The Representation of the West in American Drama from 1849-1917 PDF Download
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Author: Stuart Wallace Hyde
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1034
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Book Description
Author: Stuart Wallace Hyde
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1034
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Book Description
Author: R. Wattenberg
Publisher: Springer
ISBN: 023011914X
Category : Literary Criticism
Languages : en
Pages : 451
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Book Description
Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of contemporary dramas not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace.
Author:
Publisher: BRILL
ISBN: 9004490418
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Author: Roger A. Hall
Publisher: Cambridge University Press
ISBN: 9780521793209
Category : Drama
Languages : en
Pages : 304
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Book Description
This book examines how the American frontier was presented in theatrical productions.
Author: Kay Marcella Robinson
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 356
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Book Description
Author: Steven Neale
Publisher: Indiana University Press
ISBN: 0861969294
Category : Art
Languages : en
Pages : 253
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Book Description
Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.
Author: Maria Szasz
Publisher:
ISBN:
Category : Dramatists, American
Languages : en
Pages : 188
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Book Description
Author: Gary Michael Salt
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 962
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Book Description
Author: Sandra K. Sagala
Publisher: UNM Press
ISBN: 0826344291
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Between 1872 and 1886, before he achieved acclaim for his Wild West show, "Buffalo Bill" led a troupe of traveling actors known as a Combination across the country performing in frontier melodramas. Biographies of William Frederick Cody rarely address these fourteen rather obscure years when Cody honed the skills that would make him the world-renowned entertainer as he is now remembered. In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
Author: Kathryn Fenton
Publisher: Routledge
ISBN: 1351594877
Category : Music
Languages : en
Pages : 301
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Book Description
On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an unambiguous success and the event itself recognized as a major moment in New York cultural history. The initial public opinion matched Puccini’s own evaluation of his opera. He called it "the best he had ever written" and expected it to become as popular as La Bohème. Yet the music reviews tell a different story. Marked by ambivalence, the reviews expose the New York City critics’ struggle to reconcile the opera they expected to see with the one they actually saw, and the opera itself became embroiled in controversy over the essence of musical Americanness and the nativist perception that a uniquely American national opera tradition continued to elude both American- and foreign-born opera composers. This book seeks to account for the differences between Puccini’s own assessments of the opera and those of its first audience. Offering transcriptions of the central reviews and of letters unavailable elsewhere, the book provides a historically informed understanding of La fanciulla del West and the reception of this European work as it intersected with both opera production and consumption in the United States and with the process of American musical identity formation during the very period that Americans actively sought to eradicate European cultural influences. As such, it offers a window into the development of nativism and "cosmopolitan nationalism" in New York City’s musical life during the first decade of the twentieth century.
