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Author: Christopher Cairns
Publisher:
ISBN: 9780075460060
Category : English drama
Languages : en
Pages :
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Book Description
Author: Christopher Cairns
Publisher:
ISBN: 9780075460060
Category : English drama
Languages : en
Pages :
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Book Description
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367134303
Category :
Languages : en
Pages : 130
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Book Description
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
Author: Christopher Cairns
Publisher: Routledge
ISBN: 0429640366
Category : Drama
Languages : en
Pages : 130
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Book Description
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
Author: Christopher Cairns
Publisher: Routledge
ISBN: 9781138360617
Category :
Languages : en
Pages : 206
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Book Description
First published in 1999, this volume examines iconography, nature, gardens, staging, tradition and innovation in the Renaissance theatre, continuing the growing interest in relationships between image and performance as a fertile field for theatre research. Papers explored areas including The Tempest, Elizabeth Cary, Antonia Pulci and Shakespeare's Italian nature.
Author:
Publisher:
ISBN: 9780754600060
Category :
Languages : en
Pages : 206
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Book Description
Author: Christopher Cairns
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Christopher Cairns
Publisher: Ashgate Pub Limited
ISBN: 9780754600077
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
This volume along with a previous one (on The English and Italian Theatre) include many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
Author: Christopher Cairns
Publisher: Ashgate Pub Limited
ISBN: 9780754600084
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
This two-volume set (of The English and Italian Theatre and Design, Image and Acting) includes many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
Author: Christopher Cairns
Publisher: Ashgate Publishing
ISBN: 9780754600060
Category : English drama
Languages : en
Pages : 206
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Book Description
This volume and a second (on Design, Image and Acting) include many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
Author: Jane Collins
Publisher: Routledge
ISBN: 1136344527
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.
