Author: Ina Ferris
Publisher: Cambridge University Press
ISBN: 113943618X
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Ina Ferris examines the way in which the problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 destabilised British public discourse in the early decades of the nineteenth century. Ferris offers the first full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers. Ferris draws on current theory and archival research to show how the national tale crucially intersected with other public genres such as travel narratives, critical reviews and political discourse. In this fascinating study, Ferris shows how the national tales of Morgan, Edgeworth, Maturin, and the Banim brothers dislodged key British assumptions and foundational narratives of history, family and gender in the period.
The Romantic National Tale and the Question of Ireland
Author: Ina Ferris
Publisher: Cambridge University Press
ISBN: 113943618X
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Ina Ferris examines the way in which the problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 destabilised British public discourse in the early decades of the nineteenth century. Ferris offers the first full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers. Ferris draws on current theory and archival research to show how the national tale crucially intersected with other public genres such as travel narratives, critical reviews and political discourse. In this fascinating study, Ferris shows how the national tales of Morgan, Edgeworth, Maturin, and the Banim brothers dislodged key British assumptions and foundational narratives of history, family and gender in the period.
Publisher: Cambridge University Press
ISBN: 113943618X
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Ina Ferris examines the way in which the problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 destabilised British public discourse in the early decades of the nineteenth century. Ferris offers the first full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers. Ferris draws on current theory and archival research to show how the national tale crucially intersected with other public genres such as travel narratives, critical reviews and political discourse. In this fascinating study, Ferris shows how the national tales of Morgan, Edgeworth, Maturin, and the Banim brothers dislodged key British assumptions and foundational narratives of history, family and gender in the period.
Ireland and Romanticism
Author: J. Kelly
Publisher: Springer
ISBN: 0230297625
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This collection by leading scholars in the field provides a fascinating and ground-breaking introduction to current research in Irish Romantic studies. It proves the international scope and aesthetic appeal of Irish writing in this period, and shows the importance of Ireland to wider currents in Romanticism.
Publisher: Springer
ISBN: 0230297625
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This collection by leading scholars in the field provides a fascinating and ground-breaking introduction to current research in Irish Romantic studies. It proves the international scope and aesthetic appeal of Irish writing in this period, and shows the importance of Ireland to wider currents in Romanticism.
Scotland, Ireland, and the Romantic Aesthetic
Author: David Duff
Publisher: Associated University Presse
ISBN: 9780838756188
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
The book offers an exciting new map of the cultural geography of the Romantic era, and establishes a dynamic methodology for future comparative work."--BOOK JACKET.
Publisher: Associated University Presse
ISBN: 9780838756188
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
The book offers an exciting new map of the cultural geography of the Romantic era, and establishes a dynamic methodology for future comparative work."--BOOK JACKET.
Bloody Romanticism
Author: I. Haywood
Publisher: Springer
ISBN: 0230596797
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
This book studies the impact of violence on the writing of the Romantic period. The focus is on the response of writers to a series of violent events including the revolutions in America and France and the Irish rebellion of 1798. Authors covered include Coleridge, Wordsworth, Scott, Byron, Fennimore Cooper, Equiano, and Helen Maria Williams.
Publisher: Springer
ISBN: 0230596797
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
This book studies the impact of violence on the writing of the Romantic period. The focus is on the response of writers to a series of violent events including the revolutions in America and France and the Irish rebellion of 1798. Authors covered include Coleridge, Wordsworth, Scott, Byron, Fennimore Cooper, Equiano, and Helen Maria Williams.
Women Writing Men
Author: Joanne Ella Parsons
Publisher: Routledge
ISBN: 1000598233
Category : Literary Criticism
Languages : en
Pages : 156
Book Description
This book explores how women writers create and question men and masculinity. As men have written women so have women written men. Debate about how men have represented women in literature has a long and distinguished history; however, there has been much less examination of the ways in which women writers depict male characters. This is clearly a notable absence given the recent rise in interest in the field of 18th- and 19th-century masculinities. Women writers were in a unique position to be able to deconstruct and examine cultural norms from a position away from the centre. This enabled women to ‘look aslant’ at masculinity using their female gaze to expose the ruptures and cracks inherent within the rigid formation of the manly ideal. This collection focuses on women’s representations of men and masculinity as they negotiate issues of class, gender, race, and sexuality. Women Writing Men: 1689 to 1869 will be of interest to academics, researchers, and advanced students of Literature, Gender Studies, Critical Theory, and Cultural Studies. The chapters in this book were originally published as a special issue of Women’s Writing.
Publisher: Routledge
ISBN: 1000598233
Category : Literary Criticism
Languages : en
Pages : 156
Book Description
This book explores how women writers create and question men and masculinity. As men have written women so have women written men. Debate about how men have represented women in literature has a long and distinguished history; however, there has been much less examination of the ways in which women writers depict male characters. This is clearly a notable absence given the recent rise in interest in the field of 18th- and 19th-century masculinities. Women writers were in a unique position to be able to deconstruct and examine cultural norms from a position away from the centre. This enabled women to ‘look aslant’ at masculinity using their female gaze to expose the ruptures and cracks inherent within the rigid formation of the manly ideal. This collection focuses on women’s representations of men and masculinity as they negotiate issues of class, gender, race, and sexuality. Women Writing Men: 1689 to 1869 will be of interest to academics, researchers, and advanced students of Literature, Gender Studies, Critical Theory, and Cultural Studies. The chapters in this book were originally published as a special issue of Women’s Writing.
Romanticism and Celebrity Culture, 1750-1850
Author: Tom Mole
Publisher: Cambridge University Press
ISBN: 0521884772
Category : History
Languages : en
Pages : 297
Book Description
An interdisciplinary collection of essays exploring how our modern idea of celebrity was created in the 18th and 19th centuries.
Publisher: Cambridge University Press
ISBN: 0521884772
Category : History
Languages : en
Pages : 297
Book Description
An interdisciplinary collection of essays exploring how our modern idea of celebrity was created in the 18th and 19th centuries.
The Oxford Handbook of Modern Irish History
Author: Alvin Jackson
Publisher: OUP Oxford
ISBN: 0191667609
Category : History
Languages : en
Pages : 979
Book Description
The study of Irish history, once riven and constricted, has recently enjoyed a resurgence, with new practitioners, new approaches, and new methods of investigation. The Oxford Handbook of Modern Irish History represents the diversity of this emerging talent and achievement by bringing together 36 leading scholars of modern Ireland and embracing 400 years of Irish history, uniting early and late modernists as well as contemporary historians. The Handbook offers a set of scholarly perspectives drawn from numerous disciplines, including history, political science, literature, geography, and the Irish language. It looks at the Irish at home as well as in their migrant and diasporic communities. The Handbook combines sets of wide thematic and interpretative essays, with more detailed investigations of particular periods. Each of the contributors offers a summation of the state of scholarship within their subject area, linking their own research insights with assessments of future directions within the discipline. In its breadth and depth and diversity, The Oxford Handbook of Modern Irish History offers an authoritative and vibrant portrayal of the history of modern Ireland.
Publisher: OUP Oxford
ISBN: 0191667609
Category : History
Languages : en
Pages : 979
Book Description
The study of Irish history, once riven and constricted, has recently enjoyed a resurgence, with new practitioners, new approaches, and new methods of investigation. The Oxford Handbook of Modern Irish History represents the diversity of this emerging talent and achievement by bringing together 36 leading scholars of modern Ireland and embracing 400 years of Irish history, uniting early and late modernists as well as contemporary historians. The Handbook offers a set of scholarly perspectives drawn from numerous disciplines, including history, political science, literature, geography, and the Irish language. It looks at the Irish at home as well as in their migrant and diasporic communities. The Handbook combines sets of wide thematic and interpretative essays, with more detailed investigations of particular periods. Each of the contributors offers a summation of the state of scholarship within their subject area, linking their own research insights with assessments of future directions within the discipline. In its breadth and depth and diversity, The Oxford Handbook of Modern Irish History offers an authoritative and vibrant portrayal of the history of modern Ireland.
Apocryphal and Literary Influences on Galway Diasporic History
Author: Gay Lynch
Publisher: Cambridge Scholars Publishing
ISBN: 1443826103
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Apocryphal and Literary Influences on Galway Diasporic History establishes that apocryphal stories, in all their transformations, contribute to collective memory. Common characteristics frame their analysis: irreducible and enduring elements, often embedded in archetypal drama; lack of historical verification; establishment in collective memory; revivals after periods of dormancy; subjection to political and economic manipulation; implicit speculation; and literary transformations. This book contextualises Unsettled, an Australian novel about a convict play, derived from the Irish apocryphal story of The Magistrate of Galway, and documents previously unpublished primary material, including apocryphal stories passed through generations of descendents of settlers, Martin and Maria Lynch, and The Hibernian Father, a play by Irish convict, Edward Geoghegan. It puts forward new hypotheses: that the Irish hero Cuchulain may have provided a template for the archetypal and apocryphal story of the Magistrate of Galway; that disgraced Trinity College medical student and aspiring writer, Edward Geoghegan, enacted and recounted the same father-son archetypal conflict when he was transported to Botany Bay in 1839, and wrote the The Hibernian Father based on the Magistrate of Galway; that working-class Irish families were marginalised in South-east South Australian historical records; that oral apocryphal Lynch stories may be true; that Kate Grenville’s The Secret River (2006) offers an alternative history of the Hawkesbury River settlement, by some definitions apocryphal. The mystery of Geoghegan’s disappearance is solved, and knowledge about his life increased. French theorist Gerard Genette’s notion, advanced in Palimpsests: Literature in the Second Degree (1997), of all novels being transtextual, provides a model for the analysis of relationships between these key apocryphal texts.
Publisher: Cambridge Scholars Publishing
ISBN: 1443826103
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
Apocryphal and Literary Influences on Galway Diasporic History establishes that apocryphal stories, in all their transformations, contribute to collective memory. Common characteristics frame their analysis: irreducible and enduring elements, often embedded in archetypal drama; lack of historical verification; establishment in collective memory; revivals after periods of dormancy; subjection to political and economic manipulation; implicit speculation; and literary transformations. This book contextualises Unsettled, an Australian novel about a convict play, derived from the Irish apocryphal story of The Magistrate of Galway, and documents previously unpublished primary material, including apocryphal stories passed through generations of descendents of settlers, Martin and Maria Lynch, and The Hibernian Father, a play by Irish convict, Edward Geoghegan. It puts forward new hypotheses: that the Irish hero Cuchulain may have provided a template for the archetypal and apocryphal story of the Magistrate of Galway; that disgraced Trinity College medical student and aspiring writer, Edward Geoghegan, enacted and recounted the same father-son archetypal conflict when he was transported to Botany Bay in 1839, and wrote the The Hibernian Father based on the Magistrate of Galway; that working-class Irish families were marginalised in South-east South Australian historical records; that oral apocryphal Lynch stories may be true; that Kate Grenville’s The Secret River (2006) offers an alternative history of the Hawkesbury River settlement, by some definitions apocryphal. The mystery of Geoghegan’s disappearance is solved, and knowledge about his life increased. French theorist Gerard Genette’s notion, advanced in Palimpsests: Literature in the Second Degree (1997), of all novels being transtextual, provides a model for the analysis of relationships between these key apocryphal texts.
Irishness in North American Women's Writing
Author: Ellen McWilliams
Publisher: Springer Nature
ISBN: 1137537884
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.
Publisher: Springer Nature
ISBN: 1137537884
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.
Liffey and Lethe
Author: Patrick R. O'Malley
Publisher: Oxford University Press
ISBN: 0192507648
Category : Literary Collections
Languages : en
Pages : 336
Book Description
Focusing on literary and cultural texts from the late eighteenth century to the early twentieth, Patrick R. O'Malley argues that in order to understand both the literature and the varieties of nationalist politics in nineteenth-century Ireland, we must understand the various modes in which the very notion of the historical past was articulated. He proposes that nineteenth-century Irish literature and culture present two competing modes of political historiography: one that eludes the unresolved wounds of Ireland's violent history through the strategic representation of a unified past that could be the model for a liberal future; and one that locates its roots not in a culturally triumphant past but rather in an account of colonial and specifically sectarian bloodshed and insists upon the moral necessity of naming that history. From myths of pre-Christian Celtic glories to medieval Catholic scholarship to the rise of the Protestant Ascendancy to narratives of colonial violence against Irish people by British power, Irish historiography strove to be the basis of a new nationalism following the 1801 Union with Great Britain, and yet it was itself riven with contention.
Publisher: Oxford University Press
ISBN: 0192507648
Category : Literary Collections
Languages : en
Pages : 336
Book Description
Focusing on literary and cultural texts from the late eighteenth century to the early twentieth, Patrick R. O'Malley argues that in order to understand both the literature and the varieties of nationalist politics in nineteenth-century Ireland, we must understand the various modes in which the very notion of the historical past was articulated. He proposes that nineteenth-century Irish literature and culture present two competing modes of political historiography: one that eludes the unresolved wounds of Ireland's violent history through the strategic representation of a unified past that could be the model for a liberal future; and one that locates its roots not in a culturally triumphant past but rather in an account of colonial and specifically sectarian bloodshed and insists upon the moral necessity of naming that history. From myths of pre-Christian Celtic glories to medieval Catholic scholarship to the rise of the Protestant Ascendancy to narratives of colonial violence against Irish people by British power, Irish historiography strove to be the basis of a new nationalism following the 1801 Union with Great Britain, and yet it was itself riven with contention.