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Author: Jason Coe
Publisher: iUniverse
ISBN: 1450260551
Category : Humor
Languages : en
Pages : 73
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Book Description
On January 20, 2009, George Walker Bush climbed the White House fence, and looking westward with joy, beheld his chopper coming with the mist. But as he descended the lawn toward the helipad, unease came upon him, and he thought, How shall I go in self-righteousness and without subpoenas? At that moment, Bush decided he would not leave without justifying himself first. As George appears before his fawning cronies, he muses over an array of moral topics related to the Bush Administration through a lens of pompous greed, violence, and corruption. With a voice of unconfirmed wisdom, George speaks on love (Only when the love of yourself allows you to trample others without regret have you found the sacred path hidden among many), oil (Truly oil has fed the tasteless dreams of an era while never quenching them), and finally self-knowledge, when he clears his throat and says, Um, cueing everyone in the crowd to take a bathroom break. In this laugh-out-loud reimagining of events occurring before Bush made his final exit from the White House, a Propheteer is finally provided the opportunity to leave a tiny flame of his spirit behind.
Author: Jason Coe
Publisher: iUniverse
ISBN: 1450260551
Category : Humor
Languages : en
Pages : 73
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Book Description
On January 20, 2009, George Walker Bush climbed the White House fence, and looking westward with joy, beheld his chopper coming with the mist. But as he descended the lawn toward the helipad, unease came upon him, and he thought, How shall I go in self-righteousness and without subpoenas? At that moment, Bush decided he would not leave without justifying himself first. As George appears before his fawning cronies, he muses over an array of moral topics related to the Bush Administration through a lens of pompous greed, violence, and corruption. With a voice of unconfirmed wisdom, George speaks on love (Only when the love of yourself allows you to trample others without regret have you found the sacred path hidden among many), oil (Truly oil has fed the tasteless dreams of an era while never quenching them), and finally self-knowledge, when he clears his throat and says, Um, cueing everyone in the crowd to take a bathroom break. In this laugh-out-loud reimagining of events occurring before Bush made his final exit from the White House, a Propheteer is finally provided the opportunity to leave a tiny flame of his spirit behind.
Author: Daryl J. Koerth
Publisher: Rockin' K Publishers LLC
ISBN: 195928214X
Category : Fiction
Languages : en
Pages : 426
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Book Description
Lies, manipulation, money, and religious fervor have never been a good mix. Having narrowly avoided a nuclear war, the world turns to religion as they collect themselves. Unfortunately, the religious figures that stand out the most are “prophets” whose messages are whipping the world back into a frenzy. This is not a coincidence. Their collective rhetoric is very intentional, and very dangerous. The Sentinel must untangle the mystery of these false prophets and their endgame before war erupts. Is it really about global war, though?
Author: Nina Wilcox Putnam
Publisher:
ISBN:
Category : Broadway (New York, N.Y.)
Languages : en
Pages : 262
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Book Description
Author:
Publisher:
ISBN:
Category : Science fiction
Languages : en
Pages : 1014
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Book Description
Author: J. R. Urie
Publisher: Trafford Publishing
ISBN: 1553954858
Category : Fiction
Languages : en
Pages : 498
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Book Description
In a universe where Magic and Technology exist as one, there is only one rule - the survival of the fittest. In the first novel, Assassin's Vendetta, Matherion, as a teenager, horrifically watches his father get shot killed, older sister get raped and shot as well, and then watches his mother go through the metahuman transformation only to die. Attempting to survive on their own, he sees his younger sister shot by a rivaling gang member on their way to find jobs. With boiling rage inside him, a Duke persuades him to enroll into a secret assassination academy. Ten years passed and after his final studies, he becomes released from the academy to receive his first hit job, but each time he notices a woman awfully looks like his younger sister. Once he realizes that she is alive, he attempts to get out of the entangled web of crime, but can he escape with his sister without running into another assassin or interference from the Duke?
Author: Stephanie Nelson
Publisher: University Press of Florida
ISBN: 0813070155
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
A comparative study of two classic literary works, from a specialist in Joyce and Homer Time and Identity in “Ulysses” and the “Odyssey” offers a unique in-depth comparative study of two classic literary works, examining essential themes such as change, the self, and humans’ dependence on and isolation from others. Stephanie Nelson shows that in these texts, both Joyce and Homer address identity by looking at the paradox of time—that people are constantly changing yet remain the same across the years. In Nelson’s analysis, both Ulysses and the Odyssey explore dichotomies including the permanence of names and shifting of stories, independence and connection, and linear and cyclical narrative. Nelson discusses Homer’s contrast of ordinary to mythic time alongside Joyce’s contrast of “clocktime” to experienced time. She analyzes the characters Odysseus and Leopold Bloom, alienated from their previous selves; Telemachus and Stephen Dedalus, trapped by the past; and Penelope and Molly Bloom, able to recast time through weaving, storytelling, and memory. These concepts are also explored through Joyce’s radically different narrative styles and Homer’s timeless world of the gods. Nelson’s thorough knowledge of ancient Greece, Joyce, narratology, oral tradition, and translation results in a volume that speaks across literary specializations. This book makes the case that Ulysses and the Odyssey should be read together and that each work highlights and clarifies aspects of the other. As Joyce’s characters are portrayed as both flux and fixity, readers will see Homer’s hero fight his way out of myth and back into the constant changes of human existence. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Author:
Publisher: Dorrance Publishing
ISBN: 1434939537
Category :
Languages : en
Pages : 174
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Book Description
Author: Ivy Press
Publisher: Heritage Capital Corporation
ISBN: 9781932899269
Category : Antiques & Collectibles
Languages : en
Pages : 182
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Book Description
Author: Wilyem Clark
Publisher: Wilyem Clark
ISBN:
Category : Poetry
Languages : en
Pages : 38
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Book Description
Poetry: An exercise in self-absorption.
Author: Jonathan Goldman
Publisher: University of Texas Press
ISBN: 0292745028
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity. Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.
