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Author: Bhāsa
Publisher: Penguin Books India
ISBN: 9780143104308
Category : Sanskrit drama
Languages : en
Pages : 164
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Book Description
No Marketing Blurb
Author: Bhāsa
Publisher: Penguin Books India
ISBN: 9780143104308
Category : Sanskrit drama
Languages : en
Pages : 164
Get Book Here
Book Description
No Marketing Blurb
Author: Bhāsa
Publisher:
ISBN:
Category :
Languages : en
Pages : 117
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Book Description
Author: A. C. Woolner
Publisher: Motilal Banarsidass
ISBN: 8120809084
Category : Religion
Languages : en
Pages : 396
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Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Author: Meena Arora Nayak
Publisher: Oxford University Press
ISBN: 0199091838
Category : Religion
Languages : en
Pages : 435
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Book Description
Good and evil, loyalty and treachery, faith and doubt, honour and ignominy—the Mahabharata has served as a primer for codes of conduct to generations of Hindus. Over time, the epic has also fascinated those who love a tale well told. In its telling, however, the story has lost much of its richness and nuance, and the characters have become one-dimensional cut-outs—either starkly good or irredeemably evil. In this reinterpretation, Meena Arora Nayak analyses how the values espoused in the Mahabharata came to be distorted into meagre archetypes, creating customary laws that injure society even today.
Author:
Publisher: BRILL
ISBN: 9004361405
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
The English-speaking world today is so diverse that readers need a gateway to its many postcolonial narratives and art forms. This collection of essays examines this diver¬sity and what brings so many different cul¬tures together. Whether Indian, Canadian, Australasian or Zimbabwean, the stories dis¬cussed focus on how artists render experi¬ences of separation, belonging, and loss. The histories and transformations postcolonial countries have gone through have given rise to a wide range of myths that retrace their birth, evolution, and decline. Myths have enabled ethnic communities to live together; the first section of this collection dwells on stories, which can be both inclusive and exclusive, under the aegis of ‘nation’. While certain essays revisit and retell the crucial role women have played in mythical texts like the Mahābhārata, others discuss how settler colonies return to and re-appro¬priate a past in order to define themselves in the present. Crises, clashes, and conflicts, which are at the heart of the second section of this book, entail myths of historical and cultural dislocation. They appear as breaks in time that call for reconstruction and redefini¬tion, a chief instance being the trauma of slavery, with its deep geographical and cul¬tural dislocations. However, the crises that have deprived entire communities of their homeland and their identity are followed by moments of remembrance, reconciliation, and rebuilding. As the term ‘postcolonial’ sug¬gests, the formerly colonized people seek to revisit and re-investigate the impact of colo¬nization before committing it to collective memory. In a more specifically literary sec¬tion, texts are read as mythopoeia, fore¬grounding the aesthetic and poetic issues in colonial and postcolonial poems and novels. The texts explored here study in different ways the process of mytho¬logization through images of location and dislocation. The editors of this collection hope that readers worldwide will enjoy reading about the myths that have shaped and continue to shape postcolonial communities and nations. CONTRIBUTORS Elara Bertho, Dúnlaith Bird, Marie–Christine Blin, Jaine Chemmachery, André Dodeman, Biljana Đorić Francuski, Frédéric Dumas, Daniel Karlin, Sabine Lauret–Taft, Anne Le Guellec–Minel, Élodie Raimbault, Winfried Siemerling, Laura Singeot, Françoise Storey, Jeff Storey, Christine Vandamme
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
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Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Author: Narayana
Publisher: Penguin UK
ISBN: 0141907983
Category : Fiction
Languages : en
Pages : 353
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Book Description
Composed between 800 and 950 AD, Narayana's Hitopadesa is one of the best-known of all works in Sanskrit literature. A fascinating collection of fables, maxims and sayings in verse, it combines a wide variety of writings from earlier authors in one volume - a 'garden of pleasing stories' created to provide guidance, wisdom and political advice to the reader. With elegance and great humour, Narayana weaves a framework for the classic tales, here narrated by animals who quote from and reflect on stories from the Pancatantra and other traditional sources. At once an anthology of folk wisdom and an original and satirical work in its own right, the Hitopadesa has been deeply admired and widely read for more than a thousand years for its humorous and profound reflections on human lives, loves, follies and philosophies.
Author: Narayana (tr. Haskar
Publisher: Penguin Books India
ISBN: 9780144000791
Category :
Languages : en
Pages : 268
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Book Description
The Ever-Popular Book Of Good Counsels From Ancient India. One Of The Best-Known Sanskrit Classics, Narayana&Rsquo;S Hitopadesa Is A Fascinating Collection Of Animal And Human Fables Augmented With Polished Verse Epigrams And Gnomic Stanzas, Many Of Which Have Become Proverbial. This Satirical, Often Irreverent And Sometimes Ribald Text Has Been Popular For Centuries As A Compendium Of Worldly Advice On Matters Ranging From Statesmanship And Detailed Battle Plans To Personal Conduct And Marital Fidelity. It Has Also Served Generations Of Students As A Model Of Grammatical And Metaphorical Excellence. In This &Lsquo;Garden Of Pleasing Stories&Rsquo;, As Narayan Himself Describes It, Birds, Beasts, Men And Women Scheme, Suffer, Lust, Err, Grieve And Rejoice, Acting As Perceptive Social Critics And Astute Commentators On The Absurd Nature Of Human Folly. Combining His Own Literary Genius With Skilful Selections And Modifications Of Material From The Panchatantra And A Host Of Other Traditional Sources, Narayan Has Created A Refreshingly Original Masterpiece. This Excellent New Translation Faithfully Renders The Wit And Wisdom Of The Original. &Nbsp;
Author: A N D Haskar
Publisher: Penguin UK
ISBN: 9352141008
Category : Fiction
Languages : en
Pages : 207
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Book Description
Classic tales of courage and compassion The fabled monarch Vikramaditya is considered a model of kingly virtues, and his reign a golden age. These famous stories narrated by the thirty-two statuettes of nymphs supporting the magic throne of Vikramaditya extol his courage, compassion and extraordinary magnanimity. They are set in a framework recounting the myths of his birth, accession, adventures and death in battle, after which the throne remained concealed till its discovery in a later age. A fascinating mix of marvellous happenings, proverbial wisdom and sage precepts, these popular tales are designed to entertain as well as instruct. Many have passed into folk literature. The original author of the Simhasana Dvatrimsika is unknown. The present text is dated to the thirteenth century AD. It exists in four main recensions, from which extracts have been compiled together for the first time, in this lively and faithful translation of this celebrated classic by a renowned Sanskritist
Author: Kalyana Malla
Publisher: Penguin UK
ISBN: 9351189465
Category : Fiction
Languages : en
Pages : 80
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Book Description
A Hindu poet, Kalyana Malla, renders in classical Sanskrit a biblical story for his Muslim patron, a Lodhi prince of the sixteenth century, in this unusual intermingling of cultural traditions. The sensual unfolding of David and Bathsheba’s love story-the bathing scene, David’s infatuation, his pursuit of Bathsheba, and their eventual union-is strikingly portrayed in the language of the gods through its shringara rasa, or the erotic mode, by a writer better known for the sex manual Ananga Ranga. This marvellous, first-ever English translation of Suleiman Charitra-a delightful Sanskrit rendering of Hebraic and Arabic tales-elegantly brings together the east and the west.
