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Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521392372
Category : Drama
Languages : en
Pages : 408
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Book Description
A balanced and authoritative account of the theatrical history of all three Scandinavian countries.
Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521392372
Category : Drama
Languages : en
Pages : 408
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Book Description
A balanced and authoritative account of the theatrical history of all three Scandinavian countries.
Author: Narve Fulsås
Publisher: Cambridge University Press
ISBN: 1316992799
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
Author: Frederick J.. Marker
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Henrik Ibsen
Publisher: Springer
ISBN: 1349052973
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Author: RANDI MARGRETE. SELVIK
Publisher: Routledge
ISBN: 9780367647254
Category :
Languages : en
Pages : 0
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Book Description
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen's staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770-1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
Author: Ulla Kallenbach
Publisher: Springer
ISBN: 3319763032
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 9780521244466
Category : Drama
Languages : en
Pages : 516
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Book Description
Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
Author: Evert Sprinchorn
Publisher:
ISBN:
Category : Scandinavian drama
Languages : en
Pages : 637
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Book Description
Author: Frederick J. Marker
Publisher: Cambridge University Press
ISBN: 9780521039390
Category : Drama
Languages : en
Pages : 0
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Book Description
This book offers a detailed critical analysis of Strindberg's major works in performance, created after his psychic upheaval, which he called his "Inferno." Ranging from the early productions of Max Reinhardt and Olof Molander to the reinterpretations of Robert Lepage, Robert Wilson, and Ingmar Bergman, the study explores the crucial impact of this dramatist's method of playwriting. Each chapter ends with a section devoted to innovative Strindberg performances on the contemporary stage.
Author: August Strindberg
Publisher: Amsterdam University Press
ISBN: 9053560203
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
De Zweedse August Strindberg (1849-1912) wordt gezien als een van de meest belangrijke toneelschrijvers van rond de eeuwwisseling. Zijn choquerende theaterstukken had veel weerklank bij het publiek in die tijd, en inspireert tot op de dag van vandaag toneelschrijvers en publiek. Strindberg was een onophoudelijke innovator van verschillende theatervormen, een bron van inspiratie voor onder meer Eugene O'Neill, Samuel Beckett en Ingmar Bergman en heeft een vruchtbare bodem gelegd voor het moderne toneel. Zijn voorwoord voor Miss Julie en zijn inleiding bij A Dream Play zijn alom bekend en vaak herdrukt. Wat minder bekend is, is dat Strindberg veel toneelstukken recenseerde en kritieken schreef over het theater in z'n algemeen, en zijn toneelstukken in het bijzonder. Dit boek bevat de meest belangrijke van zijn kritieken, chronologisch weergegeven en geannoteerd, waarvan vele voor het eerst in het Engels.
