The Satanic Epic PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Satanic Epic PDF full book. Access full book title The Satanic Epic by Neil Forsyth. Download full books in PDF and EPUB format.
Author: Neil Forsyth
Publisher: Princeton University Press
ISBN: 1400825237
Category : Literary Criticism
Languages : en
Pages : 394
Get Book
Book Description
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Author: Neil Forsyth
Publisher: Princeton University Press
ISBN: 1400825237
Category : Literary Criticism
Languages : en
Pages : 394
Get Book
Book Description
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Author: Salman Rushdie
Publisher: Macmillan
ISBN: 9780312270827
Category : Fiction
Languages : en
Pages : 580
Get Book
Book Description
Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.
Author: Trinka Hakes Noble
Publisher: Sleeping Bear Press
ISBN: 1627530401
Category : Juvenile Fiction
Languages : en
Pages : 34
Get Book
Book Description
The Pine Barrens region in New Jersey has long been a place of mystery, with its dark pine groves, black swamps, and dank bogs, oftentimes shrouded in mist and fog. Reputed to be haunted by spirits, it’s an unsettling place to be sure. But of all the mysterious happenings and sights to be found in the Pine Barrens, there is none so intriguing as the Jersey Devil. Since its first reported sighting in 1735, local lore has it that a “devil-like” creature with the head of a horse, the wings of a bat, and the hooves of a goat has menaced townspeople, frightened livestock, and caused all manner of trouble over the years. Is the Jersey Devil real? Award-winning author Trinka Hakes Noble weaves a spellbinding tale about the origins of the legend of the Jersey Devil. Atmospheric illustrations by artist Gerald Kelley bring the tale to spooky life.
Author: Kirsten Stirling
Publisher: Cambridge Scholars Publishing
ISBN: 9781443823388
Category : Devil in literature
Languages : en
Pages : 0
Get Book
Book Description
This volume is the result of a collective desire to pay homage to Neil Forsyth, whose work has significantly contributed to scholarship on Satan. This volume is â oeafterâ Satan in more ways than one, tracing the afterlife of both the satanic figure in literature and of Neil Forsythâ (TM)s contribution to the field, particularly in his major books The Old Enemy: Satan and the Combat Myth (Princeton University Press, 1987, revised 1990) and The Satanic Epic (Princeton University Press, 2003). The essays in this volume draw on Forsythâ (TM)s work as a focus for their analyses of literary encounters with evil or with the Devil himself, reflecting the richness and variety of contemporary approaches to the age-old question of how to represent evil. All the contributors acknowledge Neil Forsythâ (TM)s influence in the study of both the Satan-figure and Miltonâ (TM)s Paradise Lost. But beyond simply paying homage to Neil Forsyth, the articles collected here trace the lineage of the Satan figure through literary history, showing how evil can function as a necessary other against which a community may define itself. They chart the demonised other through biblical history and medieval chronicle, Shakespeare and Milton, to nineteenth-century fiction and the contemporary novel. Many of the contributors find that literary evil is mediated through the lens of the Satan of Paradise Lost, and their articles address the notion, raised by Neil Forsyth in The Satanic Epic, that the literary Devil-figures under consideration are particularly interested in linguistic ambivalence and the twisted texture of literary works themselves. The multiple responses to evil and the continuous reinvention of the devil figure through the centuries all reaffirm the textual presence of the Devil, his changing forms necessarily inscribed in the shifting history of western literary culture. These essays are a tribute to the work of Neil Forsyth, whose scholarship has illuminated and guided the study of the Devil in English and other literatures.
Author: Neil Forsyth
Publisher: Princeton University Press
ISBN: 0691214603
Category : Religion
Languages : en
Pages : 524
Get Book
Book Description
The description for this book, The Old Enemy: Satan and the Combat Myth, will be forthcoming.
Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
Get Book
Book Description
Author: Chris Pagano
Publisher: LifeRich Publishing
ISBN: 1489722459
Category : Fiction
Languages : en
Pages : 140
Get Book
Book Description
All the citizens of heaven were excited about the upcoming ceremony. One of their own members, Lucifer, was going to be anointed as chief over them all. Why wouldn’t he be chosen? All others agreed. After all, as a messenger stated, Lucifer was the most glorious being in all of creation—except, of course, for God. But when God began to speak, everything changed. In a creative study that reinterprets the great battle between God and Lucifer and imagines the actions of factions supporting each and the resulting fallout in the heavenly kingdom, Chris Pagano offers his unique perspective while attempting to answer common questions about the devil. Who created him? Why is there a constant struggle in our lives between good and evil? And is God actively involved in the world’s affairs and in our lives? Throughout his examination, Pagano helps us understand how to live with these issues, to find peace within a deeper relationship with God, and to ponder the lasting consequences of these storied events. So Shall It Forever Be shares one man’s perspective on the beginning when good and evil first met while encouraging believers to return to the Bible to search for the hidden truths.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Get Book
Book Description
Author: Martine Hennard Dutheil de la Rochère
Publisher: Cambridge Scholars Publishing
ISBN: 1443823597
Category : Literary Criticism
Languages : en
Pages : 210
Get Book
Book Description
This volume is the result of a collective desire to pay homage to Neil Forsyth, whose work has significantly contributed to scholarship on Satan. This volume is “after” Satan in more ways than one, tracing the afterlife of both the satanic figure in literature and of Neil Forsyth’s contribution to the field, particularly in his major books The Old Enemy: Satan and the Combat Myth (Princeton University Press, 1987, revised 1990) and The Satanic Epic (Princeton University Press, 2003). The essays in this volume draw on Forsyth’s work as a focus for their analyses of literary encounters with evil or with the Devil himself, reflecting the richness and variety of contemporary approaches to the age-old question of how to represent evil. All the contributors acknowledge Neil Forsyth’s influence in the study of both the Satan-figure and Milton’s Paradise Lost. But beyond simply paying homage to Neil Forsyth, the articles collected here trace the lineage of the Satan figure through literary history, showing how evil can function as a necessary other against which a community may define itself. They chart the demonised other through biblical history and medieval chronicle, Shakespeare and Milton, to nineteenth-century fiction and the contemporary novel. Many of the contributors find that literary evil is mediated through the lens of the Satan of Paradise Lost, and their articles address the notion, raised by Neil Forsyth in The Satanic Epic, that the literary Devil-figures under consideration are particularly interested in linguistic ambivalence and the twisted texture of literary works themselves. The multiple responses to evil and the continuous reinvention of the devil figure through the centuries all reaffirm the textual presence of the Devil, his changing forms necessarily inscribed in the shifting history of western literary culture. These essays are a tribute to the work of Neil Forsyth, whose scholarship has illuminated and guided the study of the Devil in English and other literatures.
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691159742
Category : Literary Criticism
Languages : en
Pages : 342
Get Book
Book Description
Inside "Paradise Lost" opens up new readings and ways of reading Milton's epic poem by mapping out the intricacies of its narrative and symbolic designs and by revealing and exploring the deeply allusive texture of its verse. David Quint’s comprehensive study demonstrates how systematic patterns of allusion and keywords give structure and coherence both to individual books of Paradise Lost and to the overarching relationship among its books and episodes. Looking at poems within the poem, Quint provides new interpretations as he takes readers through the major subjects of Paradise Lost—its relationship to epic tradition and the Bible, its cosmology and politics, and its dramas of human choice. Quint shows how Milton radically revises the epic tradition and the Genesis story itself by arguing that it is better to create than destroy, by telling the reader to make love, not war, and by appearing to ratify Adam’s decision to fall and die with his wife. The Milton of this Paradise Lost is a Christian humanist who believes in the power and freedom of human moral agency. As this indispensable guide and reference takes us inside the poetry of Milton’s masterpiece, Paradise Lost reveals itself in new formal configurations and unsuspected levels of meaning and design.
