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Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 744
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Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 744
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
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Book Description
Author: Wise Publications
Publisher: Wise Publications
ISBN: 1783234326
Category : Music
Languages : en
Pages : 106
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Book Description
Miss Saigon (PVG) presents 12 songs from Boublil & Schonberg’s hit musical, Miss Saigon. Each song has been freshly engraved for piano and voice, with accompanying lyrics, allowing you to relive the beauty and drama of the show. With beautiful and faithful transciptions, alongside full-colour photography, this book is an essential purchase for any fan. Songlist: - The Heat Is On In Saigon - The Movie In My Mind - Why God Why? - Sun And Moon - The Last Night Of The World - I Still Believe - I’d Give My Life For You - Bui-doi - What A Waste - Too Much For One Heart - Maybe - The American Dream
Author:
Publisher: Hal Leonard
ISBN: 1705103928
Category : Music
Languages : en
Pages : 284
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Book Description
(Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway! From Tudor queens to pop princesses, the six wives take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! Songs include: All You Wanna Do * Don't Lose Ur Head * Ex-Wives * Get Down * Haus of Holbein * Heart of Stone * I Don't Need Your Love * No Way * Six.
Author:
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423400080
Category : Music
Languages : en
Pages : 0
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Book Description
12 songs from the hit motion picture arranged for easy piano.
Author: Donald Roy
Publisher: Cambridge University Press
ISBN: 9780521250801
Category : Drama
Languages : en
Pages : 592
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Book Description
Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.
Author: Julia Swindells
Publisher: Oxford Handbooks
ISBN: 0199600309
Category : Drama
Languages : en
Pages : 786
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Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
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Book Description
Author: Christina Fuhrmann
Publisher: Cambridge University Press
ISBN: 1316351874
Category : Music
Languages : en
Pages : 275
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Book Description
In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.
