The Sacred Choral Music of J.S. Bach

The Sacred Choral Music of J.S. Bach PDF Author: John Butt
Publisher: Paraclete Press (MA)
ISBN:
Category : Music
Languages : en
Pages : 84

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Book Description
The sacred choral works of J.S. Bach have long been considered among the greatest masterpieces in music. Choir directors and singers need a comprehensive, yet accessible guide that encourages musicians at all levels of ability in the performance of these works, whether in the church or concert. This handbook presents a wealth of information including chapters on Bach's theology, chorales, and ornamentation, as well as a selected and annoted bibliography. It will be an inspiration to the scholarship and practical advice on the performance of sacred choral music of Bach.

The Sacred Choral Music of J.S. Bach

The Sacred Choral Music of J.S. Bach PDF Author: John Butt
Publisher: Paraclete Press (MA)
ISBN:
Category : Music
Languages : en
Pages : 84

Get Book Here

Book Description
The sacred choral works of J.S. Bach have long been considered among the greatest masterpieces in music. Choir directors and singers need a comprehensive, yet accessible guide that encourages musicians at all levels of ability in the performance of these works, whether in the church or concert. This handbook presents a wealth of information including chapters on Bach's theology, chorales, and ornamentation, as well as a selected and annoted bibliography. It will be an inspiration to the scholarship and practical advice on the performance of sacred choral music of Bach.

A History of Western Choral Music

A History of Western Choral Music PDF Author: Chester Lee Alwes
Publisher: Oxford University Press, USA
ISBN: 0199361932
Category : Music
Languages : en
Pages : 505

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Book Description
"A History of Western Choral Music explores the various genres, important composers, and influential works essential to the development of the western choral tradition. Divided across two volumes, this comprehensive investigation moves from the Medieval period through the Avant-Garde." -- Publisher description.

Understanding Music

Understanding Music PDF Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316

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Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!

Bach's Major Vocal Works

Bach's Major Vocal Works PDF Author: Markus Rathey
Publisher: Yale University Press
ISBN: 0300219512
Category : Music
Languages : en
Pages : 247

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Book Description
Every year, Johann Sebastian Bach’s major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer’s most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion. In addition to providing historical information, each chapter highlights significant aspects—such as the theology of love—of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach’s musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike.

Compositional Choices and Meaning in the Vocal Music of J. S. Bach

Compositional Choices and Meaning in the Vocal Music of J. S. Bach PDF Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355

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Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.

Celestial Music?

Celestial Music? PDF Author: Wilfrid Mellers
Publisher: Boydell & Brewer
ISBN: 9780851158440
Category : Music
Languages : en
Pages : 348

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Book Description
Articles on masterpieces of European religious music, from the middle ages to Stravinsky and Tavener. The late Wilfrid Mellers, who occupies a special place among music critics, described himself as a non-believer; but his preference for music that "displays a sense of the numinous" (in his words) will strike a chord with many wholisten to religious music nowadays, and who share his view that music that confronts first and last things is likely to offer more than music that evades them. The essays form five groups, which together offer a survey of religious music from around the first millennium to the beginning of the second, in the context of the difficult issues of what religious music is, and, for good measure, what is religion? The parts are: The Ages of Christian Faith; The Re-birth of a Re-birth: From Renaissance to High Baroque; From Enlightenment to Doubt; From "the Death of God" to "the Unanswered Question"; and The Ancient Law and the Modern Mind. Musical discussion, with copious examples, is conducted throughout the book in a context that is also religious - and indeed philosophical, social, and political, with the open-endedness that such an approach demands in the presentation of ideas aboutmusic's most fundamental nature and purposes. COMPOSERS: Hildegard of Bingen; Perotin; Machaut; Dunstable, Dufay; William Corniyshes father and son; Tallis; Byrd; Monteverdi; Schutz; J.S. Bach; Couperin; Handel; Haydn;Mozart; Beethoven; Schubert; Bruckner; Berlioz, Faure; Verdi, Brahms; Elgar, Delius; Holst, Vaughan Williams, Howells; Britten; Janacek; Messiaen, Poulenc; Rachmaninov; Stravinsky; Part, Tavener, Gorecki, Macmillan, Finnissy; Copland.

Cantata No. 80 -- Ein feste Burg ist unser Gott

Cantata No. 80 -- Ein feste Burg ist unser Gott PDF Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457480645
Category : Music
Languages : en
Pages : 68

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Book Description
"Ein feste Burg ist unser Gott," Cantata No. 80, by Johann Sebastian Bach, was composed in Leipzig, Germany for Reformation Day and was first performed between 1727 and 1731. It is based on the famous chorale of Martin Luther, "Ein feste Burg ist unser Gott," or "A Mighty Fortress is Our God." German and English text.

Choral Music

Choral Music PDF Author: Avery T. Sharp
Publisher: Routledge
ISBN: 0415994195
Category : Music
Languages : en
Pages : 389

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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

Choral Music

Choral Music PDF Author: James Michael Floyd
Publisher: Routledge
ISBN: 1135848203
Category : Music
Languages : en
Pages : 389

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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

Tonal Allegory in the Vocal Music of J. S. Bach

Tonal Allegory in the Vocal Music of J. S. Bach PDF Author: Eric Thomas Chafe
Publisher: Berkeley : University of California Press
ISBN: 9780520058569
Category : Music
Languages : en
Pages : 449

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Book Description
"It is truly exciting and vastly stimulating to read an author who is a fine musicologist and at the same time one who is immersed in Lutheranism, for the coming together of Luther's theology and Bach's vocal music is of extraordinary historical importance. . . . This book establishes absolutely original insights into the workings of this great genius of musical composition."--George Buelow, Indiana University "It is truly exciting and vastly stimulating to read an author who is a fine musicologist and at the same time one who is immersed in Lutheranism, for the coming together of Luther's theology and Bach's vocal music is of extraordinary historical importance. . . . This book establishes absolutely original insights into the workings of this great genius of musical composition."--George Buelow, Indiana University