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Author: Chandak Sengoopta
Publisher: Oxford University Press
ISBN: 0199089647
Category : History
Languages : en
Pages : 525
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Book Description
In the history of Indian cinema, the name of Satyajit Ray needs no introduction. However, what remains unvoiced is the contribution of his forebears and their tryst with Indian modernity. Be it in art, advertising, and printing technology or in nationalism, feminism, and cultural reform, the earlier Rays attempted to create forms of the modern that were uniquely Indian and cosmopolitan at the same time. Some of the Rays, especially Upendrakishore and his son, Sukumar, are iconic figures in Bengal. But even Bengali historiography is almost exclusively concerned with the family’s contributions to children’s literature. However, as this study highlights, the family also played an important role in engaging with new forms of cultural modernity. Apart from producing literary works of enduring significance, they engaged in diverse reformist endeavours. The first comprehensive work in English on the pre-Satyajit generations, The Rays before Satyajit is more than a collective biography of an extraordinary family. It interweaves the Ray saga with the larger history of Indian modernity.
Author: Chandak Sengoopta
Publisher: Oxford University Press
ISBN: 0199089647
Category : History
Languages : en
Pages : 525
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Book Description
In the history of Indian cinema, the name of Satyajit Ray needs no introduction. However, what remains unvoiced is the contribution of his forebears and their tryst with Indian modernity. Be it in art, advertising, and printing technology or in nationalism, feminism, and cultural reform, the earlier Rays attempted to create forms of the modern that were uniquely Indian and cosmopolitan at the same time. Some of the Rays, especially Upendrakishore and his son, Sukumar, are iconic figures in Bengal. But even Bengali historiography is almost exclusively concerned with the family’s contributions to children’s literature. However, as this study highlights, the family also played an important role in engaging with new forms of cultural modernity. Apart from producing literary works of enduring significance, they engaged in diverse reformist endeavours. The first comprehensive work in English on the pre-Satyajit generations, The Rays before Satyajit is more than a collective biography of an extraordinary family. It interweaves the Ray saga with the larger history of Indian modernity.
Author: Satyajit Ray
Publisher: Penguin Random House India Private Limited
ISBN: 9391149774
Category : Fiction
Languages : en
Pages : 757
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Book Description
'3 Rays is like exploring the Mother Earth, and finding the rare treasures'-Gulzar, poet, lyricist and film-maker 'Satyajit Ray's work is like a beautiful scene from nature, and that's the reason we get lost in his beautiful art' -Shoojit Sircar, film-maker 'Ray's magic, the simple poetry of his images and their emotional impact, will always stay with me'-Martin Scorsese, film director, producer, screenwriter and actor 'Satyajit Ray's artifice and honesty set him apart from other film directors'-The Guardian 'Satyajit Ray's world of restless watchfulness and nuance'-The New York Times 'The quiet but deep observation ... have impressed me greatly'-Akira Kurosawa, film-maker The most anticipated book on the centenary birth anniversary of Satyajit Ray An amazingly brilliant collection of Satyajit Ray's previously unpublished autobiographical writings, illustrations, fictions and non-fictions A collector's item, 3 Rays is a source of delight for every reader Satyajit Ray (1921-1992), through his life, philosophy and works offered a unique aesthetic sensibility, which took Indian cinema, art and literature to a new height. An ace designer, music composer, illustrator and a gifted writer, Ray gave us the awe-inspiring sleuth Feluda, and the maverick scientist, Professor Shonku-two iconic characters loved and revered by millions of readers. On the occasion of his centenary birth anniversary, 3 Rays: Stories from Satyajit Ray, the first book in The Penguin Ray Library series, opens a window to the brilliance of this Renaissance man. With more than forty stories and poems along with many unpublished works, autobiographical writings and illustrations by Ray, this volume offers a unique glimpse into Ray's creative genius.
Author: Bhaskar Chattopadhyay
Publisher: Westland Non-Fiction
ISBN: 9357761365
Category : Biography & Autobiography
Languages : en
Pages : 291
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Book Description
About the Book AN ESSENTIAL BOOK FOR EVERY CINEPHILE’S LIBRARY Satyajit Ray is the tallest Indian figure in world cinema. Retrospectives across the globe, perhaps even more than at home, have kept his legacy alive. But how do we understand his cinema in the context of a vastly different world? What keeps great cinema from becoming dated? What are the particularities of Ray’s movies that cause them to endure? Bhaskar Chattopadhyay’s literary engagement with Ray’s cinema spans years. In this book, he revisits each one of Satyajit Ray’s thirty-nine feature films, shorts and documentaries to investigate their cinematic and social context. He also speaks to a number of the master’s collaborators as well as other directors and critics to truly understand Ray and his work. Packed with delightful anecdotes and fresh insights, The Cinema of Satyajit Ray is an essential book for every cinephile’s library.
Author: Gaston Roberge
Publisher: Manohar Publishers
ISBN: 9788173047350
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
The essays offered here were written between 1970 and 2005. Teaching assignments, requests for articles, and the authors own evolving interests prompted them. They were not written with the view to form a book. They are now published together in the conviction that, both singly and as a whole, they can contribute to a better appreciation of Satyajit Rays legacy. The essays deal with Ray as a film-maker. The date on which each essay was written is indicated as it situate each in the cultural context in which it was conceived. Out of the twenty-nine feature films of Ray, only eight, plus the Apu Trilogy as a whole, are discussed. Moreover, this small collection is not a selection, indicaing preferences; nor is it a classification, rating the films. The discussion of Jana Aranya is the only essay that was written for this book to illuminate the evolution that took place from the first to the last film of Satyajit Ray. In order to preserve their historical value, generally, the essays were not updated. Given Rays deep involvement in film education, especially in the film societies movement in India, it was felt mandatory to include two articles on the subject, one discussing the situation of the film societies today, and the other, inspired by Satyajit Ray, and proposing a programme of media education for a new type of film society.
Author: Satyajit Ray
Publisher: Harper Collins
ISBN: 9352779169
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
Satyajit Ray was a master of science fiction writing. Through his Professor Shonku stories and other fiction and non-fiction pieces, he explored the genre from various angles. In the 1960s, Ray wrote a screenplay for what would have been the first-of-its-kind sci-fi film to be made in India. It was called The Alien and was based on his own short story "Bonkubabur Bandhu". On being prompted by Arthur C. Clarke, who found the screenplay promising, Ray sent the script to Columbia Pictures in Hollywood, who agreed to back it, and Peter Sellers was approached to play a prominent role. Then started the "Ordeals of the Alien" as Ray calls it, as even after a series of trips to the US, UK and France, the film was never made, and more shockingly, some fifteen years later, Ray watched Steven Spielberg's film Close Encounters of the Third Kind and later E.T.: The Extra-Terrestrial, and realized these bore uncanny resemblances to his script The Alien, including the way the ET was designed! A slice of hitherto undocumented cinema history, Travails with the Alien includes Ray's detailed essay on the project with the full script of The Alien, as well as the original short story on which the screenplay was based. These, presented alongside correspondence between Ray and Peter Sellers, Arthur C. Clarke, Marlon Brando, Hollywood producers who showed interest, and a fascinating essay by the young student at Columbia University's Graduate School of Journalism who broke the Spielberg story, make this book a rare and compelling read on science fiction, cinema and the art of adaptation.
Author: Madhuja Mukherjee
Publisher: Routledge
ISBN: 1000448924
Category : Art
Languages : en
Pages : 292
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Book Description
Popular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture.
Author: Devapriya Sanyal
Publisher: Routledge
ISBN: 1000509192
Category : Social Science
Languages : en
Pages : 187
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Book Description
This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.
Author: Sayandeb Chowdhury
Publisher: Bloomsbury Publishing
ISBN: 9390358019
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-maker Actor and screen icon Uttam Kumar (1926–1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy. The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.
Author: Upamanyu Pablo Mukherjee
Publisher:
ISBN: 1789620287
Category : History
Languages : en
Pages : 204
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Book Description
This is the first sustained exploration of the relationship between post-colonial science fiction, Indian techno-scientific policies, and the non-aligned movement. It shows the critical role played by the science fiction genre in imagining alternative pathways for scientific and geo-political developments to those that dominate our lives now.
Author: Souvik Naha
Publisher: Cambridge University Press
ISBN: 1108494587
Category : History
Languages : en
Pages : 310
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Book Description
This book expands our historical understanding of postcolonial India by examining how cricket has shaped Indian society and politics.
