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Author: Mark Evans
Publisher: New Amsterdam Books
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 68
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Book Description
Renaissance illuminated manuscript, its lavish decorations were painted in two campaigns, the first around 1490 for Bona of Savoy, widow of Galeazso Sforza, Duke of Milan. A portion of the book was delivered when a substantial part of the remainder was stolen. Thirty years later, in 1517-20, Bona's heir Margaret of Austria, Regent of the Netherlands, commissioned 16 additional miniatures to complement Birago's.
Author: Mark Evans
Publisher: New Amsterdam Books
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 68
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Book Description
Renaissance illuminated manuscript, its lavish decorations were painted in two campaigns, the first around 1490 for Bona of Savoy, widow of Galeazso Sforza, Duke of Milan. A portion of the book was delivered when a substantial part of the remainder was stolen. Thirty years later, in 1517-20, Bona's heir Margaret of Austria, Regent of the Netherlands, commissioned 16 additional miniatures to complement Birago's.
Author: JoniM. Hand
Publisher: Routledge
ISBN: 1351536532
Category : Art
Languages : en
Pages : 266
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Book Description
Author Joni M. Hand sheds light on the reasons women of the Valois courts from the mid-fourteenth to the mid-sixteenth century commissioned devotional manuscripts. Visually interpreting the non-text elements-portraits, coats of arms, and marginalia-as well as the texts, Hand explores how the manuscripts were used to express the women?s religious, political, and/or genealogical concerns. This study is arranged thematically according to the method in which the owner is represented. Recognizing the considerable influence these women had on the appearance of their books, Hand interrogates how the manuscripts became a means of self-expression beyond the realm of devotional practice. She reveals how noblewomen used their private devotional manuscripts as vehicles for self-definition, to reflect familial, political, and social concerns, and to preserve the devotional and cultural traditions of their families. Drawing on documentation of women?s book collections that has been buried within the inventories of their fathers, husbands, or sons, Hand explores how these women contributed to the cultural and spiritual character of the courts, and played an integral role in the formation and evolution of the royal libraries in Northern Europe.
Author: Kim Woods
Publisher: Yale University Press
ISBN: 9780300121896
Category : Art
Languages : en
Pages : 326
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Book Description
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
Author: William Pollard Urquhart
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 418
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Book Description
Author: Mark Evans
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
Renaissance illuminated manuscript, its lavish decorations were painted in two campaigns, the first around 1490 for Bona of Savoy, widow of Galeazso Sforza, Duke of Milan. A portion of the book was delivered when a substantial part of the remainder was stolen. Thirty years later, in 1517-20, Bona's heir Margaret of Austria, Regent of the Netherlands, commissioned 16 additional miniatures to complement Birago's.
Author: William Tyndale
Publisher: Bulfinch Press
ISBN: 9780821222799
Category : Art
Languages : en
Pages : 32
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Book Description
Illustrations from medieval books of hours in the British Library are accompanied by Gospel excerpts in a modernized Tyndale translation
Author: Brian Richardson
Publisher: Cambridge University Press
ISBN: 1108477690
Category : Language Arts & Disciplines
Languages : en
Pages : 299
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Book Description
The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Cecilia Mary Ady
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
Author: Scot McKendrick
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 172
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Book Description
"The remarkable and distinctive art of early Netherlandish painters such as Jan van Eyck and Rogier van der Weyden is well known to visitors of art galleries and museums. Yet illuminated manuscripts, rarely seen except by scholars and curators, offer some of the best evidence for our understanding of early Netherlandish painting through a remarkable period of 150 years. Unlike paintings, which have been varnished, cleaned, repainted and exposed to light, the illuminations kept secure within the bindings of a book retain their original colour and clarity of definition."--Book Flap.
