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Author: Anton Ehrenzweig
Publisher: Psychology Press
ISBN: 9780415209564
Category : Art
Languages : en
Pages : 320
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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Anton Ehrenzweig
Publisher: Psychology Press
ISBN: 9780415209564
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Anton Ehrenzweig
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Anton Ehrenzweig
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Albert Rothenberg
Publisher: Duke University Press
ISBN: 9780822303541
Category : Education
Languages : en
Pages : 388
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Book Description
Albert Rothenberg, a psychiatrist, and Carl R. Hausman, a philosopher, have prepared a truly comprehensive interdisciplinary book of readings on creativity. This group of selections from the works of writers in psychiatry, philosophy, psychology, psychoanalysis, and education brings together, for the first time, major theoretical works, outstanding empirical findings, and discussions of the definition and nature of creativity. The organization of The Creativity Question is unique: it illustrates the various approaches and basic assumptions underlying studies of creativity throughout the course of history up to the present time. The main body of selections appears under the categories of descriptions, attempts at explanation, and alternate approaches. As specific orientations to creativity can be traced to particular initiating thinkers and investigators, there is a special chapter on seminal accounts containing selections from the works of Plato, Aristotle, Kant, Galton, and Freud. Another chapter includes recent illustrations of special types of exploratory trends: creativity of women, brain research, synectics, extrasensory perception, behaviorism, and creativity computer programming. This organization highlights the tension between strictly scientific accounts and alternative approaches offering new ways of understanding. The editors have provided for the books as a whole and for each chapter explanation and discussion of the basic issues raised by the various approaches to creativity.
Author: Janet Sayers
Publisher: Routledge
ISBN: 1317724135
Category : Psychology
Languages : en
Pages : 241
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Book Description
In Freud's Art – Psychoanalysis Retold Janet Sayers provides a refreshing new introduction to psychoanalysis by retelling its story through art. She does this by bringing together experts from psychoanalysis, art history, and art education to show how art and psychoanalysis illuminate each other. Freud's Art begins with major founders of psychoanalysis - Freud, Jung, Spielrein and Klein. It then details art-minded developments of their ideas by Adrian Stokes, Jacques Lacan, Marion Milner, Anton Ehrenzweig, Donald Winnicott, and Wilfred Bion before concluding with the recent theories of Jean Laplanche and Julia Kristeva. The result is a book which highlights the importance of psychoanalysis, together with painting and the visual arts, to understanding the centrality of visual imagery, fantasy, nightmares and dreams to all of us, artists and non-artists alike. Illustrated throughout with fascinating case histories, examples of well known and amateur art, doodles, drawings, and paintings by both analysts and their patients, Freud's Art provides a compelling account of psychoanalysis for all those studying, working in, or simply intrigued by psychology, mental health and creativity today.
Author: Eviatar Zerubavel
Publisher: Oxford University Press
ISBN: 0199366632
Category : Social Science
Languages : en
Pages : 221
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Book Description
Many of us take for granted that what we perceive is a completely accurate representation of the world around us. Yet we have all had the experience of suddenly realizing that the keys or glasses that we had been looking for in vain were right in front of us the whole time. The capacity of our sense organs far exceeds our mental capabilities, and as such, looking at something does not guarantee that we will notice it. Our minds constantly prioritize and organize the information we take in, bringing certain things to the foreground, while letting others - that which we deem irrelevant - recede into the background. What ultimately determines what we perceive, and what we do not? In this fascinating book, noted sociologist Eviatar Zerubavel argues that we perceive things not just as human beings but as social beings. Drawing on fascinating examples from science, the art world, optical illusions, and all walks of life, he shows that what we notice or ignore varies across cultures and throughout history, and illustrates how our environment and our social lives - everything from our lifestyles to our professions to our nationalities - play a role in determining how we actually use our senses to access the world. A subtle yet powerful examination of one of the central features of our conscious life, this book offers a way to think about all that might otherwise remain hidden in plain sight.
Author: John E. Gedo
Publisher: Columbia University Press
ISBN: 9780231078535
Category : Art
Languages : en
Pages : 278
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Book Description
Articulates the role of personality in creative pursuits, defining personality a set of enduring qualities that effect such behavior as a general preference for autonomous or interdependent activity. Examines the psychology of creativity, the challenge and opportunity of developing a creative gift, the struggles of a creative life, and the fit between talent and opportunity. Illustrates the principles with case studies of Paul Cezanne and Eugene Delacroix. Annotation copyright by Book News, Inc., Portland, OR
Author: Dan Merkur
Publisher: State University of New York Press
ISBN: 0791490750
Category : Psychology
Languages : en
Pages : 196
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Book Description
In a detailed engagement with the psychoanalytic theories of dreams, conscience, empathy, and creativity, Dan Merkur argues that the superego is an unconscious reasoning process, dedicated to the representation of the loved object. The superego's access to the repressed and devotion of time to single topics make it both more knowledgeable and more intelligent than the conscious ego. This is the final installment in Merkur's three-volume exploration of the psychoanalysis of religious experiences—volumes one and two are The Ecstatic Imagination: Psychedelic Experiences and the Psychoanalysis of Self-Actualization and Mystical Moments and Unitive Thinking, also published by SUNY Press.
Author: Victoria de Rijke
Publisher: Springer Nature
ISBN: 9819921465
Category : Education
Languages : en
Pages : 227
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Book Description
This book offers new definitions, vocabularies and insights for “scribbling”, viewing it as a fascinating and revealing process shared by many different disciplines and practices. The book provides a fresh and timely perspective on the nature of mark making and the persistence of the gestural impulse from the earliest graphic marks to the most sophisticated artistic production. The typical treatment of scribbling in the literature of artistic development has cast the practice as a prelude to representation in drawing and writing, with only occasional acknowledgment of the continuing joy and experiment of making marks across many arts practices. The continuous line the author traces between the universal practice of scribbling in infancy and early childhood and the work of radical creativity for contemporary and historical artists is original and clarifying, expanding the range of drawing behaviors to that of avant-garde painters, performance and the digital.
Author: Roger Scruton
Publisher: Princeton University Press
ISBN: 069124037X
Category : Architecture
Languages : en
Pages : 316
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Book Description
A landmark account of architectural theory and practice from acclaimed philosopher Roger Scruton Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication, and he assesses the continuing relevance of his argument for the twenty-first century.
