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Author: Ed Bullins
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 184
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Book Description
Author: Ed Bullins
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 184
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Book Description
Author: Rebecca Campbell
Publisher: Routledge
ISBN: 1136054383
Category : Psychology
Languages : en
Pages : 205
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Book Description
Tackling difficult issues, Emotionally Involved gives a vivid picture the challenges researchers who studey traumatic events face. It is essential reading for researchers, therapists, fieldworkers, for those on the frontlines of rape crisis and domestic violence work, and for anyone concerned with the role of emotions in social science.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
Author: Susan Brownmiller
Publisher: Open Road Media
ISBN: 1480441953
Category : Social Science
Languages : en
Pages : 765
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Book Description
DIVDIVSusan Brownmiller’s groundbreaking bestseller uncovers the culture of violence against women with a devastating exploration of the history of rape—now with a new preface by the author exposing the undercurrents of rape still present today/divDIV Rape, as author Susan Brownmiller proves in her startling and important book, is not about sex but about power, fear, and subjugation. For thousands of years, it has been viewed as an acceptable “spoil of war,” used as a weapon by invading armies to crush the will of the conquered. The act of rape against women has long been cloaked in lies and false justifications./divDIV It is ignored, tolerated, even encouraged by governments and military leaders, misunderstood by police and security organizations, freely employed by domineering husbands and lovers, downplayed by medical and legal professionals more inclined to “blame the victim,” and, perhaps most shockingly, accepted in supposedly civilized societies worldwide, including the United States./divDIV Against Our Will is a classic work that has been widely credited with changing prevailing attitudes about violence against women by awakening the public to the true and continuing tragedy of rape around the globe and throughout the ages./divDIV Selected by the New York Times Book Review as an Outstanding Book of the Year and included among the New York Public Library’s Books of the Century, Against Our Will remains an essential work of sociological and historical importance./divDIV/div/div
Author: Jon Krakauer
Publisher: Anchor
ISBN: 0804170568
Category : Social Science
Languages : en
Pages : 417
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Book Description
NATIONAL BESTSELLER • “A devastating exposé of colleges and local law enforcement.... A substantive deep dive into the morass of campus sex crimes, where the victim is too often treated like the accused.” —Entertainment Weekly Missoula, Montana, is a typical college town, home to a highly regarded state university whose beloved football team inspires a passionately loyal fan base. Between January 2008 and May 2012, hundreds of students reported sexual assaults to the local police. Few of the cases were properly handled by either the university or local authorities. In this, Missoula is also typical. In these pages, acclaimed journalist Jon Krakauer investigates a spate of campus rapes that occurred in Missoula over a four-year period. Taking the town as a case study for a crime that is sadly prevalent throughout the nation, Krakauer documents the experiences of five victims: their fear and self-doubt in the aftermath; the skepticism directed at them by police, prosecutors, and the public; their bravery in pushing forward and what it cost them. These stories cut through abstract ideological debate about acquaintance rape to demonstrate that it does not happen because women are sending mixed signals or seeking attention. They are victims of a terrible crime, deserving of fairness from our justice system. Rigorously researched, rendered in incisive prose, Missoula stands as an essential call to action.
Author: Jeannie Vanasco
Publisher: Tin House Books
ISBN: 1947793543
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person. Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own. Unflinching and courageous, Things We Didn’t Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships—a recounting and reckoning that will inspire us to ask harder questions, push towards deeper understanding, and continue a necessary and long overdue conversation.
Author: Larry Crompton
Publisher: AuthorHouse
ISBN: 1452052425
Category : Cold cases (Criminal investigation)
Languages : en
Pages : 498
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Book Description
This book is based on the actual case of the East Area Rapist, later also known as the Original Night Stalker, a masked man who terrorized California communities for ten years; 1976 through 1986, and possibly to this day. Because I was not involved in the initial rape investigations, they are written from hundreds of reports, notes, memos, newspaper clippings, conversations and interviews with those who were involved. The crimes are factual. The crimes are real. While all characters and events have direct counterparts in the telling of the story, I have created some dialogue in the interest of readability. The cops in the initial rapes are not factual, their actions are. Their names and descriptions are completely fictitious. The names of the victims, witnesses and suspects are fictitious; the terror, the dialogue during the crimes, and the investigations are real. The cops involved in the cases after I was involved are real, their names and dialogue is factual, the investigations are real. The pain and terror may have diminished in the minds of the victims, I hope that the pain does not return. My intent is to tell the story without endangering the privacy or the dignity of the victims. They have suffered enough.
Author: Maria Padian
Publisher: Algonquin Books
ISBN: 1616207450
Category : Young Adult Fiction
Languages : en
Pages : 369
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Book Description
“Outstanding, powerful, and important . . . This is, hands down, one of the best sexual assault reads in YA.”—Book Riot What really happened at the party that night? Haley saw Jenny come back to the dorm, shell-shocked. Richard heard Jordan brag about the cute freshman he hooked up with. When Jenny accuses Jordan of rape, Jordan claims she’s lying. Haley and Richard, who have just started dating, are pushed to opposite sides of the school’s investigation. Will the truth ever come to light? Reputations, relationships, and whole lives depend on it.
Author: Kevin Gallagher
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 348
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Book Description
Twelve years ago, a guy named Bush was president, the country was in the midst of turmoil in the Middle East, and, although the president enjoyed unprecedented support, seeds of opposition were beginning to spread. Some things are slow to change. Meanwhile, Boston was experiencing a harsh recession and Jamaica Plain (one of Boston's southern neighborhoods) became a low-rent mecca for aspiring artists, musicians, and writers. A blend of inspiration, naiveté, technology, and vision led a handful of these artists to found compost magazine. Their mission was to facilitate a better understanding of the world's people through art and literature by re-internationalizing poetry in the United States, by showcasing emerging and established artists in the Boston area and across the continent. Early issues featured translations from Russian, Bengali, and Bulgarian; sketches and artwork by inter-national and Boston-area artists; and poetry and interviews with Robert Pinsky, KRS-ONE, and Rosanna Warren. Each issue contained a feature on the poetry of a culture other than mass culture USA, a section called "Hear America Singing" that featured established and emerging writers from the U.S., and a section that presented Boston-area artists and writers. Much of the inspiration for compost's international slant came from the publisher James Laughlin and the translator Kenneth Rexroth. Laughlin was one of compost's earliest enthusiasts, as well as their most frequent contributor; and the magazine created a Memorial Translation Prize to honor Kenneth Rexroth. Greatest Hits contains a range of work from compost's twelve-year run, an overview of the magazine's conception and history from two of its editors, and a preface by Rosanna Warren. Kevin Gallagher and Margaret Bezucha are two of the founding editors of compost magazine.
Author: Leslie Catherine Sanders
Publisher: LSU Press
ISBN: 9780807115824
Category : Drama
Languages : en
Pages : 272
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Book Description
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
