The Rand-McNally Hand-book to the Pan-American Exposition, Buffalo and Niagara Falls ... PDF Download
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Author:
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ISBN:
Category : Buffalo (N.Y.)
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Buffalo (N.Y.)
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Buffalo (N.Y.)
Languages : en
Pages : 274
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Book Description
Description of exhibits includes a Venetian glass factory, souvenirs, glass dress.
Author: Rand McNally and Company
Publisher:
ISBN:
Category : Buffalo (N.Y.)
Languages : en
Pages : 196
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Author: UNKNOWN. AUTHOR
Publisher: Forgotten Books
ISBN: 9781331583349
Category : Architecture
Languages : en
Pages : 264
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Book Description
Excerpt from The Rand-McNally Hand Book to the Pan-American Exposition: Buffalo and Niagara Falls In order to secure the most satisfactory and intelligent results from an Exposition such as that now being held at Buffalo, one of two things is necessary - either to be thor oughly familiar with the ground or'to possess an accurate and comprehensive guide book. The, first of these condi tions is impossible to thousands of people because of lack Of time, and they -must therefore rely on their own resources. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Anonymous
Publisher: Wentworth Press
ISBN: 9781372922336
Category : History
Languages : en
Pages : 274
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1572
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Author:
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Category : American literature
Languages : en
Pages : 524
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Author:
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ISBN:
Category : American literature
Languages : en
Pages : 1564
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Author: Charles Mason Dow
Publisher:
ISBN:
Category : Niagara Falls
Languages : en
Pages : 790
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Book Description
Author: Elizabeth Sutton
Publisher: University of Iowa Press
ISBN: 1609386884
Category : Art
Languages : en
Pages : 193
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Book Description
Angel De Cora (c. 1870–1919) was a Native Ho-Chunk artist who received relative acclaim during her lifetime. Karen Thronson (1850–1929) was a Norwegian settler housewife who created crafts and folk art in obscurity along with the other women of her small immigrant community. The immigration of Thronson and her family literally maps over the De Cora family’s forced migration across Wisconsin, Iowa, and onto the plains of Nebraska and Kansas. Tracing the parallel lives of these two women artists at the turn of the twentieth century, art historian Elizabeth Sutton reveals how their stories intersected and diverged in the American Midwest. By examining the creations of these two artists, Sutton shows how each woman produced art or handicrafts that linked her new home to her homeland. Both women had to navigate and negotiate between asserting their authentic self and the expectations placed on them by others in their new locations. The result is a fascinating story of two women that speaks to universal themes of Native displacement, settler conquest, and the connection between art and place.
