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Author: Aysegul Komsuoglu
Publisher:
ISBN: 9786050707854
Category :
Languages : en
Pages : 0
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Book Description
In the 19th century, the Ottoman Empire's social, economic, military, and political structures changed. Military officers began to study the Western nations' technical and institutional structures to understand and resolve the causes of recent defeats and subsequent loss of land. Modernization efforts that began in the military field evolved into a movement to modernize all institutional structures. The Empire's intention to adapt to a rapidly changing world was evident in the widespread modernization of all fields, from art and agriculture to education and transportation. The reforms had some peculiar features. One such feature is continuity between old and new structures. During this time, modernization caused an abrupt change in art. The most significant change was the institutionalization of plastic, visual, and performing arts. Many art institutions were founded between the second half of the 19th century and the first half of the 20th century. New regulations were drafted to modernize art foundations. Musical ensembles were converted into formal establishments. However, these new establishments did not replace either old structures and educational systems or their traditional elements. This coexistence of old and new allowed for continuity between the two, enabling different "worlds" to exist simultaneously. It also allowed different forms and mentalities across the Ottoman world to merge. Artists and administrators familiar with old and new systems played an important role in the construction of continuity in the Empire. Another change was the politicization of art; for example, music was used to construct power symbols. Given its political use in the process of modernization of the Ottoman Empire, art can be seen as a significant component of the new Ottoman identity. "The Relationship between Art and Politics in the 19th Century Ottoman Empire: institutionalization, Change and Continuity" is an interdisciplinary reading of change and continuity in the Empire's period of modernization within the context of art and politics. We discuss how changes in the political, economic, and social spheres and the intervention of important figures and events affected various forms of art through different dynamics of change and continuity. The authors of this book are scholars working in different fields of the social sciences, bringing an interdisciplinary approach to the subject matter.
Author: Aysegul Komsuoglu
Publisher:
ISBN: 9786050707854
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
In the 19th century, the Ottoman Empire's social, economic, military, and political structures changed. Military officers began to study the Western nations' technical and institutional structures to understand and resolve the causes of recent defeats and subsequent loss of land. Modernization efforts that began in the military field evolved into a movement to modernize all institutional structures. The Empire's intention to adapt to a rapidly changing world was evident in the widespread modernization of all fields, from art and agriculture to education and transportation. The reforms had some peculiar features. One such feature is continuity between old and new structures. During this time, modernization caused an abrupt change in art. The most significant change was the institutionalization of plastic, visual, and performing arts. Many art institutions were founded between the second half of the 19th century and the first half of the 20th century. New regulations were drafted to modernize art foundations. Musical ensembles were converted into formal establishments. However, these new establishments did not replace either old structures and educational systems or their traditional elements. This coexistence of old and new allowed for continuity between the two, enabling different "worlds" to exist simultaneously. It also allowed different forms and mentalities across the Ottoman world to merge. Artists and administrators familiar with old and new systems played an important role in the construction of continuity in the Empire. Another change was the politicization of art; for example, music was used to construct power symbols. Given its political use in the process of modernization of the Ottoman Empire, art can be seen as a significant component of the new Ottoman identity. "The Relationship between Art and Politics in the 19th Century Ottoman Empire: institutionalization, Change and Continuity" is an interdisciplinary reading of change and continuity in the Empire's period of modernization within the context of art and politics. We discuss how changes in the political, economic, and social spheres and the intervention of important figures and events affected various forms of art through different dynamics of change and continuity. The authors of this book are scholars working in different fields of the social sciences, bringing an interdisciplinary approach to the subject matter.
Author: Aysegul Komsuoglu
Publisher:
ISBN: 9786050707878
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
In the 19th century, the Ottoman Empire's social, economic, military, and political structures changed. Military officers began to study the Western nations' technical and institutional structures to understand and resolve the causes of recent defeats and subsequent loss of land. Modernization efforts that began in the military field evolved into a movement to modernize all institutional structures. The Empire's intention to adapt to a rapidly changing world was evident in the widespread modernization of all fields, from art and agriculture to education and transportation. The reforms had some peculiar features. One such feature is continuity between old and new structures. During this time, modernization caused an abrupt change in art. The most significant change was the institutionalization of plastic, visual, and performing arts. Many art institutions were founded between the second half of the 19th century and the first half of the 20th century. New regulations were drafted to modernize art foundations. Musical ensembles were converted into formal establishments. However, these new establishments did not replace either old structures and educational systems or their traditional elements. This coexistence of old and new allowed for continuity between the two, enabling different "worlds" to exist simultaneously. It also allowed different forms and mentalities across the Ottoman world to merge. Artists and administrators familiar with old and new systems played an important role in the construction of continuity in the Empire. Another change was the politicization of art; for example, music was used to construct power symbols. Given its political use in the process of modernization of the Ottoman Empire, art can be seen as a significant component of the new Ottoman identity. "The Relationship between Art and Politics in the 19th Century Ottoman Empire: institutionalization, Change and Continuity" is an interdisciplinary reading of change and continuity in the Empire's period of modernization within the context of art and politics. We discuss how changes in the political, economic, and social spheres and the intervention of important figures and events affected various forms of art through different dynamics of change and continuity. The authors of this book are scholars working in different fields of the social sciences, bringing an interdisciplinary approach to the subject matter.
Author: Adrian Brisku
Publisher: Bloomsbury Publishing
ISBN: 147423853X
Category : History
Languages : en
Pages : 332
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Book Description
Throughout the 'long 19th century', the Ottoman and Russian empires shared a goal of destroying one another. Yet, they also shared a similar vision for imperial state renewal, with the goal of avoiding revolution, decline and isolation within Europe. Adrian Brisku explores how this path of renewal and reform manifested itself: forging new laws and institutions, opening up the economy to the outside world, and entering the European political community of imperial states. Political Reform in the Ottoman and Russian Empires tackles the dilemma faced by both empires, namely how to bring about meaningful change without undermining the legal, political and economic status quo. The book offers a unique comparison of Ottoman and Russian politics of reform and their connection to the wider European politico-economic space.
Author: Kemal H. Karpat
Publisher: BRILL
ISBN: 9789004121010
Category : Social Science
Languages : en
Pages : 886
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Book Description
Annotation The 19th century prevails in this anthology on the transformation of the late Ottoman state into modern Turkey. Thirty-three articles are arranged in three categories: the Ottoman socio-political transformation, the population movements of immigration and migration, and the formation of nation-states with politico-religious identities. Karpat (history, U. of Wisconsin) has a central aim: to counteract what would become bureaucratic Republican attempts by the Turkish Historical Society (formerly, the Ottoman Historical Society) to cut off Turkish history from its Ottoman past. The THS was able to do this by instead connecting the Republic with its earlier Central Asian roots, and by relying too heavily on European versions of Ottoman/Turkish history more unfavorable to things Ottoman. Topics include the social and economic transformation of Istanbul in the 19th century, Jewish population movements in the Ottoman Empire, Ottoman relations with the Balkan nations after 1683, and Romanian independence and the Ottoman state. Annotation c. Book News, Inc., Portland, OR (booknews.com).
Author: Murat R. Şiviloğlu
Publisher: Cambridge University Press
ISBN: 1108126049
Category : History
Languages : en
Pages : 333
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Book Description
Nineteenth-century Ottoman politics was filled with casual references to public opinion. Having been popularised as a term in the 1860s, the following decades witnessed a deluge of issues being brought into 'the tribune of public opinion'. Murat R. Şiviloğlu explains how this concept emerged, and how such an abstract phenomenon embedded itself so deeply into the political discourse that even sultans had to consider its power. Through looking at the bureaucratic and educational institutions of the time, this book offers an analysis of the society and culture of the Ottomans, as well as providing an interesting application of theoretical ideas concerning common political identity and public opinion. The result is a more balanced and nuanced understanding of public opinion as a whole.
Author: Emine O. Evered
Publisher: Bloomsbury Publishing
ISBN: 0857732609
Category : History
Languages : en
Pages : 355
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Book Description
Once hailed as 'the eternal state', the Ottoman Empire was in decline by the end of the nineteenth century, finally collapsing under the pressures of World War I. Yet its legacies are still apparent, and few have had more impact than those of its schools and educational policies. "Empire and Education under the Ottomans" analyses the Empire's educational politics from the mid-nineteenth century, amidst the Tanzimat reform period, until "The Young Turk Revolution in 1908". Through a focus on the regional impact of decrees from Istanbul, Emine O. Evered unravels the complexities of the era, demonstrating how educational changes devised to strengthen the Empire actually hastened its demise. This book is the first history of education in the Ottoman Middle East to evaluate policies in the context of local responses and resistance, and includes the first published English translation of the watershed 1869 Ottoman Education Law. A stimulating and impressively-researched study, it represents an important new addition to the historiography of the Ottoman Empire and will be essential for those researching its lasting legacy.
Author: Nil Tekgül
Publisher: Bloomsbury Publishing
ISBN: 1350180564
Category : History
Languages : en
Pages : 185
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Book Description
Exploring the political, social and familial ties in early modern Ottoman society, this book is a timely contribution to both the history of emotions and the study of the Ottoman Empire. Spanning love and compassion in political discourse, gratitude in communal relations to affection in the home, Emotions in the Ottoman Empire considers the role of emotions in both micro and macro settings. Drawing on Ottoman primary sources such as advice manuals, judicial court records and imperial decrees, this book claims that the contested concept of 'protection', related to how and who to protect, was culturally specific and historically contingent and stands at the center of all debates about how the Ottoman empire and society itself employed the politics of difference. It explores what it felt like to protect and be protected in the early modern era and how Ottoman subjects conceptualized the unequal power relations. The central argument of the book is that it was emotions in the early modern era which provided the meaning of the concept of “protection”. It also traces change in meaning of protection in the nineteenth century and explores how emotions transformed or got lost in social, political and familial relations during the period of modernization. Highlighting a culture that has so far been neglected in the history of emotions, this book looks to globalise the field and think more deeply about Ottoman society in the early modern period.
Author: Serif Mardin
Publisher: Princeton University Press
ISBN: 069165672X
Category : Political Science
Languages : en
Pages : 465
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Book Description
What were the antecedents and beginnings of modern political ideas among the Turks? Dr. Mardin seeks to describe the conditions which produced these ideas, among them the influence of the Enlightenment, the changes in the fabric of Turkish society, the combination of the traditionalist Ottoman world-view with a modern Western outlook. How a modern intelligentsia was formed in the Ottoman Empire, first by the Patriotic Alliance, then under the banner of the Young Ottoman Society, is the theme of this work. Serif Mardin, who has been a research fellow at Harvard and Princeton, has returned to Tukrey for further research and teaching. Princeton Oriental Studies, 21. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Marinos Sariyannis
Publisher: BRILL
ISBN: 900438524X
Category : History
Languages : en
Pages : 608
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Book Description
In A History of Ottoman Political Thought up to the Early Nineteenth Century, Marinos Sariyannis offers a survey of Ottoman political texts, examined in a book-length study for the first time. From the last glimpses of gazi ideology and the first instances of Persian political philosophy in the fifteenth century until the apologists of Western-style military reform in the early nineteenth century, the author studies a multitude of theories and views, focusing on an identification of ideological trends rather than a simple enumeration of texts and authors. At the same time, the book offers analytical summaries of texts otherwise difficult to find in English.
Author: Mary Roberts
Publisher: Univ of California Press
ISBN: 0520280539
Category : Art
Languages : en
Pages : 278
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Book Description
"A vibrant artistic milieu emerged in the late-nineteenth century Istanbul that was extremely heterogeneous, including Ottoman, Ottoman-Armenian, French, Italian, British, Polish and Ottoman-Greek artists. Roberts analyzes the ways artistic output intersected with the broader political agenda of a modernizing Ottoman state. She draws on extensive original research, bringing together sources in Turkey, England, France, Italy, Armenia, Poland and Denmark. Five chapters each address a particular issue related to transcultural exchange across the east-west divide that is focused on a particular case study of art, artistic patronage, and art exhibitions in nineteenth-century Istanbul"--Provided by publisher.
