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Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
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Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
Get Book Here
Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Bissera V
Publisher: Penn State University Press
ISBN: 9780271035840
Category : Art
Languages : en
Pages : 327
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Book Description
Today we take the word "icon" to mean "a sign," or we equate it with portaits of Christ and the saints. In The Sensual Icon, Bissera Pentcheva demonstrates how icons originally manifested the presence of the Holy Spirit in matter. Christ was the ideal icon, emerging through the Incarnation; so, too, were the bodies of the stylites (column-saints) penetrated by the divine peneuma (breath or spirit), or the Eucharist, or the Justinianic space of Hagia Sophia filled with the reverberations of chants and the smoke of incense. Iconoclasm (726-843) challenged these Spirit-centered definitions of the icon, eventually restricting the word to mean only the lifeless imprint (typos) of Christ's visual characteristics on matter. By the tenth century, mixed-media relief icons in gold, repousse, enamel, and filigree offered a new paradigm. The sun's rays or flickering candlelight, stirred by drafts of air and human breath, animated the rich surfaces of these objects; changing shadows endowed their eyes with life. The Byzantines called this spectacle of polymorphous appearance poikilia, that is, presence effects sensually experienced. These icons enabled viewers in Constantinople to detect animation in phenomenal changes rather than in pictorial or sculptural naturalism. "Liveliness," as the goal of the Byzantine mixed-media relief icon, thus challenges the Renaissance ideal of "lifelikeness," which dominated the Western artistic tradition before the arrival of the modern. Through a close examination of works of art and primary texts and language associated with these objects, and through her new photographs and film capturing their changing appearances, Pentcheva uncovers the icons' power to transform the viewer from observer to participant, communing with the divine.
Author: Bissera V. Pentcheva
Publisher: Penn State University Press
ISBN: 9780271035833
Category : Icons
Languages : en
Pages : 0
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Book Description
Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance.
Author: Colleen Jaurretche
Publisher: Univ of Wisconsin Press
ISBN: 9780299156206
Category : History
Languages : en
Pages : 178
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Book Description
Jaurretche (English, U. of California-Los Angeles) traces the development of the Irish writer's mystical aesthetic through his novels to its supreme culmination and negation in Finnegan's Wake. She also shows how the search to surmount all human categories and sensations in order to encounter the divine, arose and developed in the Middle Ages, and was transmitted into modernism during and just before Joyce's time. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Bissera V. Pentcheva
Publisher: Penn State University Press
ISBN: 9780271077260
Category : Byzantine chants
Languages : en
Pages : 0
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Book Description
Examines the aesthetic principles and spiritual operations at work in Hagia Sophia. Drawing on art and architectural history, liturgy, musicology, and acoustics, explores the Byzantine paradigm of animation.
Author: Bissera V. Pentcheva
Publisher: Penn State Press
ISBN: 9780271048161
Category : Art
Languages : en
Pages : 340
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Book Description
Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.
Author: Maria Taroutina
Publisher: Penn State Press
ISBN: 0271082577
Category : Art
Languages : en
Pages : 288
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Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Author: David Howes
Publisher: University of Michigan Press
ISBN: 0472026224
Category : Social Science
Languages : en
Pages : 310
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Book Description
With audacious dexterity, David Howes weaves together topics ranging from love and beauty magic in Papua New Guinea to nasal repression in Freudian psychology and from the erasure and recovery of the senses in contemporary ethnography to the specter of the body in Marx. Through this eclectic and penetrating exploration of the relationship between sensory experience and cultural expression, Sensual Relations contests the conventional exclusion of sensuality from intellectual inquiry and reclaims sensation as a fundamental domain of social theory. David Howes is Professor of Anthropology, Concordia University, Montreal, Quebec.
Author: Jan Gossaert
Publisher: Metropolitan Museum of Art
ISBN: 1588393984
Category : Art and design
Languages : en
Pages : 498
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Book Description
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Author: Stephanie Rumpza
Publisher: Cambridge University Press
ISBN: 100931789X
Category : Religion
Languages : en
Pages : 313
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Book Description
How can something finite mediate an infinite God? Weaving patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-George Gadamer and Jean-Luc Marion, Stephanie Rumpza proposes a new answer to this paradox by offering a fresh and original approach to the Byzantine icon. She demonstrates the power and relevance of the phenomenological method to integrate hermeneutic aesthetics and divine transcendence, notably how the material and visual dimensions of the icon are illuminated by traditional practices of prayer. Rumpza's study targets a problem that is a major fault line in the continental philosophy of religion – the integrity of finite beings I relation to a God that transcends them. For philosophers, her book demonstrates the relevance of a cherished religious practice of Eastern Christianity. For art historians, she proposes a novel philosophical paradigm for understanding the icon as it is approached in practice.
