The Royal Image

The Royal Image PDF Author: Anne Dawson Hedeman
Publisher:
ISBN: 9780520070691
Category : ART
Languages : en
Pages : 338

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Book Description
"A treasure trove of new and useful material, which will be invaluable to scholars working in medieval history."--Elizabeth Brown, City University of New York

The Royal Image

The Royal Image PDF Author: Anne Dawson Hedeman
Publisher:
ISBN: 9780520070691
Category : ART
Languages : en
Pages : 338

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Book Description
"A treasure trove of new and useful material, which will be invaluable to scholars working in medieval history."--Elizabeth Brown, City University of New York

The Royal Image

The Royal Image PDF Author: Thomas N. Corns
Publisher: Cambridge University Press
ISBN: 9780521590471
Category : Art
Languages : en
Pages : 340

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Book Description
This volume deals with the crisis in the representation of the monarchy that was provoked by the execution of Charles I.

The Royal Image and the English People

The Royal Image and the English People PDF Author: Nicola Smith
Publisher: Routledge
ISBN: 1351766074
Category : Social Science
Languages : en
Pages : 386

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Book Description
This title was first published in 2001. For the English people, the image of the monarchy is deeply bound up with the idea of nationhood. This book surveys aspects of England's royal heritage dialogue from the late middle ages to the 19th century. It concentrates on monumental sculpted portraits because that was the way in which the image of the monarchy was customarily presented in the most immediate and permanent form at large scale in the public arena. The aim of such memorials was to consolidate and commemorate shared loyalties and beliefs, focusing on the monarchs. They were sometimes protected by railings, more often than just by their talismanic value. There was widespread resistance to the idea that Oliver Cromwell should be commemorated by public memorial. The English generally remained uncomfortable with the idea of republicanism. The monarchial government of the middle ages, thought to be sanctioned by God, was very different from the figurehead the monarchy has become.

The Royal Portrait

The Royal Portrait PDF Author: Jennifer Anne Scott
Publisher: Royal Collection Trust
ISBN:
Category : Art
Languages : en
Pages : 208

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Book Description
Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.

The Lisbon Massacre of 1506 and the Royal Image in the Shebet Yehudah

The Lisbon Massacre of 1506 and the Royal Image in the Shebet Yehudah PDF Author: Yosef H Yerushalmi
Publisher: Hebrew Union College Press
ISBN: 0878201580
Category : Social Science
Languages : en
Pages : 106

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Book Description
Jews in exile have often struggled for the protection of the highest governmental power, whether king, emperor, caliph, or pope, because they learned early that their safety could not be entrusted to the goodwill of their gentile neighbors or the local authorities. Alexandrian Jews in the Hellenistic period relied on Imperial Rome instead of their native Alexandria, and Jews in medieval Europe sought ties with the Carolingian emperors, circumventing all inferior feudal relationships. In all such cases of vertical alliances Jews have both gained and lost. In this landmark study, Yosef Hayim Yerushalmi presents the Lisbon Massacre as one chapter in the history of alliances between Jews and the powers that have ruled over them. Through an exploration of Jewish attitudes and their consequences at this important juncture in Jewish history, he uncovers the "myth of the royal alliance" in the thought of Ibn Verga and others. He offers a fresh review of available data on the course of the pogrom and relates it to the Shebet Yehudah. Two appendices include the German account of the massacre, based on three printed editions (two of them previously unknown), and the major documentary sources, giving historians access to key primary materials as well as Yerushalmi's analysis. Even the modern era did not fundamentally change these dynamics. Hannah Arendt emphasized the extent to which Jews have allied themselves to the modern nation-state and have become vulnerable when other groups oppose that nation-state. Modern Jews have frequently clung to an uncritical faith in the state's protection, even when that faith bears no correspondence to reality.

Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)

Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries) PDF Author:
Publisher: BRILL
ISBN: 900451158X
Category : History
Languages : en
Pages : 574

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Book Description
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

Arabic Administration in Norman Sicily

Arabic Administration in Norman Sicily PDF Author: Jeremy Johns
Publisher: Cambridge University Press
ISBN: 1139440195
Category : History
Languages : en
Pages : 412

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Book Description
In the late eleventh century, Sicily - originally part of the Islamic world - was captured by Norman, French and Italian adventurers, led by Roger de Hauteville. For the next 150 years, Roger and his descendants ruled the island and its predominantly Arabic-speaking Muslim population. Jeremy Johns' 2002 book represents a comprehensive account of the Arabic administration of Norman Sicily. While it has generally been assumed that the Normans simply inherited their Arabic administration from the Muslim governors of the island, the author uses the unique Sicilian Arabic documents to demonstrate that the Norman kings restructured their administration on the model of the contemporary administration of Fatimid Egypt. Controversially, he also suggests that, in doing so, their intention was not administrative efficiency but the projection of their royal image. This is a compelling and accessible account of the Norman rulers and how they related to their counterparts in the Muslim Mediterranean.

A Royal Passion

A Royal Passion PDF Author: Anne M. Lyden
Publisher: Getty Publications
ISBN: 1606061550
Category : Photography
Languages : en
Pages : 232

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Book Description
In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.

Royal Dress

Royal Dress PDF Author: Valerie Cumming
Publisher: Holmes & Meier Publishers
ISBN:
Category : Design
Languages : en
Pages : 236

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Book Description


The Royal Women of Amarna

The Royal Women of Amarna PDF Author: Dorothea Arnold
Publisher: Metropolitan Museum of Art
ISBN: 0870998161
Category : Portrait sculpture, Ancient
Languages : en
Pages : 193

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Book Description
The move to a new capital, Akhenaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.