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Author: Peter F. Ostwald
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110812622
Category : Language Arts & Disciplines
Languages : en
Pages : 424
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Book Description
No detailed description available for "The Semiotics of Human Sound".
Author: Peter F. Ostwald
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110812622
Category : Language Arts & Disciplines
Languages : en
Pages : 424
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Book Description
No detailed description available for "The Semiotics of Human Sound".
Author: Peter F. Ostwald
Publisher: UPNE
ISBN: 9781555530143
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
After obtaining access to long-sought-after archival material about the final years of Robert Schumann, Lise Deschamps Ostwald, the author's widow, is finally able to detail the composer's last years at the mental institution in Endenich, fulfilling her husband's original intent "Schumann is a remarkable piece of work...Soberly and objectively, it unearths information that no previous Schumann researcher--in English at least--has come near duplicating."--Harold C. Schonberg, The New York Times Book Review "Peter Ostwald, a San Francisco psychiatrist who is also a trained musician, has dug deeply...and applied his professional knowledge to the fashioning of a fascinating, perceptive psychobiography of the nineteenth-century Romantic master."--Arthur Hepner, Boston Globe "Ostwald...offers new insights into one about whom the musical world has never ceased wondering."--Robert Commanday, San Francisco Chronicle --Book Jacket.
Author: Brandon LaBelle
Publisher: Bloomsbury Publishing USA
ISBN: 1623567734
Category : Music
Languages : en
Pages : 233
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Book Description
Lexicon of the Mouth surveys the oral cavity as the central channel by which self and surrounding are brought into relation. Questions of embodiment and agency, attachment and loss, incorporation and hunger, locution and the non-sensical are critically examined. In doing so, LaBelle emphasizes the mouth as a vital conduit for negotiating "the foundational narrative of proper speech." Lexicon of the Mouth aims for a viscous, poetic and resonant discourse of subjectivity, detailed through the "micro-oralities" of laughing and whispering, stuttering and reciting, eating and kissing, among others. The oral cavity is posed as an impressionable arena, susceptible to all types of material input, contamination and intervention, while also enabling powerful forms of resistance, attachment and conversation, as well as radical imagination. Lexicon of the Mouth argues for the revolutionary promise of the laugh, the spirited mythologies of the whisper, the schizophonics of self-talk, and the primal noise of gibberish, suggesting that the significance of voicing is fundamentally bound to the exertions of the mouth. Subsequently, assumptions around voice and vocality are unsettled in favor of an epistemology of the oral, highlighting the acts of the tongue, the lips and the throat as primary mediations between interior and exterior, social structures and embodied expressions. LaBelle makes a significant contribution to currents in sound and voice studies by reminding that to hear the voice, and to consider a politics of speech, is first and foremost to assume the mouth.
Author: Winfried Nöth
Publisher: Indiana University Press
ISBN: 0253116082
Category : Literary Criticism
Languages : en
Pages : 592
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Book Description
"This is the most systematic discussion of semiotics yet published." —Choice "A bravura performance." —Thomas Sebeok "Nöth's handbook is an outstanding encyclopedia that provides first-rate information on many facets of sign-related studies, research results, and applications." —Social Sciences in General
Author: Amy Chan
Publisher: ANU E Press
ISBN: 1921536551
Category : Music
Languages : en
Pages : 196
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Book Description
Sounds in Translation: Intersections of music, technology and society joins a growing number of publications taking up R. Murray Schafer's challenge to examine and to re-focus attention on the sound dimensions of our human environment. This book takes up his challenge to contemporary audiologists, musicologists and sound artists working within areas of music, cultural studies, media studies and social science to explore the idea of the 'soundscape' and to investigate the acoustic environment that we inhabit. It seeks to raise questions regarding the translative process of sound: 1) what happens to sound during the process of transfer and transformation; and 2) what transpires in the process of sound production/expression/performance. Sounds in Translation was conceived to take advantage of new technology and a development in book publishing, the electronic book. Much of what is written in the book is best illustrated by the sound itself, and in that sense, permits sound to 'speak for itself'.
Author: Leanne Hinton
Publisher: Cambridge University Press
ISBN: 9780521026772
Category : Language Arts & Disciplines
Languages : en
Pages : 396
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Book Description
A study of the relationship between the sound of an utterance and its meaning.
Author: Daniel Chandler
Publisher: Routledge
ISBN: 1134324774
Category : Language Arts & Disciplines
Languages : en
Pages : 326
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Book Description
This updated second edition provides a clear and concise introduction to the key concepts of semiotics in accessible and jargon-free language. With a revised introduction and glossary, extended index and suggestions for further reading, this new edition provides an increased number of examples including computer and mobile phone technology, television commercials and the web. Demystifying what is a complex, highly interdisciplinary field, key questions covered include: What is a sign? Which codes do we take for granted? How can semiotics be used in textual analysis? What is a text? A highly useful, must-have resource, Semiotics: The Basics is the ideal introductory text for those studying this growing area.
Author: Eero Tarasti
Publisher: Indiana University Press
ISBN: 9780253329493
Category : Literary Criticism & Collections
Languages : en
Pages : 668
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Book Description
The international research project on Musical Signification, since its founding over ten years ago, has sought to win new scholars to musical semiotics. To that end, the Department of Musicology at Helsinki University has already organized five international doctoral and postdoctoral seminars. They have become something of a tradition. The anthology consists of papers presented in the three first seminars covering areas from music philosophy and aesthetics to the analysis of vocal and instrumental as well as electro-acoustic music, interrelationships of arts, music history, post-modernism, etc.
Author: University of California, San Francisco
Publisher:
ISBN:
Category : Hospitals
Languages : en
Pages : 404
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Book Description
Author: Dinda Gorlée
Publisher: Anthem Press
ISBN: 1839989092
Category : Language Arts & Disciplines
Languages : en
Pages : 137
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Book Description
Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure’s theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce’s dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf’s novel The Waves to give a political transformation of Wagner’s opera Das Rheingold. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil’s Aeneid, when he retranslated the vocal text to accompany the musical lyrics of his opera The Trojans. Hyperbole is demonstrated by Bertold Brecht’s auto-translation of Gay’s The Beggar’s Opera. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang.
