The Sanskrit Drama in Its Origin, Development, Theory & Practice PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Sanskrit Drama in Its Origin, Development, Theory & Practice PDF full book. Access full book title The Sanskrit Drama in Its Origin, Development, Theory & Practice by Arthur Berriedale Keith. Download full books in PDF and EPUB format.
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 420
Get Book Here
Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 420
Get Book Here
Book Description
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Get Book Here
Book Description
Author: P. Lal
Publisher: New Directions Publishing
ISBN: 9780811200790
Category : Drama
Languages : en
Pages : 420
Get Book Here
Book Description
Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.
Author: Tarla Mehta
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810570
Category : Literary Criticism
Languages : en
Pages : 494
Get Book Here
Book Description
Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.
Author: G.A. Natesan
Publisher:
ISBN:
Category : India
Languages : en
Pages : 1088
Get Book Here
Book Description
Author: Sharmistha Saha
Publisher: Springer
ISBN: 9811311773
Category : Performing Arts
Languages : en
Pages : 183
Get Book Here
Book Description
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Author: V. K. Chari
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809567
Category : Literature
Languages : en
Pages : 324
Get Book Here
Book Description
This innovative study develops a unified theory of literature by critically evaluating the categories of sanskrit poetics from a single theoretical standpoint that of rasa the theory that holds that poety is essentially emotive discourse. Literature Chariargues is defined not by the use of any formal linguistic devices but rather by the emotive meaning embodied is therefore the proper aim and the common denominator of all literary works.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 1168
Get Book Here
Book Description
Author: Sanjay K. Gautam
Publisher: University of Chicago Press
ISBN: 022634844X
Category : Education
Languages : en
Pages : 297
Get Book Here
Book Description
Gautam has here laid out the first serious reading of Michel Foucault in relation to key Sanskrit texts, and--what may be a surprise to many--he has written the first book-length work in English on the nature and origin of the Kamasutra. Gautam also takes up the Natyasastra (the Kamasutra's twin), locating in the first the themes of sexual-erotic pleasure, and locating in the second the classical Indian view of theater, music, dance, and aesthetic pleasure. The book shows how closely intertwined the history of erotics in ancient Indian culture is with the history of theater-aesthetics. Foucault provides a framework for opening up the intellectual horizon of Indian thought; it is his distinction between ars erotics (erotic arts) and scientia sexualis (science of sexuality) that fuels Gautam's exploration of the courtesan as symbol of both erotic and aesthetic pleasure, particularly in her role as a wife to her patron, which entails the morphing of erotics into a form of theater. The scope broadens ambitiously, to an inquiry on the nature of knowledge formation, erotics, theater, and gender relations in premodern Indian society and culture--as they converged on the historical figures of the courtesan and her male counterpart, the dandy. Gautam's twining of aims and subjects--Foucault's western philosophy of pleasure and India's classic text on eros (anchored in art and aesthetics)--transforms both the modern and the ancient texts with new understandings, and as new forms of investigating erotics and subjectivity itself.
