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Author: William Keach
Publisher: Routledge
ISBN: 1317240324
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature.
Author: William Keach
Publisher: Routledge
ISBN: 1317240324
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature.
Author: Susan Hill
Publisher:
ISBN: 9780951652503
Category : Pottery
Languages : en
Pages : 194
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
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Book Description
Author: William Keach
Publisher: Routledge
ISBN: 1317240332
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature.
Author: Manuela Kistner
Publisher: GRIN Verlag
ISBN: 3638948617
Category : Language Arts & Disciplines
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Heidelberg, 13 entries in the bibliography, language: English, abstract: Percy Bysshe Shelley is one of the most famous Romantic poets of the 19th century. Throughout his life he has written a lot of works that impressed people. One of these works is the poem 'Ode to the West Wind' which was written in 1819. This paper is about 'Ode to the West Wind' and gives information on it, such as its outer appearance. It focuses on how Shelley describes the 'wind' and which symbols he uses in this poem. First some information about the term 'ode' itself. The ode is a lyric poem with great length that deals with a "lofty theme in a dignified manner ". There are three types of English odes: the Pindaric, the Cowley and the Horation ode. The Pindaric Ode is a ceremonious poem with Pindar's style. Pindar was "a Greek professional lyrist of the 5th century BC. He employed the triadic structure of Stesichorus, [...] consisting of a strophe [...] followed by a metrically harmonious antistrophe, concluding with a summary line in a different metre. " The most important odes were those of Abraham Cowley and Andrew Marvell. Marvell, for example, used "a simple and regular stanza [...] modelled on Horace" with the rhyme scheme aabb; the first two lines had four stresses, whereas the last two lines had only three stresses. Cowley wrote Pindaric odes "which had irregular patterns of line lengths and rhyme schemes, though they were iambic." Shelley's Ode is of the Horation type; in it he describes the activities of the west wind on earth, on the sea and also in the sky. He also expresses "his envy for the boundless freedom of the west wind, and his wish to be free like the wind and to scatter his words among mankind".
Author: Mary Poovey
Publisher: University of Chicago Press
ISBN: 0226675289
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel
Author: Francis-Noël Thomas
Publisher: Princeton University Press
ISBN: 1400887356
Category : Language Arts & Disciplines
Languages : en
Pages : 234
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Book Description
Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Percy Bysshe Shelley
Publisher: Good Press
ISBN:
Category : Travel
Languages : en
Pages : 67
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Book Description
History of a Six Weeks' Tour is a travel narrative by Percy Bysshe Shelley. It takes us on a journey through France, Switzerland, Germany and Holland, while adding an element of romantic philosophy into the mix.
Author: Madeleine Callaghan
Publisher: Oxford University Press, USA
ISBN: 0199558361
Category : History
Languages : en
Pages : 734
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Book Description
The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.
Author: Jacqueline Mulhallen
Publisher: Revolutionary Lives
ISBN: 9780745334615
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Today, Percy Bysshe Shelley is an emblem of the Romantic movement and one of the lights of English culture--his poems memorized by schoolchildren, his life honored with a memorial in Westminster Abbey's Poets' Corner. That wasn't always the case, however. In his own day, Shelley was widely loathed, seen as an immoral atheist and a traitor to his class for his revolutionary politics. His work was damned as well, receiving scathing reviews rooted as much in disapproval of his politics and personal life as in the verse itself. That's the Shelley that Jacqueline Mulhallen brings to life in this accessible, political biography: the Shelley who, though writing when the working class was in its infancy, clearly grasped--and wanted to change--the system of oppression under which laborers and women lived. The revolutionary Shelley, Mulhallen shows, has long served as an inspiration to figures from Karl Marx to W. B. Yeats to the poets and writers of today, and for popular movements like the Chartists and the suffragettes, even as his public image and poetry became part of the establishment. An engaging look at one of English history and literature's most compelling, complicated, and talented figures, Percy Bysshe Shelley will be a valuable contribution to our understanding of the man and his work.
