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Author: Lee A. Ritscher
Publisher: Peter Lang
ISBN: 9780820497372
Category : Literary Criticism
Languages : en
Pages : 138
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Book Description
The Semiotics of Rape in Renaissance English Literature traces the development of laws regarding rape in pre- and early modern England, including Anglo-Saxon, Norman, and Tudor changes to the legal code and how legal code, societal expectations of virtuous women, and medical theory interact to coerce silence from early modern rape victims. These forces come to play in the literary texts under examination, including poetry from Sir Philip Sidney and George Gascoigne and drama by William Shakespeare and Thomas Heywood. By examining the narratorial slippage, the gaps between the original Roman myth and the Elizabethan retellings of the narrative, this study seeks to tease out the sites of particularly English forms of misogyny and discover how this misogyny affects all women, not just those who are rape victims.
Author: Lee A. Ritscher
Publisher: Peter Lang
ISBN: 9780820497372
Category : Literary Criticism
Languages : en
Pages : 138
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Book Description
The Semiotics of Rape in Renaissance English Literature traces the development of laws regarding rape in pre- and early modern England, including Anglo-Saxon, Norman, and Tudor changes to the legal code and how legal code, societal expectations of virtuous women, and medical theory interact to coerce silence from early modern rape victims. These forces come to play in the literary texts under examination, including poetry from Sir Philip Sidney and George Gascoigne and drama by William Shakespeare and Thomas Heywood. By examining the narratorial slippage, the gaps between the original Roman myth and the Elizabethan retellings of the narrative, this study seeks to tease out the sites of particularly English forms of misogyny and discover how this misogyny affects all women, not just those who are rape victims.
Author: John S. Garrison
Publisher: Routledge
ISBN: 1317548884
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This volume brings together two vibrant areas of Renaissance studies today: memory and sexuality. The contributors show that not only Shakespeare but also a broad range of his contemporaries were deeply interested in how memory and sexuality interact. Are erotic experiences heightened or deflated by the presence of memory? Can a sexual act be commemorative? Can an act of memory be eroticized? How do forms of romantic desire underwrite forms of memory? To answer such questions, these authors examine drama, poetry, and prose from both major authors and lesser-studied figures in the canon of Renaissance literature. Alongside a number of insightful readings, they show that sonnets enact a sexual exchange of memory; that epics of nationhood cannot help but eroticize their subjects; that the act of sex in Renaissance tragedy too often depends upon violence of the past. Memory, these scholars propose, re-shapes the concerns of queer and sexuality studies – including the unhistorical, the experience of desire, and the limits of the body. So too does the erotic revise the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts.
Author: Helen Barker
Publisher: Springer Nature
ISBN: 3030826090
Category : History
Languages : en
Pages : 137
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Book Description
This book is intended for those in the humanities seeking a legal context for writing about rape in early modern England. It takes the premise that over the past four decades misunderstandings about rape law, and misreadings of rape statutes from medieval to Elizabethan times, have become widely cited in criticism. Helen Barker identifies how this has arisen, and discusses the main sources of confusion – including indissoluble issues around the word ‘ravishment’. Rape law historically encompassed elopement and abduction; this book offers a succinct overview of the law, and draws attention to the wider social context other than gender opposition in which it is often presented. In addition, critics have been tempted to rely on the ostensibly authoritative seventeenth-century treatise, The Lawes Resolutions of Womens Rights, as a legal source. By examining the context of its publication, this book suggests that the treatise is unreliable and can mislead the unwary.
Author: Armelle Sabatier
Publisher: Bloomsbury Publishing
ISBN: 1472568060
Category : Drama
Languages : en
Pages : 313
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Book Description
Statues coming to life and lively portraits ready to breathe in Shakespeare? This new volume re-assesses the key role played by visual culture in his drama and poetry by providing readers with an up-to-date guide to the main publications on the subject as well as offering a synthesis on the main literary and historical sources for inspiration. While scrutinising the complex issue of image on an Elizabethan stage and exploring the codification of colours in Shakespeare's poetry, this dictionary highlights the fierce rivalry between the poet, the dramatist and the visual artist. This volume will be of great interest and value to students of Shakespeare, students of art history or anyone working on the interdisciplinary subject of literature and art.
Author: Lisa Starks
Publisher: Edinburgh University Press
ISBN: 1474430082
Category : Drama
Languages : en
Pages : 296
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Book Description
Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.
Author: Vanessa Wilkie
Publisher: Simon and Schuster
ISBN: 1982154284
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
This extraordinary true story transports us to Tudor and Stuart England as Alice Spencer, the daughter of an upstart sheep farmer, becomes one of the most powerful women in the country and establishes a powerful dynasty that endures to this day. Perfect for fans of The Duchess Countess and Georgiana. Alice Spencer was born in 1560 to a family on the rise. Her grandfather had amassed a sizeable estate of fertile grazing land and made a small fortune in sheep farming, allowing him to purchase a simple but distinguished manor house called Althorp. With her sizable dowry, Alice married the heir to one of the most powerful aristocratic families in the country, eventually becoming the Countess of Derby. Though she enjoyed modest renown, it wasn’t until her husband’s sudden death (after he turned in a group of Catholics for plotting against Queen Elizabeth I) that Alice and her family’s future changed forever. Faced with a lawsuit from her brother-in-law over her late husband’s fortune, Alice raised eyebrows by marrying England’s most powerful lawyer. Together, they were victorious, and Alice focused her attentions on securing appropriate husbands for her daughters, increasing her land ownings, and securing a bright future for her grandchildren and the entire Spencer family. But they would not completely escape scandals, and as the matriarch, Alice had to face an infamous trial that threatened everything she had worked so hard for. Now, the full story of the remarkable Alice Spencer Stanley Egerton is revealed in this comprehensive and colorful biography. A woman both ahead of and part of her time, Alice’s ruthless challenging of the status quo has inspired future generations of Spencers and will change the way you view Tudor women.
Author: Alastair Fowler
Publisher: Oxford University Press
ISBN: 0199592225
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Names hidden by acrostic or anagram, pseudonyms, pen-names, nicknames, nameless characters, and lists of names are all explored in this erudite and fascinating book, which encompasses literature from ancient times to modern.
Author: Erin Peters
Publisher: U of Nebraska Press
ISBN: 1496208919
Category : History
Languages : en
Pages : 414
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Book Description
This edited collection explores what trauma—seen through an analytical lens—can reveal about the early modern period and, conversely, what conceptualizations of psychological trauma from the period can tell us about trauma theory itself.
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110263378
Category : History
Languages : en
Pages : 281
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Book Description
Contrary to modern assumptions, sexual violence and rape were treated as severe crimes in the Middle Ages. This book examines the testimony in medieval and early modern German literature and traces the discourse on both aspects from the twelfth through the sixteenth centuries. Most comments about rape come from male writers, and medieval literature contains numerous examples of rape scenes which are mostly viewed highly critically. Previous studies on this topic have focused on English, French, and Italian literature, whereas here the emphasis rests on German examples.
Author: Paxton Hehmeyer
Publisher: Cambridge Scholars Publishing
ISBN: 1443838306
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Cannibalism, severed hands and severed heads, rape, murder, tragedy and - of course - the Classics. These are a few of the delights audiences have to look forward to in Titus Andronicus. It's a play of extremes, as likely to provoke severe discomfort as s
