Author: Robert Saltonstall Mattison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
One of the finest collections of contemporary American art is at the Meyerhoffs' Fitzhugh Farm, Maryland. This full-color volume presents their impressive holdings by these five American masters. Included are essays analyzing each artist's work in the contexts of their careers and of twentieth-century culture.
Masterworks in the Robert and Jane Meyerhoff Collection
Author: Robert Saltonstall Mattison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
One of the finest collections of contemporary American art is at the Meyerhoffs' Fitzhugh Farm, Maryland. This full-color volume presents their impressive holdings by these five American masters. Included are essays analyzing each artist's work in the contexts of their careers and of twentieth-century culture.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
One of the finest collections of contemporary American art is at the Meyerhoffs' Fitzhugh Farm, Maryland. This full-color volume presents their impressive holdings by these five American masters. Included are essays analyzing each artist's work in the contexts of their careers and of twentieth-century culture.
The Robert and Jane Meyerhoff Collection
Author: National Gallery of Art (U.S.)
Publisher:
ISBN: 9780894683626
Category : Painting
Languages : en
Pages : 156
Book Description
A selection of images from the Meyerhoff collection, which was built around six major figures: Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Robert Rauschenberg, and Frank Stella.
Publisher:
ISBN: 9780894683626
Category : Painting
Languages : en
Pages : 156
Book Description
A selection of images from the Meyerhoff collection, which was built around six major figures: Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Robert Rauschenberg, and Frank Stella.
The Robert and Jane Meyerhoff Collection, 1945 to 1995
Author: Mark Lawrence Rosenthal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
"Art from the post-World War 11 period, primarily in America"--Blurb.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
"Art from the post-World War 11 period, primarily in America"--Blurb.
Department of the Interior and Related Agencies Appropriations for 1998: Justification of the budget estimates, Indian Health Service
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 988
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 988
Book Description
Los Angeles to New York
Author: James Sampson Meyer
Publisher: University of Chicago Press
ISBN: 9780226425108
Category : Art
Languages : en
Pages : 408
Book Description
This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."
Publisher: University of Chicago Press
ISBN: 9780226425108
Category : Art
Languages : en
Pages : 408
Book Description
This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."
The Passion Story
Author: Marcia Ann Kupfer
Publisher: Penn State Press
ISBN: 9780271033075
Category : Religion
Languages : en
Pages : 320
Book Description
"The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The essays collected in this book, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today's religiously pluralistic societies."--BOOK JACKET.
Publisher: Penn State Press
ISBN: 9780271033075
Category : Religion
Languages : en
Pages : 320
Book Description
"The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The essays collected in this book, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today's religiously pluralistic societies."--BOOK JACKET.
Printed Stuff
Author: Richard H. Axsom
Publisher: Hudson Hills
ISBN: 9781555951238
Category : Antiques & Collectibles
Languages : en
Pages : 468
Book Description
This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.
Publisher: Hudson Hills
ISBN: 9781555951238
Category : Antiques & Collectibles
Languages : en
Pages : 468
Book Description
This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.
Jasper Johns
Author: Catherine Craft
Publisher: Parkstone International
ISBN: 1783107723
Category : Art
Languages : en
Pages : 475
Book Description
At a time when the dominant mode of painting, Abstract Expressionism, emphasised expressive drama through bold brushwork and largely abstract compositions, Johns’ paintings of the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention. Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable. “It all began... with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn’t have to design it. So I went on to similar things like the targets - things the mind already knows. That gave me room to work on other levels. For instance, I’ve always thought of painting as a surface; painting it in one color made this very clear. Then I decided that looking at a painting should not require a special kind of focus like going to church. A picture ought to be looked at the same way you look at a radiator.” Unlike most artists’ statements in New York during the 1950s, Johns’ remarks contained none of the familiar talk of doubt and angst, and his selection of subject matter appeared deliberate, thoughtful, and far removed from emotional attachments and desires. To younger artists, his art seemed not so much cold and unfeeling as clear-eyed and honest after the excesses of Abstract Expressionism. Furthermore, in selecting recognisable subjects, Johns seemed to reject prevailing abstract modes of painting, yet his subjects themselves - flags, targets, numbers - each possessed a vital characteristic of classic abstraction, namely, a flatness rendering them all but indistinguishable from the picture plane itself. This book underlines how Johns’s work made the polarity between abstraction and representation that had dominated debates about modern art for decades seem suddenly obsolete, opening up other ways of thinking about art’s relation to the world. It also tries to understand why, since his first exhibition at the Leo Castelli Gallery at the age of twenty-seven, he has remained one of the major artists of the contemporary artistic scene.
Publisher: Parkstone International
ISBN: 1783107723
Category : Art
Languages : en
Pages : 475
Book Description
At a time when the dominant mode of painting, Abstract Expressionism, emphasised expressive drama through bold brushwork and largely abstract compositions, Johns’ paintings of the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention. Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable. “It all began... with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn’t have to design it. So I went on to similar things like the targets - things the mind already knows. That gave me room to work on other levels. For instance, I’ve always thought of painting as a surface; painting it in one color made this very clear. Then I decided that looking at a painting should not require a special kind of focus like going to church. A picture ought to be looked at the same way you look at a radiator.” Unlike most artists’ statements in New York during the 1950s, Johns’ remarks contained none of the familiar talk of doubt and angst, and his selection of subject matter appeared deliberate, thoughtful, and far removed from emotional attachments and desires. To younger artists, his art seemed not so much cold and unfeeling as clear-eyed and honest after the excesses of Abstract Expressionism. Furthermore, in selecting recognisable subjects, Johns seemed to reject prevailing abstract modes of painting, yet his subjects themselves - flags, targets, numbers - each possessed a vital characteristic of classic abstraction, namely, a flatness rendering them all but indistinguishable from the picture plane itself. This book underlines how Johns’s work made the polarity between abstraction and representation that had dominated debates about modern art for decades seem suddenly obsolete, opening up other ways of thinking about art’s relation to the world. It also tries to understand why, since his first exhibition at the Leo Castelli Gallery at the age of twenty-seven, he has remained one of the major artists of the contemporary artistic scene.
Democracy's Children
Author: John McGowan
Publisher: Cornell University Press
ISBN: 1501720961
Category : Education
Languages : en
Pages : 262
Book Description
How do American intellectuals try to achieve their political and social goals? By what means do they articulate their hopes for change? John McGowan seeks to identify the goals and strategies of contemporary humanistic intellectuals who strive to shape the politics and culture of their time. In a lively mix of personal reflection and shrewd analysis, McGowan visits the sites of intellectual activity (scholarly publications, professional conferences, the classroom, and the university) and considers the hazards of working within such institutional contexts to effect change outside the academy. Democracy's Children considers the historical trajectory that produced current intellectual practices. McGowan links the growing prestige of "culture" since 1800 to the growth of democracy and the obsession with modernity and explores how intellectuals became both custodians and creators of culture. Caught between fears of culture's irrelevance and dreams of its omnipotence, intellectuals pursue a cultural politics that aims for wide-ranging social transformations. For better or worse, McGowan says, the humanities are now tied to culture and to the university. The opportunities and frustrations attendant on this partnership resonate with the larger successes and failures of contemporary democratic societies. His purpose in this collection of essays is to illuminate the conditions under which intellectuals in a democracy work and at the same time to promote intellectual activities that further democratic ideals.
Publisher: Cornell University Press
ISBN: 1501720961
Category : Education
Languages : en
Pages : 262
Book Description
How do American intellectuals try to achieve their political and social goals? By what means do they articulate their hopes for change? John McGowan seeks to identify the goals and strategies of contemporary humanistic intellectuals who strive to shape the politics and culture of their time. In a lively mix of personal reflection and shrewd analysis, McGowan visits the sites of intellectual activity (scholarly publications, professional conferences, the classroom, and the university) and considers the hazards of working within such institutional contexts to effect change outside the academy. Democracy's Children considers the historical trajectory that produced current intellectual practices. McGowan links the growing prestige of "culture" since 1800 to the growth of democracy and the obsession with modernity and explores how intellectuals became both custodians and creators of culture. Caught between fears of culture's irrelevance and dreams of its omnipotence, intellectuals pursue a cultural politics that aims for wide-ranging social transformations. For better or worse, McGowan says, the humanities are now tied to culture and to the university. The opportunities and frustrations attendant on this partnership resonate with the larger successes and failures of contemporary democratic societies. His purpose in this collection of essays is to illuminate the conditions under which intellectuals in a democracy work and at the same time to promote intellectual activities that further democratic ideals.
Chinese Walls in Time and Space
Author: Roger Des Forges
Publisher: Cornell University Press
ISBN: 1942242441
Category : History
Languages : en
Pages : 505
Book Description
Publisher: Cornell University Press
ISBN: 1942242441
Category : History
Languages : en
Pages : 505
Book Description