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Author: Jill Nelmes
Publisher: Bloomsbury Publishing
ISBN: 1839020482
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Though screenwriting is an essential part of the film production process, in Britain it is yet to be fully recognised as a form in itself. In this original study, Jill Nelmes brings the art of screenwriting into sharp focus, foregrounding the role of the screenwriter in British cinema from the 1930s to the present day. Drawing on otherwise unseen drafts of screenplays, correspondence and related material held in the Special Collections of the BFI National Archive, Nelmes's close textual analysis of the screenplay in its many forms illuminates both the writing and the production process. With case studies of a diverse range of key writers – from individuals such as Muriel Box, Robert Bolt and Paul Laverty, to teams such as the Carry On writers – Nelmes exposes the depth and breadth of this thriving field.
Author: Jill Nelmes
Publisher: Bloomsbury Publishing
ISBN: 1839020482
Category : Performing Arts
Languages : en
Pages : 306
Get Book Here
Book Description
Though screenwriting is an essential part of the film production process, in Britain it is yet to be fully recognised as a form in itself. In this original study, Jill Nelmes brings the art of screenwriting into sharp focus, foregrounding the role of the screenwriter in British cinema from the 1930s to the present day. Drawing on otherwise unseen drafts of screenplays, correspondence and related material held in the Special Collections of the BFI National Archive, Nelmes's close textual analysis of the screenplay in its many forms illuminates both the writing and the production process. With case studies of a diverse range of key writers – from individuals such as Muriel Box, Robert Bolt and Paul Laverty, to teams such as the Carry On writers – Nelmes exposes the depth and breadth of this thriving field.
Author: Jill Nelmes
Publisher: Bloomsbury Publishing
ISBN: 1839020474
Category : Performing Arts
Languages : en
Pages : 549
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Book Description
Though screenwriting is an essential part of the film production process, in Britain it is yet to be fully recognised as a form in itself. In this original study, Jill Nelmes brings the art of screenwriting into sharp focus, foregrounding the role of the screenwriter in British cinema from the 1930s to the present day. Drawing on otherwise unseen drafts of screenplays, correspondence and related material held in the Special Collections of the BFI National Archive, Nelmes's close textual analysis of the screenplay in its many forms illuminates both the writing and the production process. With case studies of a diverse range of key writers – from individuals such as Muriel Box, Robert Bolt and Paul Laverty, to teams such as the Carry On writers – Nelmes exposes the depth and breadth of this thriving field.
Author: Richard Farmer
Publisher: Edinburgh University Press
ISBN: 1474423132
Category : Electronic books
Languages : en
Pages : 416
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Book Description
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s
Author: Clive Nwonka
Publisher: MIT Press
ISBN: 1912685639
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford
Author: Duncan Petrie
Publisher: Edinburgh University Press
ISBN: 1474443907
Category : History
Languages : en
Pages : 280
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Book Description
"Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes."--Publisher description.
Author: Justine Ashby
Publisher: Routledge
ISBN: 1135125155
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Author: Gene D. Phillips
Publisher: Lehigh University Press
ISBN: 9780934223591
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
Moreover, Phillips seeks to represent the various trends in filmmaking that have evolved over the years, such as American film noir, which is included in the discussion of Alfred Hitchcock's films, and British social realism, which is included in the discussion of Bryan Forbes's films."--BOOK JACKET.
Author: Jill Nelmes
Publisher: Springer
ISBN: 1137312378
Category : Performing Arts
Languages : en
Pages : 626
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Book Description
Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.
Author: Sue Harper
Publisher:
ISBN: 019815934X
Category : Business & Economics
Languages : en
Pages : 436
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Book Description
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Author: Robert Shail
Publisher: Bloomsbury Publishing
ISBN: 1838718060
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.
