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Author: Paul Magdalino
Publisher: Harvard University Press
ISBN: 9780884023487
Category : History
Languages : en
Pages : 354
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Book Description
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Author: Paul Magdalino
Publisher: Harvard University Press
ISBN: 9780884023487
Category : History
Languages : en
Pages : 354
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Book Description
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Author: John Dykstra
Publisher:
ISBN: 9781734328615
Category :
Languages : en
Pages : 360
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Book Description
Author: Eugen J. Pentiuc
Publisher: Oxford University Press
ISBN: 0190948655
Category : Religion
Languages : en
Pages : 705
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Book Description
"The Oxford Handbook of the Bible in Orthodox Christianity investigates the various ways in which Orthodox Christian, i.e., Eastern and Oriental communities have received, shaped, and interpreted the Christian Bible. The handbook is divided into five parts, including the introduction ("Balancing Tradition with Modernity") that sets the tone and scope of the volume. Part I: Text The Orthodox Church has never codified the Septuagint or any other textual witnesses as its authoritative text. Textual fluidity and pluriformity, a characteristic of Orthodoxy, is demonstrated by the various ancient and modern Bible translations such as, Syriac, Coptic, Ethiopian, Armenian, etc. Part II: Canon Unlike the Protestant and Roman-Catholic situations where the canon of the Bible, specifically the Old Testament canons which are "closed" and limited to 39 and 46 books, respectively, the Orthodox canon is "open-ended" consisting of 39 canonical books and 10 or more (e.g., Ethiopian canon) anaginoskomena "readable" books (Septuagint additions). Part III: Scripture within Tradition Unlike the classical Protestant view of sola scriptura and the Roman Catholic way of placing Scripture and Tradition on par as sources / means of divine revelation, the Orthodox view accords a central role to Scripture within Tradition, with the latter conceived not as a deposit of faith but rather as the Church's life through history. Part IV: Towards an Orthodox Hermeneutics and Part V: Looking to the Future The last two parts survey Orthodox "traditional" hermeneutics consisting mainly of patristic commentaries and liturgical interpretations found in hymnography and iconography, and the ways by which Orthodox biblical scholars balance these traditional hermeneutics with modern historical-critical approaches to the Bible"--
Author: Andrew Mellas
Publisher: Cambridge University Press
ISBN: 110880067X
Category : Religion
Languages : en
Pages : 219
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Book Description
This book explores the liturgical experience of emotions in Byzantium through the hymns of Romanos the Melodist, Andrew of Crete and Kassia. It reimagines the performance of their hymns during Great Lent and Holy Week in Constantinople. In doing so, it understands compunction as a liturgical emotion, intertwined with paradisal nostalgia, a desire for repentance and a wellspring of tears. For the faithful, liturgical emotions were embodied experiences that were enacted through sacred song and mystagogy. The three hymnographers chosen for this study span a period of nearly four centuries and had an important connection to Constantinople, which forms the topographical and liturgical nexus of the study. Their work also covers three distinct genres of hymnography: kontakion, kanon and sticheron idiomelon. Through these lenses of period, place and genre this study examines the affective performativity hymns and the Byzantine experience of compunction.
Author: Bruce M. Metzger
Publisher: Oxford University Press
ISBN: 9780195365320
Category : Bibles
Languages : en
Pages : 164
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Book Description
After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.
Author: Eugen J. Pentiuc
Publisher: Oxford University Press
ISBN: 0190239654
Category : Religion
Languages : en
Pages : 464
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Book Description
Throughout the ages, interpreters of the Christian scriptures have been wonderfully creative in seeking to understand and bring out the wonders of these ancient writings. That creativity has often been overlooked by recent scholarship, concentrated as it is in the so-called critical period. In this study, Eugen J. Pentiuc illuminates the remarkable way in which the Byzantine hymnographers (liturgists) expressed their understanding of the Old Testament in their compositions, an interpretive process that he terms "liturgical exegesis." In authorship and methodology, patristic exegesis and liturgical exegesis are closely related. Patristic exegesis, however, is primarily linear and sequential, proceeding verse by verse, while liturgical exegesis offers a more imaginative and eclectic mode of interpretation, ranging over various parts of the Bible. In this respect, says Pentiuc, liturgical exegesis resembles cubist art. To illuminate the multi-faceted creativity of liturgical exegesis, Pentiuc has chosen the vast and rich hymnography of Byzantine Orthodox Holy Week as a case study, offering a detailed lexical, biblical, and theological analysis of selected hymns. His analysis reveals the many different and imaginative ways in which creative liturgists incorporated and interpreted scriptural material in these hymns. By drawing attention to the way in which the bible is used by Byzantine hymnographers in the living Orthodox tradition, Hearing the Scriptures makes a ground-breaking contribution to the history of the reception of the scriptures.
Author: Geoffrey Wainwright
Publisher: Oxford University Press
ISBN: 0195138864
Category : Religion
Languages : en
Pages : 937
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Book Description
"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.
Author:
Publisher: BRILL
ISBN: 9004522050
Category : Religion
Languages : en
Pages : 626
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Book Description
Open Access for this publication was made possible by a generous donation from Segelbergska stiftelsen för liturgivetenskaplig forskning (The Segelbergska Foundation for Research in Liturgical Studies). In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.
Author: Vevian Zaki
Publisher: BRILL
ISBN: 9004463259
Category : Religion
Languages : en
Pages : 697
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Book Description
In this study, Vevian Zaki places the Arabic versions of the Pauline Epistles in their historical context, exploring when, where, and how they were produced, transmitted, understood, and adapted among Eastern Christian communities across the centuries. She also considers the transmission and use of these texts among Muslim polemicists, as well as European missionaries and scholars. Underpinning the study is a close investigation of the manuscripts and a critical examination of their variant readings. The work concludes with a case study: an edition and translation of the Epistle to the Philippians from manuscripts London, BL, Or. 8612 and Vatican, BAV, Ar. 13; a comparison of the translation strategies employed in these two versions; and an investigation of the possible relations between them.
Author: Derek Krueger
Publisher: University of Pennsylvania Press
ISBN: 0812246446
Category : History
Languages : en
Pages : 328
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Book Description
Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.
