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Author: Roland Barthes
Publisher: French List
ISBN: 9781803092775
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator--often as a daring smuggler of ideas from one discipline to another--he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France's preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes's published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume two, The "Scandal" of Marxism, contains a wide range of his more overtly political writings, with an emphasis on his early work and the serious national turbulence in the French 1950s.
Author: Roland Barthes
Publisher: French List
ISBN: 9781803092775
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator--often as a daring smuggler of ideas from one discipline to another--he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France's preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes's published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume two, The "Scandal" of Marxism, contains a wide range of his more overtly political writings, with an emphasis on his early work and the serious national turbulence in the French 1950s.
Author: Roland Barthes
Publisher: French List
ISBN: 9780857422392
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century. In 1976, the one-time structuralist outsider was elected to a chair at France s pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more subjectivist phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes s published writings have been available to a French audience since the publication in 2002 of the expanded version of his "Oeuvres completes "[Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes s career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. This second volume presents a wide range of Barthes s more overtly political writings, with the emphasis on his earlier work. Two-thirds of the pieces date from the 1950s, a period of serious turbulence in French national life. Some of the issues confronted are rather theoretical (e.g. do revolutions follow laws? Is anti-Semitism a phenomenon of the Right or the Left?), while others are primarily cultural (is there a left-wing literature, a left-wing criticism?), but there are also articles addressing more concrete and pressing political matters, such as De Gaulle s accession to power and France s Algerian War. Moving forward a little, Barthes s reflections on his trip to China in the early 1970s also make interesting reading. "
Author: Patrick ffrench
Publisher: Bloomsbury Publishing
ISBN: 1350120529
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Suspicious of what he called the spectator's “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and “myth”. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films – and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in “leaving the cinema” – disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance – he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Author: Paul Kengor
Publisher:
ISBN: 9781505114447
Category :
Languages : en
Pages : 552
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Book Description
A chilling account of an evil ideology and the man whose nefarious thoughts made it possible.
Author: Tendayi Sithole
Publisher: NYU Press
ISBN: 1776148711
Category : Political Science
Languages : en
Pages : 148
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Book Description
Author: Paul Bowman
Publisher: Edinburgh University Press
ISBN: 0748628797
Category : Social Science
Languages : en
Pages : 248
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Book Description
Post-Marxism versus Cultural Studies is an innovative exploration of the ethical and political significance of Cultural Studies and Post-Marxist discourse theory. It argues that although Cultural Studies and post-Marxism tend to present themselves as distinct entities, they actually share a project - that of taking on the political. Post-Marxism presents itself as having a developed theory of political strategy, while Cultural Studies has claimed to be both practical and political. Bowman examines these intertwined, overlapping, controversial and contested claims and orientations by way of a deconstructive reading that is led by the question of intervention: what is the intervention of post-Marxism, of Cultural Studies, of each into the other, and into other institutional and political contexts and scenes?Through considerations of key aspects of Cultural Studies and cultural theory, Post-Marxism versus Cultural Studies argues that the very thing that is fundamental to both of these 'politicised' app
Author: Antonio Negri
Publisher: Polity
ISBN: 9780745635132
Category : Political Science
Languages : en
Pages : 240
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Book Description
In this important book, Antonio Negri develops the key ideas that were to form the basis for the highly influential analyses of new forms of power and social struggle presented in Empire and Multitude. He shows how new technology and the break-up of the traditional factory have created new social subjects whose value is no longer tied to their skill. The spread of communication networks and the globalization of production mean that capitalism has become totalized - but not, Negri stresses, monolithic. On the contrary, the possibilities for subversion have correspondingly increased. Going beyond classical Marxism, he shows how old solidarities must be reformulated and new alliances created. The struggles which marked the political end of the twentieth century are now being repeated in a new historical conjuncture, giving rise to new forms of transnational solidarity that can challenge dominant global powers. This new paperback edition, which includes a new Preface by the author, is an excellent introduction to the work of one of the most influential political thinkers writing today and will be essential reading for anyone who wishes to understand the new forms of conflict and struggle that will shape the world in the twenty-first century.
Author: Neil Badmington
Publisher: Bloomsbury Publishing
ISBN: 1474297463
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Roland Barthes – the author of such enduringly influential works as Mythologies and Camera Lucida - was one of the most important cultural critics of the post-war era. Since his death in 1980, new writings have continued to be discovered and published. The Afterlives of Roland Barthes is the first book to revisit and reassess Barthes' thought in light of these posthumously published writings. Covering work such as Barthes' Mourning Diary, the notes for his projected Vita Nova and many writings yet to be translated into English, Neil Badmington reveals a very different Barthes of today than the figure familiar from the writings published in his lifetime.
Author: Neil Badmington
Publisher: Routledge
ISBN: 135180555X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
‘I’ve never kept a journal’, Roland Barthes declared in 1979, ‘ – or, rather, I’ve never known if I should keep one’. The form itself, he continued, was inferior and ‘unnecessary’, a ‘minor mania of writing’. Barthes died months making this statement, and the years since then have revealed that he had actually been concealing a fondness for diary-writing. The publication in 1985 of Incidents brought to light an intimate journal entitled ‘Soirées de Paris’, while 2009 saw the appearance of two much longer diaries kept by Barthes following the death of his mother in 1977 and during a trip to China in 1974, respectively. Further journals lie in the archive, unpublished and largely unseen; it is not clear if these will ever enter the public domain. This collection, which brings together some of the most prominent scholars in the field, considers the present implications of Roland Barthes’ journals. How do these diaries invite us to reconsider aspects of Barthes’ work which have become familiar through his reception as one of the twentieth century’s most influential literary and cultural critics? What do they allow us to see for the first time? What is their relation to the works whose appearance Barthes authorised during his lifetime? Where and how do they fit in his oeuvre? How do they relate to each other across moment and mood? Why might they call for deliberations? This book was originally published as a special issue of Textual Practice.
Author: Philip Sayers
Publisher: Bloomsbury Publishing USA
ISBN: 1501367692
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Authorship's Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question – how to move beyond the critique of the author-subject – but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship's Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.
