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Author: John Holten
Publisher:
ISBN: 9783943196009
Category :
Languages : en
Pages : 0
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Book Description
John Holten's remarkably confident debut novel The Readymades uses and abuses a number of literary genres: found texts from the history of modern art, witness testimonies, press releases and the narrative style of art history accounts. By juxtaposing the experience of war, the urge for artistic creation and the act of narrating the past, The Readymades launches a double strategy in which the artistic gesture becomes an attempt to overcome war, while simultaneously forced to partake in it. The Readymades is not just a novel, but also an on-going 'fictitious event'.
Author: John Holten
Publisher:
ISBN: 9783943196009
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
John Holten's remarkably confident debut novel The Readymades uses and abuses a number of literary genres: found texts from the history of modern art, witness testimonies, press releases and the narrative style of art history accounts. By juxtaposing the experience of war, the urge for artistic creation and the act of narrating the past, The Readymades launches a double strategy in which the artistic gesture becomes an attempt to overcome war, while simultaneously forced to partake in it. The Readymades is not just a novel, but also an on-going 'fictitious event'.
Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 0429843569
Category : Art
Languages : en
Pages : 433
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Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Author: Thierry De Duve
Publisher: U of Minnesota Press
ISBN: 081664859X
Category : Art
Languages : en
Pages : 255
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Book Description
Reveals the invention of the readymade as a critical point in contemporary art.
Author: Museum of Modern Art (New York, N.Y.)
Publisher: The Museum of Modern Art
ISBN: 9780870706684
Category : Art
Languages : en
Pages : 360
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Book Description
"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.
Author: Rudolf E. Kuenzli
Publisher: MIT Press
ISBN: 9780262611213
Category : Design
Languages : en
Pages : 268
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Book Description
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Author: Daniel O. Dahlstrom
Publisher: CUA Press
ISBN: 0813230705
Category : Art
Languages : en
Pages : 281
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Book Description
The 13 essays in this collection are marked by a diversity of philosophical styles and perspectives on art. While some authors focus on specific forms of art, others are more concerned with the interpretation given to art by past and contemporary philosop
Author: Augustus Rose
Publisher: Penguin
ISBN: 0735221847
Category : Fiction
Languages : en
Pages : 385
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Book Description
“The most must-read of all must-reads.” —Marie Claire “A kickass debut from start to finish.” —Colson Whitehead, author of The Underground Railroad Lee Cuddy is seventeen years old and on the run. Betrayed by her family after taking the fall for a friend, Lee finds refuge in a cooperative of runaways holed up in an abandoned building they call the Crystal Castle. But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all. Aided by Tomi, a young hacker and artist with whom she has struck a wary alliance, Lee escapes into the unmapped corners of the city—empty aquariums, deserted motels, patrolled museums, and even the homes of vacationing families. But the deeper she goes underground, the more tightly she finds herself bound in the strange web she’s trying to elude. Desperate and out of options, Lee steps from the shadows to face who is after her—and why. A novel of puzzles, conspiracies, secret societies, urban exploration, art history, and a singular, indomitable heroine, The Readymade Thief heralds the arrival of a spellbinding and original new talent in fiction.
Author: Sven Spieker
Publisher: MIT Press
ISBN: 026253357X
Category : Art
Languages : en
Pages : 241
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Book Description
The archive as a crucible of twentieth-century modernism and key for understanding contemporary art. The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive's content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's “anemic archive” of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism. Dadaists, constructivists, and Surrealists favored discontinuous, nonlinear archives that resisted hermeneutic reading and ordered presentation. Spieker argues that the use of archives by such contemporary artists as Hiller, Richter, Hans-Peter Feldmann, Walid Raad, and Boris Mikhailov responds to and continues this attack on the nineteenth-century archive and its objectification of the historical process. Spieker considers archivally driven art in relation to changing media technologies—the typewriter, the telephone, the telegraph, film. And he connects the archive to a particularly modern visuality, showing that the avant-garde used the archive as something of a laboratory for experimental inquiries into the nature of vision and its relation to time. The Big Archive offers us the first critical monograph on an overarching motif in twentieth-century art.
Author: Moira Roth
Publisher: Psychology Press
ISBN: 9789057013317
Category : Art
Languages : en
Pages : 212
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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Hershberg
Publisher: University Press of Kentucky
ISBN: 0813163013
Category : Literary Criticism
Languages : en
Pages : 113
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Book Description
Today's music, painting, and film share with literature in the development of a new aesthetic, even as these other arts influence (and are influenced by) literary themes and structures. And at the same time the music and art of the past continue to re-echo in twentieth-century letters. The thirteen essays gathered here open a fine and varied view of the ways in which contemporary literature interacts with the other arts. Surrealism in French painting and literature, collage theory and the cutups of William Burroughs, texts of Butor as shaped by works of Duchamp—this volume offers a rich harvest of perceptive studies on these and other aspects of a fascinating topic.
