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Author: Ben Blumson
Publisher: Open Book Publishers
ISBN: 1783740728
Category : Philosophy
Languages : en
Pages : 225
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Book Description
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Author: Ben Blumson
Publisher: Open Book Publishers
ISBN: 1783740728
Category : Philosophy
Languages : en
Pages : 225
Get Book Here
Book Description
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Author: Marcela Malek Sulak
Publisher:
ISBN: 9781941628027
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Literary Nonfiction. Hybrid Genre. Poetry. Fiction. Art. Cultural Studies. When we talk about hybrid literary genres, what do we mean? Unprecedented in both its scope and approach, FAMILY RESEMBLANCE is the first anthology to explore the answer to that question in depth, providing craft essays and examples of hybrid forms by 43 distinguished authors. In this study of eight hybrid genres--including lyric essay, epistolary, poetic memoir, prose poetry, performative, short-form nonfiction, flash fiction, and pictures made of words--the family tree of hybridity takes delightful shape, showcasing how cross-genre works blend features from multiple literary parents to create new entities, forms that feel more urgent than ever in today's increasingly heterogeneous landscape. Introductions and an afterword discuss the importance and current popularity of hybridity in literature and culture and offer methods for teaching hybrid works. Intended for both scholarly and general readers, this seminal collection sparkles with inventiveness and creative zeal--an essential guidebook to a developing field. Contributors: Kazim Ali - Susanne Paola Antonetta - Andrea Baker - Jennifer Bartlett - Mira Bartók - Jenny Boully - Julie Carr - Katie Cortese - Nick Flynn - Sarah Gorham - Arielle Greenberg - Carol Guess - Terrance Hayes - Robin Hemley - Takashi Hiraide - Tung-Hui Hu - Mark Jarman - A. Van Jordan - Etgar Keret - Joy Ladin - Miriam Libicki - Bret Lott - Stan Mack - Sabrina Orah Mark - Brenda Miller - Ander Monson - Maggie Nelson - Amy Newman - Gregory Orr - Julio Ortega - Jena Osman - Kathleen Ossip - Pamela Painter - Craig Santos Perez - Khadijah Queen - David Shields - Mary Szybist - Sarah Vap - Patricia Vigderman - Julie Marie Wade - Diane Wakoski - Joe Wenderoth - Rachel Zucker
Author: Donna Gustafson
Publisher: Prestel Publishing
ISBN: 9783791352893
Category : ART
Languages : en
Pages : 0
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Book Description
This survey of historical and modern portraiture presents a fundamentally new and exciting exploration of how people view themselves, their personal relationships, and their tribes. Portraits--single, double, and group--are the focus of this fascinating volume. Encompassing work from the 18th century to the present, this selection examines how portraits shape our notion of self in the context of individuality, partnerships, and relationships. Three illustrated essays probe topics such as the portrait from the perspective of photography, cinema, and theater; the double portrait in all its variety, such as heterosexual and same-sex couples, mother and child, twins, reflections, shadows, and doppelgangers; and the sometimes uneasy alliance between the individual and community in portraiture. Thought-provoking and fascinating, this book will appeal to readers interested in art history and social criticism as well as psychology and social media.
Author: Brian K. Smith
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120815322
Category : Religion
Languages : en
Pages : 284
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Book Description
The classical Vedic texts that deal with large-scale sacrificial ritual and those writings that deal with domestic ritual have traditionally been treated as unrelated. The former are devoted to the explication of rituals that are dominated by wealthy male elites; the latter concern humble private ceremonies more open to famale participation. Reflections on Resemblance, Ritual and Religion argues that there is in fact, a fundamental connection between these two large and important bodies of Indic religious literature.
Author:
Publisher:
ISBN: 9781942084815
Category : Family & Relationships
Languages : en
Pages : 144
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Book Description
Family Resemblance is a multi-year photo project that documents people young and old, who are genetically related, and bear a strong resemblance to one another.
Author: Gonzalo Rodriguez-Pereyra
Publisher: Oxford University Press
ISBN: 0191554006
Category : Philosophy
Languages : en
Pages :
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Book Description
Gardeners, poets, lovers, and philosophers are all interested in the redness of roses; but only philosophers wonder how it is that two different roses can share the same property. Are red things red because they resemble each other? Or do they resemble each other because they are red? Since the 1970s philosophers have tended to favour the latter view, and held that a satisfactory account of properties must involve the postulation of either universals or tropes. But Gonzalo Rodriguez-Pereyra revives the dormant alternative theory of resemblance nominalism, showing first that it can withstand the attacks of such eminent opponents as Goodman and Armstrong, and then that there are reasons to prefer it to its rival theories. The clarity and rigour of his arguments will challenge metaphysicians to rethink their views on properties.
Author: James Welling
Publisher: Prestel
ISBN: 9783791354866
Category : Maine
Languages : en
Pages : 0
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Book Description
As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs. Shot on location in Pennsylvania and Maine - in the same areas where Wyeth painted throughout his life - this major series includes photographs from 2010 through 2014. In addition to including never-before-seen works from the completed Wyeth series, the book explores the mechanisms of influence of one artist upon another - even across media-ranging from subconscious borrowings to more direct appropriations.
Author: Andrew R. Platt
Publisher:
ISBN: 0190941790
Category : Philosophy
Languages : en
Pages : 397
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Book Description
Starting in the 1660s, followers of the philosopher Descartes argued for what has come to be known as "occasionalism." In its most extreme form, occasionalism is the doctrine that God directly causes everything that happens in the world, and no other being is a true cause of any effect. The views of Cartesian occasionalists were once largely dismissed by English-speaking philosophers. But since the 1970s, a growing body of secondary literature has highlighted the historical significance, and philosophical interest, of their views. This study expands on recent scholarship to provide the first comprehensive account of occasionalism in the seventeenth century.
Author: Princeton University
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 180
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Book Description
Reprinted from scientific journals.
Author: Brian Massumi
Publisher: MIT Press
ISBN: 0262297256
Category : Social Science
Languages : en
Pages : 233
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Book Description
An investigation of the “occurrent arts” through the concepts of the “semblance” and “lived abstraction.” Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: “lived abstraction.” A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented—variously known as interactive art, ephemeral art, performance art, art intervention—which he refers to collectively as the “occurrent arts.” Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artwork's relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.
