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Author: Steven Mullaney
Publisher: University of Chicago Press
ISBN: 022611709X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries—audiences as well as playwrights—reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare’s first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
Author: Steven Mullaney
Publisher: University of Chicago Press
ISBN: 022611709X
Category : Literary Criticism
Languages : en
Pages : 242
Get Book Here
Book Description
The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries—audiences as well as playwrights—reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare’s first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
Author: Steven Mullaney
Publisher: University of Chicago Press
ISBN: 0226547647
Category : History
Languages : en
Pages : 242
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Book Description
The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries—audiences as well as playwrights—reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare’s first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
Author: Toria Johnson
Publisher: Boydell & Brewer
ISBN: 1843845741
Category : History
Languages : en
Pages : 244
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Book Description
Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.
Author: Richard Meek
Publisher: Manchester University Press
ISBN: 0719098947
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.
Author: Robert Malcolm Smuts
Publisher: Oxford University Press
ISBN: 0199660840
Category : History
Languages : en
Pages : 849
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Book Description
Rather than seeking to survey the historical 'background' to Shakespeare, the essays in the collection display a variety of perspectives, insights and methodologies found in current historical work that may also inform literary studies. In addition to Elizabethan and early seventeenth century polities, they examine such topics as the characteristics of the early modern political imagination; the growth of public controversy over religion and other issues duringthe period and ways in which this can be related to drama; attitudes about honour and shame and their relation to concepts of gender; histories of crime and murder; and ways in which changing attitudeswere expressed through architecture, printed images and the layout of Tudor gardens.
Author: Paul Megna
Publisher: Springer
ISBN: 3030037959
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
Author: James R. Siemon
Publisher: Associated University Presse
ISBN: 0838644864
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Shakespeare Studies is an annual volume featuring the work of scholars, critics, and cultural historians from across the globe. This issue includes a Forum on the drama of the 1580s, from eleven contributors; a Next Gen Plenary, from four contributors, three articles, and reviews of sixteen books.
Author: Jacqueline Vanhoutte
Publisher: U of Nebraska Press
ISBN: 1496214536
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
The title Age in Love is taken from Shakespeare's sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, "vainly" performs the role of "some untutor'd youth." Jacqueline Vanhoutte argues that this pattern of "age in love" pervades Shakespeare's mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes--Shakespeare's old-men-in-love turn in boundary-blurring performances that probe the gendered and generational categories by which early modern subjects conceived of identity. In Age in Love Vanhoutte shows that questions we have come to regard as quintessentially Shakespearean--about the limits of social mobility, the nature of political authority, the transformative powers of the theater, the vagaries of human memory, or the possibility of secular immortality--come to indelible expression through Shakespeare's artful deployment of the "age in love" trope. Age in Love contributes to the ongoing debate about the emergence of a Tudor public sphere, building on the current interest in premodern constructions of aging and ultimately demonstrating that the Elizabethan court shaped Shakespeare's plays in unexpected and previously undocumented ways.
Author: Cora Fox
Publisher: Manchester University Press
ISBN: 1526137151
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
What did it mean to be happy in early modern Europe? Positive emotions in early modern literature and culture includes essays that reframe historical understandings of emotional life in the Renaissance, focusing on under-studied feelings such as mirth, solidarity, and tranquillity. Methodologically diverse and interdisciplinary, these essays draw from the history of emotions, affect theory and the contemporary social and cognitive sciences to reveal rich and sustained cultural attention in the early modern period to these positive feelings. The book also highlights culturally distinct negotiations of the problematic binary between what constitutes positive and negative emotions. A comprehensive introduction and afterword open multiple paths for research into the histories of good feeling and their significances for understanding present constructions of happiness and wellbeing.
Author: Tom Bishop
Publisher: Routledge
ISBN: 1000074528
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
For its eighteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from among the most active and insightful scholars in the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist guest editor, along with coverage of the current state of the field. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
