The Selected Works of Maulana Abul Kalam Azad: 1952-1952 PDF Download
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Author: Ravindra Kumar
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563067
Category : India
Languages : en
Pages : 336
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Book Description
Author: Ravindra Kumar
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563067
Category : India
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Abūlkalām Āzād
Publisher:
ISBN:
Category : India
Languages : en
Pages : 0
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Book Description
Author: Abūlkalām Āzād
Publisher:
ISBN:
Category : India
Languages : en
Pages : 332
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Book Description
Author: Ravindra Kumar
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563074
Category : India
Languages : en
Pages : 354
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Book Description
Author:
Publisher: Atlantic Publishers & Distri
ISBN:
Category : India
Languages : en
Pages : 314
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Book Description
Author: Ravindra Kumar
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563050
Category : India
Languages : en
Pages : 316
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Book Description
Author: Ravindra Kumar
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563111
Category : India
Languages : en
Pages : 350
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Book Description
Author:
Publisher: Atlantic Publishers & Distri
ISBN:
Category : India
Languages : en
Pages : 366
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Book Description
Author: Paramjit Sahay
Publisher: Vij Books India Pvt Ltd
ISBN: 9388161092
Category : Political Science
Languages : en
Pages : 645
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Book Description
The Book is a window on Indian cultural diplomacy, which is set against the backdrop of its ethos of 'Vasudhaiva Kutumbakam' (The World is a Family). It is pivoted to the 'Idea of India' that gets manifested through acceptance of diversity and celebration of pluralism. The Book in 15 chapters under 8 sections provides a comprehensive picture on the concept of cultural diplomacy; its relationship with public diplomacy and soft power; its place in the diplomatic architecture and its growing centrality. Unlike soft power, cultural diplomacy is not in the paradigm of power. The Book also provides an in depth study on the origins and evolution of Indian cultural diplomacy over the years. It reviews the role of the Ministries of Culture and External Affairs and the Indian Council for Cultural Relations (ICCR). It examines various instrumentalities, such as Cultural Agreements, Festivals of India, Cultural Centres and Chairs of Indian Studies, used by India, to achieve its objectives. The role played by Education, Media and Diaspora, as bridge builders is evaluated. The Book peeps into global cultural hubs, like the Smithsonian Institution in Washington DC and the working of cultural diplomacy at grassroots level at Chandigarh and Chicago. Two chapters in the Book look at the operation of cultural diplomacy in the Indian diplomatic missions and foreign diplomatic missions in India. This adds a practical dimension to the conceptual framework, as seen by practitioners of diplomacy. The final chapter provides an overview on the existing reality. A section on 'The Way Ahead' makes a number of practical recommendations in five clusters, to take cultural diplomacy to a higher plateau. Finally, it raises a set of pertinent issues and points for consideration by theoreticians and practitioners of cultural diplomacy. The Book would serve as a useful reference point for further studies, as it fills the existing void in the literature on cultural diplomacy.
Author: Sanjukta Sunderason
Publisher: Stanford University Press
ISBN: 1503613003
Category : History
Languages : en
Pages : 404
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Book Description
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
