The Andrian. The eunuch. The self-tormentor PDF Download
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Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 450
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Book Description
Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 450
Get Book Here
Book Description
Author: Terence
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 248
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Book Description
Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 372
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Book Description
Author: Terence
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Book Description
![The Hauton timorumenos, or self-tormentor, of Terence, literally tr. [by T.A. Blyth]. PDF](https://books.google.com/books/content/images/frontcover/lmUCAAAAQAAJ?fife=w80-h100)
Author: Publius Terentius (Afer)
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Terence
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 80
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Book Description
A severe father compels his son Clinia, in love with Antiphila, to go abroad to the wars; and repenting of what has been done, torments himself in mind.
Author: Terence
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
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Book Description
Author: Robert Willoughby Corrigan
Publisher: Hal Leonard Corporation
ISBN: 9780936839851
Category : Drama
Languages : en
Pages : 500
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Book Description
Gathers comedies by Aristophanes, Menander, Plautus, and Terence and discusses the background of each play
Author: Susan Blood
Publisher: Stanford University Press
ISBN: 9780804780865
Category : Poetry
Languages : en
Pages : 236
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Book Description
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.
Author: Søren Kierkegaard
Publisher: Princeton University Press
ISBN: 1400832381
Category : Philosophy
Languages : en
Pages : 512
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Book Description
First published in 1848, Christian Discourses is a quartet of pieces written and arranged in contrasting styles. Parts One and Three, "The Cares of the Pagans" and "Thoughts That Wound from Behind--for Upbuilding," serve as a polemical overture to Kierkegaard's collision with the established order of Christendom. Yet Parts Two and Four, "Joyful Notes in the Strife of Suffering" and "Discourses at the Communion on Fridays," are reassuring affirmations of the joy and blessedness of Christian life in a world of adversity and suffering. Written in ordinary language, the work combines simplicity and inwardness with reflection and presents crucial Christian concepts and presuppositions with unusual clarity. Kierkegaard continued in the pattern that he began with his first pseudonymous esthetic work, Either/Or, by pairing Christian Discourses with The Crisis, an unsigned esthetic essay on contemporary Danish actress Joanne Luise Heiberg.
