Author: Eli Rozik
Publisher: University of Iowa Press
ISBN: 1587294265
Category : Performing Arts
Languages : en
Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
The Roots of Theatre
Author: Eli Rozik
Publisher: University of Iowa Press
ISBN: 1587294265
Category : Performing Arts
Languages : en
Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
Publisher: University of Iowa Press
ISBN: 1587294265
Category : Performing Arts
Languages : en
Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
History of the Theatre
Author: Oscar Gross Brockett
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 706
Book Description
Theatre of Roots
Author: Erin B. Mee
Publisher: Seagull Books Pvt Ltd
ISBN: 9781905422760
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.
Publisher: Seagull Books Pvt Ltd
ISBN: 9781905422760
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.
A Cultural History of Theatre in Antiquity
Author: Martin Revermann
Publisher: Bloomsbury Publishing
ISBN: 1350135305
Category : History
Languages : en
Pages : 273
Book Description
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Publisher: Bloomsbury Publishing
ISBN: 1350135305
Category : History
Languages : en
Pages : 273
Book Description
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
The Oxford Illustrated History of Theatre
Author: John Russell Brown
Publisher: Oxford Illustrated History
ISBN: 9780192854421
Category : Art
Languages : en
Pages : 598
Book Description
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
Publisher: Oxford Illustrated History
ISBN: 9780192854421
Category : Art
Languages : en
Pages : 598
Book Description
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
A History of the Theater
Author: Glynne Wickham
Publisher: Phaidon
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s.
Publisher: Phaidon
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s.
Ur-drama
Author: E. T. Kirby
Publisher: New York : New York University Press
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Publisher: New York : New York University Press
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
The Origins of Theater in Ancient Greece and Beyond
Author: Eric Csapo
Publisher: Cambridge University Press
ISBN: 0521836824
Category : Art
Languages : en
Pages : 403
Book Description
Publisher description
Publisher: Cambridge University Press
ISBN: 0521836824
Category : Art
Languages : en
Pages : 403
Book Description
Publisher description
A Source Book in Theatrical History
Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
History of Theatre
Author: Neil Grant
Publisher: Hamlyn (UK)
ISBN: 9780600596325
Category : Performing Arts
Languages : en
Pages : 192
Book Description
In this sweeping chronicle of plays and performances, key dramatists, major actors, and important critics take their bows, backed up by memorable quotations and more than 150 illustrations. “A real treat...includes a mixture of literary, archaeological, and historical evidence, and...metaphorical prose provides a pleasurable and insightful discussion of theater in a social context...an attractive, quality coffee-table book meant for browsing.”—Library Journal.
Publisher: Hamlyn (UK)
ISBN: 9780600596325
Category : Performing Arts
Languages : en
Pages : 192
Book Description
In this sweeping chronicle of plays and performances, key dramatists, major actors, and important critics take their bows, backed up by memorable quotations and more than 150 illustrations. “A real treat...includes a mixture of literary, archaeological, and historical evidence, and...metaphorical prose provides a pleasurable and insightful discussion of theater in a social context...an attractive, quality coffee-table book meant for browsing.”—Library Journal.