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Author: Diane Lake
Publisher: Taylor & Francis
ISBN: 131723295X
Category : Art
Languages : en
Pages : 213
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Book Description
The Screenwriter’s Path takes a comprehensive approach to learning how to write a screenplay—allowing the writer to use it as both a reference and a guide in constructing a script. A tenured professor of screenwriting at Emerson College in Boston, author Diane Lake has 20 years' experience writing screenplays for major studios and was a co-writer of the Academy-award winning film Frida. The book sets out a unique approach to story structure and characterization that takes writers, step by step, to a completed screenplay, and it is full of practical advice on what to do with the finished script to get it seen by the right people. By demystifying the process of writing a screenplay, Lake empowers any writer to bring their vision to the screen.
Author: Diane Lake
Publisher: Taylor & Francis
ISBN: 131723295X
Category : Art
Languages : en
Pages : 213
Get Book Here
Book Description
The Screenwriter’s Path takes a comprehensive approach to learning how to write a screenplay—allowing the writer to use it as both a reference and a guide in constructing a script. A tenured professor of screenwriting at Emerson College in Boston, author Diane Lake has 20 years' experience writing screenplays for major studios and was a co-writer of the Academy-award winning film Frida. The book sets out a unique approach to story structure and characterization that takes writers, step by step, to a completed screenplay, and it is full of practical advice on what to do with the finished script to get it seen by the right people. By demystifying the process of writing a screenplay, Lake empowers any writer to bring their vision to the screen.
Author: Laura Schellhardt
Publisher: John Wiley & Sons
ISBN: 1118052625
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Write a great script and get it into the hands of the Hollywood players! So you want to be a screenwriter? Whether you want to write a feature film or a TV script or adapt your favorite book, this friendly guide gives you expert advice in everything from creating your story and developing memorable characters to formatting your script and selling it to the studios. You get savvy industry tips and strategies for getting your screenplay noticed! The screenwriting process from A to Z -- from developing a concept and thinking visually to plotline, conflicts, pacing, and the conclusion Craft living, breathing characters -- from creating the backstory to letting your characters speak to balancing dialogue with action Turn your story into a script -- from developing an outline and getting over writer's block to formatting your screenplay and handling rewrites Prepare for Hollywood -- from understanding the players and setting your expectations to polishing your copy and protecting your work Sell your script to the industry -- from preparing your pitch and finding an agent to meeting with executives and making a deal Open the book and find: The latest on the biz, from entertainment blogs to top agents to box office jargon New story examples from recently released films Tips on character development, a story's time clock, dramatic structure, and dialogue New details on developing the nontraditional screenplay -- from musicals to animation to high dramatic style Expanded information on adaptation and collaboration, with examples from successful screenwriting duos
Author: Lee Jessup
Publisher: Taylor & Francis
ISBN: 1317194128
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today’s highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.
Author: Jule Selbo
Publisher: Routledge
ISBN: 1317695674
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay. Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.
Author: Blake Snyder
Publisher:
ISBN: 9781615931712
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
Author: Amnon Buchbinder
Publisher: House of Anansi
ISBN: 0887847374
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Such is the Way of the screenwriter; and here is a guide to accompany you along the path that all masterful screenwriters have discovered intuitively. This is much more than a "how-to" manual; it illuminates the why behind the how, treating screenwriting as the convergence of storytelling, writing and filmmaking. In this demanding field, competence is not enough. Using principles inspired by the philosophy of Laozi (Lao Tzu), Amnon Buchbinder draws on his knowledge as a teacher and his experience as a director, screenwriter and script doctor to point a way towards mastery.
Author: Lee Zahavi Jessup
Publisher:
ISBN: 9781615931750
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
A comprehensive guide with practical advice to help writers prepare themselves and their work for the screen industry, indentify available paths, and make the leap from aspirant to working professional.
Author: Skip Press
Publisher: Prima Lifestyles
ISBN: 9780761514848
Category : Motion picture authorship
Languages : en
Pages : 468
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Book Description
In Hollywood, it's not just what you know, it's "who you know that counts! With "Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents you have the friend you need to succeed in this very competitive industry. In this insider's guide, Hollywood screenwriter Skip Press tells you who's who, what they're looking for, and, most important, how to reach them--by mail, phone, fax, even e-mail. Also included: - Essential information on submission protocols and preferences for hundreds of agencies and production companies - Extensive interviews with key people - How Hollywood works: An A-Z tour - Books, CD-ROMs, and other back doors to Hollywood - And much, much more! "Skip Press has written a book that combines fearless opinions and invaluable hard facts, both of which are hard to find in Hollywood. This book is thoughtfully written, clearly laid out, and of great value to beginners and old-timers alike." --Gareth Wigan, co-vice chairman, Columbia TriStar Motion Picture Group "An invaluable resource for breaking into the movie and television business." --Barbara Anne Hiser, Emmy-winning cable and network television producer "[This book is] not only entertaining but a valuable tool for anyone interested in show business." --Paul Mason, Sr., vice president of Production, Viacom "The bonus for any reader of this book is that Skip Press is just a good writer--accessible, clear, persuasive, motivating, and easy-to-understand." --Jerry B. Jenkins, author of the "Left Behind series and "'Twas the Night Before "An insightful guide to the intricate Hollywood network." --Oliver Eberle, founder and CEO, ShowBIZ Data.com Aboutthe Author Skip Press, a novelist, screenwriter, and producer, is the author of "How to Write What You Want and Sell What You Write and dozens of other titles, as well as hundreds of entertainment articles and short stories. He lives in the Los Angeles area.
Author: Kevin Alexander Boon
Publisher: Wayne State University Press
ISBN: 0814335713
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies. Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume. Script Culture and the American Screenplay is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Méliès and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader’s understanding of the text. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume.
Author: Eric Williams
Publisher: Taylor & Francis
ISBN: 135161066X
Category : Performing Arts
Languages : en
Pages : 182
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Book Description
In The Screenwriters Taxonomy, award-winning screenwriter and educator Eric R. Williams offers a new collaborative approach for creative storytellers to recognize, discuss and reinvent storytelling paradigms. Williams presents seven different aspects of storytelling that can be applied to any fictional narrative film—from super genre, macrogenre and microgenre to voice and point of view—allowing writers to analyze existing films and innovate on these structures in their own stories. Moving beyond film theory, Williams describes how this roadmap for creative decision making can relate to classics like Sunset Boulevard, The Wizard of Oz and Butch Cassidy and the Sundance Kid as well as such diverse modern favorites like 12 Years a Slave, Anomalisa and Shrek.
