1345-1411) PDF Author: Michael Mallory
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 320

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Sienese Painting of the Trecento

Sienese Painting of the Trecento PDF Author: Curt H. Weigelt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376

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Sienese Painting in the Age of the Renaissance

Sienese Painting in the Age of the Renaissance PDF Author: Bruce Cole
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232

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Routledge Revivals: Medieval Italy (2004)

Routledge Revivals: Medieval Italy (2004) PDF Author: Christopher Kleinhenz
Publisher: Routledge
ISBN: 135166445X
Category : History
Languages : en
Pages : 1648

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Book Description
First published in 2004, Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. It presents in two volumes articles on a wide range of topics including history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy and science. This illustrated, A-Z reference is a cross-disciplinary resource and will be of key interest not only to students and scholars of history but also to those studying a range of subjects, as well as the general reader.

A Wider Trecento

A Wider Trecento PDF Author:
Publisher: BRILL
ISBN: 9004226516
Category : History
Languages : en
Pages : 248

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Book Description
Julian Gardner’s preeminent role in British studies of the art of the 13th and 14th centuries, particularly the interaction of papal and theological issues with its production and on either side of the Alps, is celebrated in these studies by his pupils. They discuss Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, as well as monochrome dado painting up to Giotto, Duccio's representations of proskynesis, a Parisian reliquary in Assisi, Riminese painting for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of Love at Sabbionara, the cult of Urban V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardner’s career itself. The contributors to the volume are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling.

Siena, Florence, and Padua: Interpretative essays

Siena, Florence, and Padua: Interpretative essays PDF Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300061242
Category : Art
Languages : en
Pages : 284

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Book Description
Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .

Painting in Florence and Siena After the Black Death

Painting in Florence and Siena After the Black Death PDF Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300

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Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.

Essays in the Study of Sienese Painting

Essays in the Study of Sienese Painting PDF Author: Bernard Berenson
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 264

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Siena and the Virgin

Siena and the Virgin PDF Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300080069
Category : Art
Languages : en
Pages : 276

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Book Description
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.