Author: Cary D Wintz
Publisher: Routledge
ISBN: 1136649107
Category : History
Languages : en
Pages : 298
Book Description
The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.
The Harlem Renaissance in the American West
Author: Cary D Wintz
Publisher: Routledge
ISBN: 1136649107
Category : History
Languages : en
Pages : 298
Book Description
The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.
Publisher: Routledge
ISBN: 1136649107
Category : History
Languages : en
Pages : 298
Book Description
The Harlem Renaissance, an exciting period in the social and cultural history of the US, has over the past few decades re-established itself as a watershed moment in African American history. However, many of the African American communities outside the urban center of Harlem that participated in the Harlem Renaissance between 1914 and 1940, have been overlooked and neglected as locations of scholarship and research. Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African American communities all over the American West to participate fully in the cultural renaissance that took hold during that time.
Global Interests
Author: Lisa Jardine
Publisher: Cornell University Press
ISBN: 9780801438080
Category : Art
Languages : en
Pages : 236
Book Description
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Publisher: Cornell University Press
ISBN: 9780801438080
Category : Art
Languages : en
Pages : 236
Book Description
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Music in the Renaissance
Author: Richard Freedman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 332
Book Description
"Like the other volumes in the series, Music in the Renaissance brings a fresh perspective to the study of music by emphasizing social, cultural, intellectual, and political contexts of the music. Richard Freedman looks far beyond the notes on the page or the details of composers’ lives to embrace audiences, performers, institutions, and social settings. For example, the text shows how new technologies of music printing in the Renaissance permitted composers to align notation with sound, causing audiences accustomed to aural transmission to rethink the concept of a musical work."--Résumé du site web de l'éditeur.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 332
Book Description
"Like the other volumes in the series, Music in the Renaissance brings a fresh perspective to the study of music by emphasizing social, cultural, intellectual, and political contexts of the music. Richard Freedman looks far beyond the notes on the page or the details of composers’ lives to embrace audiences, performers, institutions, and social settings. For example, the text shows how new technologies of music printing in the Renaissance permitted composers to align notation with sound, causing audiences accustomed to aural transmission to rethink the concept of a musical work."--Résumé du site web de l'éditeur.
Renaissance
Author: Candace O'Connor
Publisher:
ISBN: 9781681061245
Category : History
Languages : en
Pages : 0
Book Description
Just as stately trees in Forest Park were coming down to make way for the 1904 World's Fair, elegant homes -- designed by the city's best architects and occupied by its elite-- were springing up on surrounding streets, as a vast building boom began. And that was the start of the St. Louis neighborhood called the Central West End, which quickly grew from a sleepy rural outpost to an address for fashionable people and shops, fine cultural institutions and congregations, high-class hotels and hospitals.That halcyon period did not last, however. Through the years, various factors -- the growth of the suburbs, white flight, the cost of maintaining huge homes, the rise of rooming houses, the disheartening effect of smoke and urban smells -- drove some of the well-to-do farther west, and the Central West End foundered. Though residents, religious groups, and some politicians tried to stop the slide, fine homes disappeared and hospitals fled. At this point, the Washington University Medical Center also faced a choice: stay or go? They decided to hold their ground and mounted a revitalization effort that succeeded, with the support of the resilient community.Today, the Central West End is again undergoing a boom as condominiums go up, businesses come to life, and historic streets find new vitality. To the east, an exciting biotechnology district, Cortex Innovation Community, is building upon its success. Renaissance: A History of the Central West End traces the Central West End's cycle over the past century and more: from its stylish start through its dangerous days to its present strength -- an urban renewal significant enough that it has earned the name "renaissance."
Publisher:
ISBN: 9781681061245
Category : History
Languages : en
Pages : 0
Book Description
Just as stately trees in Forest Park were coming down to make way for the 1904 World's Fair, elegant homes -- designed by the city's best architects and occupied by its elite-- were springing up on surrounding streets, as a vast building boom began. And that was the start of the St. Louis neighborhood called the Central West End, which quickly grew from a sleepy rural outpost to an address for fashionable people and shops, fine cultural institutions and congregations, high-class hotels and hospitals.That halcyon period did not last, however. Through the years, various factors -- the growth of the suburbs, white flight, the cost of maintaining huge homes, the rise of rooming houses, the disheartening effect of smoke and urban smells -- drove some of the well-to-do farther west, and the Central West End foundered. Though residents, religious groups, and some politicians tried to stop the slide, fine homes disappeared and hospitals fled. At this point, the Washington University Medical Center also faced a choice: stay or go? They decided to hold their ground and mounted a revitalization effort that succeeded, with the support of the resilient community.Today, the Central West End is again undergoing a boom as condominiums go up, businesses come to life, and historic streets find new vitality. To the east, an exciting biotechnology district, Cortex Innovation Community, is building upon its success. Renaissance: A History of the Central West End traces the Central West End's cycle over the past century and more: from its stylish start through its dangerous days to its present strength -- an urban renewal significant enough that it has earned the name "renaissance."
Reorientations of Western Thought from Antiquity to the Renaissance
Author: Ferdinand Edward Cranz
Publisher: Routledge
ISBN: 9780860789833
Category : History
Languages : en
Pages : 374
Book Description
Bringing together materials on the thesis of the late Edward Cranz, this book aims to present a fundamental reorientation of the categories of thought in the Latin West. It also includes a research on the reception of Classical and early Christian political thought, demonstrating the pertinence of this to the reorientation thesis.
Publisher: Routledge
ISBN: 9780860789833
Category : History
Languages : en
Pages : 374
Book Description
Bringing together materials on the thesis of the late Edward Cranz, this book aims to present a fundamental reorientation of the categories of thought in the Latin West. It also includes a research on the reception of Classical and early Christian political thought, demonstrating the pertinence of this to the reorientation thesis.
The Waning of the Renaissance, 1550-1640
Author: William James Bouwsma
Publisher: Yale University Press
ISBN: 9780300097177
Category : History
Languages : en
Pages : 328
Book Description
Historians have conventionally viewed intellectual and artistic achievement as a seamless progression in a single direction, with the Renaissance, as identified by Jacob Burckhardt, as the root and foundation of modern culture. But in this brilliant new analysis William Bouwsma rethinks the accepted view, arguing that while the Renaissance had a beginning and, unquestionably, a climax, it also had an ending. Examining the careers of some of the greatest figures of the age--Montaigne, Galileo, Jonson, Descartes, Hooker, Shakespeare, and Cervantes among many others--Bouwsma perceives in their work a growing sense of doubt and anxiety about the modern world. He considers first those features of modern European culture generally associated with the traditional Renaissance, features which reached their climax in the late sixteenth and early seventeenth centuries. But even as the movements of the Renaissance gathered strength, simultaneous impulses operated in a contrary direction. Bouwsma identifies a growing concern with personal identity, shifts in the interests of major thinkers, a decline in confidence about the future, and a heightening of anxiety. Exploring the fluctuating and sometimes contradictory atmosphere in which Renaissance artists and thinkers operated, Bouwsma shows how the very liberation from old boundaries and modes of expression that characterized the Renaissance became itself increasingly stifling and destructive. By drawing attention to the waning of the Renaissance culture of freedom and creativity, Bouwsma offers a wholly new and intriguing interpretation of the place of the European Renaissance in modern culture.
Publisher: Yale University Press
ISBN: 9780300097177
Category : History
Languages : en
Pages : 328
Book Description
Historians have conventionally viewed intellectual and artistic achievement as a seamless progression in a single direction, with the Renaissance, as identified by Jacob Burckhardt, as the root and foundation of modern culture. But in this brilliant new analysis William Bouwsma rethinks the accepted view, arguing that while the Renaissance had a beginning and, unquestionably, a climax, it also had an ending. Examining the careers of some of the greatest figures of the age--Montaigne, Galileo, Jonson, Descartes, Hooker, Shakespeare, and Cervantes among many others--Bouwsma perceives in their work a growing sense of doubt and anxiety about the modern world. He considers first those features of modern European culture generally associated with the traditional Renaissance, features which reached their climax in the late sixteenth and early seventeenth centuries. But even as the movements of the Renaissance gathered strength, simultaneous impulses operated in a contrary direction. Bouwsma identifies a growing concern with personal identity, shifts in the interests of major thinkers, a decline in confidence about the future, and a heightening of anxiety. Exploring the fluctuating and sometimes contradictory atmosphere in which Renaissance artists and thinkers operated, Bouwsma shows how the very liberation from old boundaries and modes of expression that characterized the Renaissance became itself increasingly stifling and destructive. By drawing attention to the waning of the Renaissance culture of freedom and creativity, Bouwsma offers a wholly new and intriguing interpretation of the place of the European Renaissance in modern culture.
Know Thyself
Author: Ingrid Rossellini
Publisher: Doubleday
ISBN: 0385541899
Category : History
Languages : en
Pages : 445
Book Description
A Kirkus Reviews Best Book of 2018 A lively and timely introduction to the roots of self-understanding--who we are and how we should act--in the cultures of ancient Greece, the Roman Empire, and Middle Ages and the Renaissance "Know thyself"--this fundamental imperative appeared for the first time in ancient Greece, specifically in Delphi, the temple of the god Apollo, who represented the enlightened power of reason. For the Greeks, self-knowledge and identity were the basics of their civilization and their sources were to be found in where one was born and into which social group. These determined who you were and what your duties were. In this book the independent scholar Ingrid Rossellini surveys the major ideas that, from Greek and Roman antiquity through the Christian medieval era up to the dawn of modernity in the Renaissance, have guided the Western project of self-knowledge. Addressing the curious lay reader with an interdisciplinary approach that includes numerous references to the visual arts, Know Thyself will reintroduce readers to the most profound and enduring ways our civilization has framed the issues of self and society, in the process helping us rediscover the very building blocks of our personality.
Publisher: Doubleday
ISBN: 0385541899
Category : History
Languages : en
Pages : 445
Book Description
A Kirkus Reviews Best Book of 2018 A lively and timely introduction to the roots of self-understanding--who we are and how we should act--in the cultures of ancient Greece, the Roman Empire, and Middle Ages and the Renaissance "Know thyself"--this fundamental imperative appeared for the first time in ancient Greece, specifically in Delphi, the temple of the god Apollo, who represented the enlightened power of reason. For the Greeks, self-knowledge and identity were the basics of their civilization and their sources were to be found in where one was born and into which social group. These determined who you were and what your duties were. In this book the independent scholar Ingrid Rossellini surveys the major ideas that, from Greek and Roman antiquity through the Christian medieval era up to the dawn of modernity in the Renaissance, have guided the Western project of self-knowledge. Addressing the curious lay reader with an interdisciplinary approach that includes numerous references to the visual arts, Know Thyself will reintroduce readers to the most profound and enduring ways our civilization has framed the issues of self and society, in the process helping us rediscover the very building blocks of our personality.
The Beauty and the Terror
Author: Catherine Fletcher
Publisher: Oxford University Press
ISBN: 0190908505
Category : History
Languages : en
Pages : 449
Book Description
A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.
Publisher: Oxford University Press
ISBN: 0190908505
Category : History
Languages : en
Pages : 449
Book Description
A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.
Into the White
Author: Christopher P. Heuer
Publisher: Zone Books
ISBN: 1942130147
Category : Art
Languages : en
Pages : 265
Book Description
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Publisher: Zone Books
ISBN: 1942130147
Category : Art
Languages : en
Pages : 265
Book Description
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Creating East and West
Author: Nancy Bisaha
Publisher: University of Pennsylvania Press
ISBN: 0812201299
Category : History
Languages : en
Pages : 321
Book Description
As the Ottoman Empire advanced westward from the fourteenth to the sixteenth centuries, humanists responded on a grand scale, leaving behind a large body of fascinating yet understudied works. These compositions included Crusade orations and histories; ethnographic, historical, and religious studies of the Turks; epic poetry; and even tracts on converting the Turks to Christianity. Most scholars have seen this vast literature as atypical of Renaissance humanism. Nancy Bisaha now offers an in-depth look at the body of Renaissance humanist works that focus not on classical or contemporary Italian subjects but on the Ottoman Empire, Islam, and the Crusades. Throughout, Bisaha probes these texts to reveal the significant role Renaissance writers played in shaping Western views of self and other. Medieval concepts of Islam were generally informed and constrained by religious attitudes and rhetoric in which Muslims were depicted as enemies of the faith. While humanist thinkers of the Renaissance did not move entirely beyond this stance, Creating East and West argues that their understanding was considerably more complex, in that it addressed secular and cultural issues, marking a watershed between the medieval and modern. Taking a close look at a number of texts, Bisaha expands current notions of Renaissance humanism and of the history of cross-cultural perceptions. Engaging both traditional methods of intellectual history and more recent methods of cross-cultural studies, she demonstrates that modern attitudes of Western societies toward other cultures emerged not during the later period of expansion and domination but rather as a defensive intellectual reaction to a sophisticated and threatening power to the East.
Publisher: University of Pennsylvania Press
ISBN: 0812201299
Category : History
Languages : en
Pages : 321
Book Description
As the Ottoman Empire advanced westward from the fourteenth to the sixteenth centuries, humanists responded on a grand scale, leaving behind a large body of fascinating yet understudied works. These compositions included Crusade orations and histories; ethnographic, historical, and religious studies of the Turks; epic poetry; and even tracts on converting the Turks to Christianity. Most scholars have seen this vast literature as atypical of Renaissance humanism. Nancy Bisaha now offers an in-depth look at the body of Renaissance humanist works that focus not on classical or contemporary Italian subjects but on the Ottoman Empire, Islam, and the Crusades. Throughout, Bisaha probes these texts to reveal the significant role Renaissance writers played in shaping Western views of self and other. Medieval concepts of Islam were generally informed and constrained by religious attitudes and rhetoric in which Muslims were depicted as enemies of the faith. While humanist thinkers of the Renaissance did not move entirely beyond this stance, Creating East and West argues that their understanding was considerably more complex, in that it addressed secular and cultural issues, marking a watershed between the medieval and modern. Taking a close look at a number of texts, Bisaha expands current notions of Renaissance humanism and of the history of cross-cultural perceptions. Engaging both traditional methods of intellectual history and more recent methods of cross-cultural studies, she demonstrates that modern attitudes of Western societies toward other cultures emerged not during the later period of expansion and domination but rather as a defensive intellectual reaction to a sophisticated and threatening power to the East.