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Author: Beth Quitslund
Publisher: Routledge
ISBN: 1351883038
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been familiar with its psalms and hymns as elements of both public worship and private devotion. Yet, despite the significant impact of The Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. In large part this neglect is due to the reputation it gained after the mid-seventeenth century as a work of poor poetry mainly valued by vulgar and/or sectarian audiences. This later reception, however, was the product of not only changing literary tastes but an ideological desire to reshape the history of the Reformation. This study focuses on the actual aims of its authors and editors over the course of its gradual composition during the tumultuous religious changes of the mid-sixteenth century, and recovers its significant influence on the English church and literary practice. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England. It also shows how, in metrical psalmody, Protestant reformers discovered what turned out to be a uniquely flexible and effective instrument for advancing their vision of a godly society.
Author: Beth Quitslund
Publisher: Routledge
ISBN: 1351883038
Category : Literary Criticism
Languages : en
Pages : 216
Get Book
Book Description
The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been familiar with its psalms and hymns as elements of both public worship and private devotion. Yet, despite the significant impact of The Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. In large part this neglect is due to the reputation it gained after the mid-seventeenth century as a work of poor poetry mainly valued by vulgar and/or sectarian audiences. This later reception, however, was the product of not only changing literary tastes but an ideological desire to reshape the history of the Reformation. This study focuses on the actual aims of its authors and editors over the course of its gradual composition during the tumultuous religious changes of the mid-sixteenth century, and recovers its significant influence on the English church and literary practice. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England. It also shows how, in metrical psalmody, Protestant reformers discovered what turned out to be a uniquely flexible and effective instrument for advancing their vision of a godly society.
Author: Thomas WARD (Roman Catholic Soldier.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author: Maria-Cristina Pitassi
Publisher: BRILL
ISBN: 9004356797
Category : History
Languages : en
Pages : 620
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Book Description
Collected essays of intellectual and religious history and of history of the early modern theology in honour of Professor Irena Backus Mélanges d’histoire religieuse et intellectuelle et d’histoire de la théologie à l’époque moderne offerts à Madame Irena Backus
Author: Rebecca M. Rush
Publisher: Princeton University Press
ISBN: 0691215685
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
Author: Kate Horgan
Publisher: Routledge
ISBN: 1317318005
Category : History
Languages : en
Pages : 272
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Book Description
Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
Author: Tamara Hollingsworth
Publisher: Teacher Created Materials
ISBN: 9781433350092
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
During the 1500s, religious change came to Europe and people began to question the beliefs and practices of Catholicism. This engaging book introduces readers to the changes that people like Martin Luther, John Calvin, and Henry VIII wanted during the Reformation. The captivating images, stunning facts, and engaging sidebars give readers insight into issues of that time, including social order, indulgences, and the development of Protestantism. Featuring easy-to-read text, a helpful index, and glossary, children will be engaged from beginning to end!
Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192857126
Category : Christian poetry, English
Languages : en
Pages : 253
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Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.
Author: Venla Sykäri
Publisher: Suomalaisen Kirjallisuuden Seura
ISBN: 951858589X
Category : Social Science
Languages : en
Pages : 289
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Book Description
This collection of thirteen chapters answers new questions about rhyme, with views from folklore, ethnopoetics, the history of literature, literary criticism and music criticism, psychology and linguistics. The book examines rhyme as practiced or as understood in English, Old English and Old Norse, German, Swedish, Norwegian, Finnish and Karelian, Estonian, Medieval Latin, Arabic, and the Central Australian language Kaytetye. Some authors examine written poetry, including modernist poetry, and others focus on various kinds of sung poetry, including rap, which now has a pioneering role in taking rhyme into new traditions. Some authors consider the relation of rhyme to other types of form, notably alliteration. An introductory chapter discusses approaches to rhyme, and ends with a list of languages whose literatures or song traditions are known to have rhyme.
Author: Thomas Ward
Publisher:
ISBN:
Category : Reformation
Languages : en
Pages : 552
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Book Description
Author: David P. Barshinger
Publisher: Oxford University Press, USA
ISBN: 0199396752
Category : Religion
Languages : en
Pages : 489
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Book Description
Throughout church history, the book of Psalms has enjoyed wider use and acclaim than almost any other book of the Bible. Early Christians extolled it for its fullness of Christian doctrine, monks memorized and recited it daily, lay people have prayed its words as their own, and churches have sung from it as their premier hymn book. While the past half century has seen an extraordinary resurgence of interest in the thought of American theologian Jonathan Edwards, including his writings on the Bible, no scholar has yet explored his meditations on the Psalms. David P. Barshinger addresses this gap by providing a close study of his engagement with one of the Bible's most revered books. From his youth to the final days of his presidency at the College of New Jersey, Edwards was a devout student of Scripture-as more than 1,200 extant sermons, theological treatises, and thousands of personal manuscript pages devoted to biblical reflection bear witness. Using some of his writings that have previously received little to no attention, Jonathan Edwards and the Psalms offers insights on his theological engagement with the Psalms in the context of interpretation, worship, and preaching. Barshinger shows that he appropriated the history of redemption as an organizing theological framework within which to engage the Psalms specifically, and the Bible as a whole. This original study greatly advances Edwards scholarship, shedding new and welcome light on the theologian's relationship to Scripture.
