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Author: American Institute of Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 748
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Book Description
Author: American Institute of Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 748
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 592
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 596
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Book Description
Author:
Publisher:
ISBN:
Category : Administrative agencies
Languages : en
Pages : 812
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Book Description
Describes reports required of executive branch agencies by the Congress on a recurring basis.
Author: United States. General Accounting Office. Office of Program Analysis
Publisher:
ISBN:
Category : Administrative agencies
Languages : en
Pages : 810
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Book Description
Describes reports required of executive branch agencies by the Congress on a recurring basis.
Author:
Publisher:
ISBN:
Category : Insurance
Languages : en
Pages : 974
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Author:
Publisher:
ISBN:
Category : Missions
Languages : en
Pages : 700
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Book Description
Author: Missouri River Basin Commission
Publisher:
ISBN:
Category : Conservation of natural resources
Languages : en
Pages : 314
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Book Description
Author: Rachel Teukolsky
Publisher: Oxford University Press, USA
ISBN: 0195381378
Category : Art
Languages : en
Pages : 328
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Book Description
Rather than focusing on German philosophy or the French avant-gardes, as many books on the history of aesthetics do, Teukolsky takes up British responses to modern art controversies, thus providing a unique view on the development of artistic forms and art history. She considers the canonical writing of authors like John Ruskin, Walter Pater, and Oscar Wilde alongside texts belonging to the rich field of Victorian print culture--gallery reviews, scientific treatises, satirical cartoons, advertisements, and early photography monographs among them. Spanning the years 1840 to 1910, her argument also adds substance to our understanding of the transition from Victorianism to modernism, a period of especially lively exchange between artists and intellectuals, here narrated with careful attention given to the historical particularities and real events that stamped their imprint on such interactions.
