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Author: Veronica T. Watson
Publisher: Univ. Press of Mississippi
ISBN: 1496828550
Category : Fiction
Languages : en
Pages : 179
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Book Description
Frank Yerby’s first novel, The Foxes of Harrow, established him as a writer and launched a forty-nine-year career in which he published thirty-three novels. He also became the first African American writer to sell more than a million copies of his work and to have a book adapted into a movie by a Hollywood studio. He garnered legions of loyal fans of his writing. Yet, few know that Yerby began his writing career with the publication of a short story in his school newspaper in 1936, the first of nine stories he would publish in the 1930s and ’40s. Most stories appeared in small journals and magazines and were largely forgotten once he started writing novels. This groundbreaking collection gives readers access to an intriguingly diverse selection of Yerby’s short fiction. The stories collected here, eleven of which have never previously been published, paint a picture of Yerby as an intellectual who thought deeply about several philosophical questions at the center of understanding what it means to be human. The stories also reveal him as an artist committed to exploring a range of human drives, longings, conflicts, and passions, from the quirky to the serious, and in a variety of writing styles. With an attention to historical detail, voice, and character that he became known for, these stories give us new insights into this important African American writer who dared to believe he could earn a living as a writer.
Author: Veronica T. Watson
Publisher: Univ. Press of Mississippi
ISBN: 1496828550
Category : Fiction
Languages : en
Pages : 179
Get Book Here
Book Description
Frank Yerby’s first novel, The Foxes of Harrow, established him as a writer and launched a forty-nine-year career in which he published thirty-three novels. He also became the first African American writer to sell more than a million copies of his work and to have a book adapted into a movie by a Hollywood studio. He garnered legions of loyal fans of his writing. Yet, few know that Yerby began his writing career with the publication of a short story in his school newspaper in 1936, the first of nine stories he would publish in the 1930s and ’40s. Most stories appeared in small journals and magazines and were largely forgotten once he started writing novels. This groundbreaking collection gives readers access to an intriguingly diverse selection of Yerby’s short fiction. The stories collected here, eleven of which have never previously been published, paint a picture of Yerby as an intellectual who thought deeply about several philosophical questions at the center of understanding what it means to be human. The stories also reveal him as an artist committed to exploring a range of human drives, longings, conflicts, and passions, from the quirky to the serious, and in a variety of writing styles. With an attention to historical detail, voice, and character that he became known for, these stories give us new insights into this important African American writer who dared to believe he could earn a living as a writer.
Author: Matthew Teutsch
Publisher: Univ. Press of Mississippi
ISBN: 1496827848
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Contributions by Catherine L. Adams, Stephanie Brown, Gene Andrew Jarrett, John Wharton Lowe, Guirdex Massé, Anderson Rouse, Matthew Teutsch, Donna-lyn Washington, and Veronica T. Watson Rediscovering Frank Yerby: Critical Essays is the first book-length study of Yerby’s life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion. The contributors to this collection work to rectify the misunderstandings of Yerby’s work that have relegated him to the sidelines and, ultimately, begin a reexamination of the importance of “the prince of pulpsters” in American literature. It was Robert Bone, in The Negro Novel in America, who infamously dismissed Frank Yerby (1916–1991) as “the prince of pulpsters.” Like Bone, many literary critics at the time criticized Yerby’s lack of focus on race and the stereotypical treatment of African American characters in his books. This negative labeling continued to stick to Yerby even as he gained critical success, first with The Foxes of Harrow, the first novel by an African American to sell more than a million copies, and later as he began to publish more political works like Speak Now and The Dahomean. However, the literary community cannot continue to ignore Frank Yerby and his impact on American literature. More than a fiction writer, Yerby should be put in conversation with such contemporaneous writers as Richard Wright, Dorothy West, James Baldwin, William Faulkner, Margaret Mitchell, and more.
Author: Lillian Eugenia Smith
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156856362
Category : Fiction
Languages : en
Pages : 388
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Book Description
Prelude and aftermath of a lynching in Georgia, depicting the South's unsolved racial problem.
Author: Frank Yerby
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Frank Yerby
Publisher:
ISBN:
Category : Crusades
Languages : en
Pages : 0
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Book Description
Author: Veronica T. Watson
Publisher: Univ. Press of Mississippi
ISBN: 1496801482
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
The Souls of White Folk: African American Writers Theorize Whiteness is the first study to consider the substantial body of African American writing that critiques whiteness as social construction and racial identity. Arguing against the prevailing approach to these texts that says African American writers retreated from issues of “race” when they wrote about whiteness, Veronica T. Watson instead identifies this body of literature as an African American intellectual and literary tradition that she names “the literature of white estrangement.” In chapters that theorize white double consciousness (W. E. B. Du Bois and Charles W. Chesnutt), white womanhood and class identity (Zora Neale Hurston and Frank Yerby), and the socio-spatial subjectivity of southern whites during the civil rights era (Melba Patillo Beals), Watson explores the historically situated theories and analyses of whiteness provided by the literature of white estrangement from the late-nineteenth through the mid-twentieth centuries. She argues that these texts are best understood as part of a multipronged approach by African American writers to challenge and dismantle white supremacy in the United States and demonstrates that these texts have an important place in the growing field of critical whiteness studies.
Author: Gene Andrew Jarrett
Publisher: NYU Press
ISBN: 0814742882
Category : Fiction
Languages : en
Pages : 458
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Book Description
An anthology of 16 stories and excerpts from novels by African American writers includes critical essays on each author by a variety of scholars.
Author: Gene Andrew Jarrett
Publisher: University of Pennsylvania Press
ISBN: 081220235X
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
Author: Eando Binder
Publisher: Wildside Press LLC
ISBN: 1479458422
Category : Fiction
Languages : en
Pages : 22
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Book Description
"The Teacher from Mars" became an instant classic when it was published in the February 1941 issue of the classic pulp magazine, Thrilling Wonder Stories. It concerns a Martian who comes to Earth as a teacher, experiencing—in the wake of a devastating war—racism and intolerance. Told from the first person viewpoint of an alien, it was unusual for its time, and Eando Binder (the pseudonym of Otto O. Binder) selected it as his best work for the 1954 anthology, My Best Scieince Fiction Story.
Author:
Publisher: LSU Press
ISBN: 0807161608
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Since its publication in 1936, Gone with the Wind has held a unique position in American cultural memory, both for its particular vision of the American South in the age of the Civil War and for its often controversial portrayals of race, gender, and class. New Approaches to “Gone with the Wind” offers neither apology nor rehabilitation for the novel and its Oscar-winning film adaptation. Instead, the nine essays provide distinct, compelling insights that challenge and complicate conventional associations. Racial and sexual identity form a cornerstone of the collection: Mark C. Jerng and Charlene Regester each examine Margaret Mitchell’s reframing of traditional racial identities and the impact on audience sympathy and engagement. Jessica Sims mines Mitchell’s depiction of childbirth for what it reveals about changing ideas of femininity in a postplantation economy, while Deborah Barker explores transgressive sexuality in the film version by comparing it to the depiction of rape in D. W. Griffith’s earlier silent classic, Birth of a Nation. Other essays position the novel and film within the context of their legacy and their impact on national and international audiences. Amy Clukey and James Crank inspect the reception of Gone with the Wind by Irish critics and gay communities, respectively. Daniel Cross Turner, Keaghan Turner, and Riché Richardson consider its aesthetic impact and mythology, and the ways that contemporary writers and artists, such as Natasha Trethewey and Kara Walker, have engaged with the work. Finally, Helen Taylor sums up the pervading influence that Gone with the Wind continues to exert on audiences in both America and Britain. Through an emphasis on intertextuality, sexuality, and questions of audience and identity, these essayists deepen the ongoing conversation about the cultural impact and influence of this monumental work. Flawed in many ways yet successful beyond its time, Gone with the Wind remains a touchstone in southern studies.
