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Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226450063
Category : Art
Languages : en
Pages : 508
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Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226450063
Category : Art
Languages : en
Pages : 508
Get Book Here
Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Author: J. Waldron
Publisher: Springer
ISBN: 1137313129
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
This project takes the human body and the bodily senses as joints that articulate new kinds of connections between church and theatre and overturns a longstanding notion about theatrical phenomenology in this period.
Author: Frederik Lodewijk Polak
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 388
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Book Description
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
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Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Author: Peter Matheson
Publisher: Fortress Press
ISBN: 9781451415902
Category : Religion
Languages : en
Pages : 170
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Book Description
Views the Reformation as it appeared in pamphlets and sermons, woodcuts and paintings, poetry and song, correspondence, and contours of daily life.
Author: David Brown
Publisher: Oxford University Press, USA
ISBN: 0199275904
Category : Religion
Languages : en
Pages : 447
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Book Description
In this book, David Brown considers the ways in which biblical narratives have been presented--and changed--over the centuries. He then determines how these changes have impacted the understanding and practice of Christian discipleship.
Author: Andrew T. Coates
Publisher: BRILL
ISBN: 9004375392
Category : Art
Languages : en
Pages : 147
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Book Description
What is Protestant Art? presents an introduction to Protestant visual culture from the Reformation to the present. Examining historical images as evidence of changing practices and attitudes, Andrew T. Coates explores three major themes in the history of Protestant visual culture: 1) the religious work of images, 2) the relationship between word and image, 3) the power of the Bible and its visual representation. The book analyses images such as prints, paintings, maps of the ‘Holy Land,’ and Bible illustrations to demonstrate the broad range of images that could be classified as Protestant ‘art.’ This work argues that the variety of images and visual practices throughout Protestant history might better be described by the term ‘visual culture’ than ‘art.’
Author: Lyndal Roper
Publisher: Princeton University Press
ISBN: 0691205329
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
From the author of the acclaimed biography Martin Luther: Renegade and Prophet, new perspectives on how Luther and others crafted his larger-than-life image Martin Luther was a controversial figure during his lifetime, eliciting strong emotions in friends and enemies alike, and his outsized persona has left an indelible mark on the world today. Living I Was Your Plague explores how Luther carefully crafted his own image and how he has been portrayed in his own times and ours, painting a unique portrait of the man who set in motion a revolution that sundered Western Christendom. Renowned Luther biographer Lyndal Roper examines how the painter Lucas Cranach produced images that made the reformer an instantly recognizable character whose biography became part of Lutheran devotional culture. She reveals what Luther's dreams have to say about his relationships and discusses how his masculinity was on the line in his devastatingly crude and often funny polemical attacks. Roper shows how Luther's hostility to the papacy was unshaken to the day he died, how his deep-rooted anti-Semitism infused his theology, and how his memorialization has given rise to a remarkable flood of kitsch, from "Here I Stand" socks to Playmobil Luther. Lavishly illustrated, Living I Was Your Plague is a splendid work of cultural history that sheds new light on the complex and enduring legacy of Luther and his image.
Author:
Publisher: Lippincott Williams & Wilkins
ISBN:
Category :
Languages : en
Pages : 2034
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Book Description
Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541986
Category : Art
Languages : en
Pages : 632
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Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
