The Proofreaders' Page and Other Uncollected Items PDF Download
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Author: Fredric Brown
Publisher: Lulu.com
ISBN: 1105030458
Category : Proofreading
Languages : en
Pages : 460
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Book Description
A collection of columns by world-famous mystery and science fiction author, Fredric Brown, looking at all aspects of proof-reading from obscure rules of grammar and punctuation to tips on the best way to lay out a book. A must for any budding author who wishes to publish their own book and needs some tips on how to avoid the most common mistakes. Also includes several other rare and uncollected items by Fredric Brown including a mystery short story (Fatal Facsimile) that hasn't been reprinted since it was first published 49 years ago; 24 humorous advice columns by the intrepid Colonel Cluck; a selection of Brown's early attempts at poetry; and much, much more
Author: Fredric Brown
Publisher: Lulu.com
ISBN: 1105030458
Category : Proofreading
Languages : en
Pages : 460
Get Book Here
Book Description
A collection of columns by world-famous mystery and science fiction author, Fredric Brown, looking at all aspects of proof-reading from obscure rules of grammar and punctuation to tips on the best way to lay out a book. A must for any budding author who wishes to publish their own book and needs some tips on how to avoid the most common mistakes. Also includes several other rare and uncollected items by Fredric Brown including a mystery short story (Fatal Facsimile) that hasn't been reprinted since it was first published 49 years ago; 24 humorous advice columns by the intrepid Colonel Cluck; a selection of Brown's early attempts at poetry; and much, much more
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Publisher:
ISBN:
Category : England
Languages : en
Pages : 820
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Book Description
Author: Shirley Jackson
Publisher: Random House
ISBN: 0812997670
Category : Fiction
Languages : en
Pages : 449
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Book Description
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • From the renowned author of “The Lottery” and The Haunting of Hill House, a spectacular volume of previously unpublished and uncollected stories, essays, and other writings. Features “Family Treasures,” nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space. For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin. Praise for Let Me Tell You “Stunning.”—O: The Oprah Magazine “Let us now—at last—celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson’s heretofore unpublished works—uniquely unsettling stories and ruthlessly barbed essays on domestic life.”—Vanity Fair “Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right.”—NPR “There are . . . times in reading [Jackson’s] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O’Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she’s just incomparable.”—The Washington Post “Offers insights into the vagaries of [Jackson’s] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson.”—The New York Times Book Review “The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness.”—The Boston Globe “[Jackson’s] writing, both fiction and nonfiction, has such enduring power—she brings out the darkness in life, the poltergeists shut into everyone’s basement, and offers them up, bringing wit and even joy to the examination.”—USA Today “The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation.”—The Huffington Post
Author: Alfred Edward Housman
Publisher: U of Minnesota Press
ISBN: 1452912467
Category :
Languages : en
Pages : 166
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Book Description
Author: Tom Burns Haber
Publisher: U of Minnesota Press
ISBN: 0816657807
Category : Poetry
Languages : en
Pages : 166
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Book Description
The Manuscript Poems of A.E. Housman was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Poetry lovers everywhere, and devotees of A. E. Housman in particular, will recognize a major literary event in the publication of this volume, for it makes available for the first time some 800 lines of hitherto unpublished poetry by the well-loved author of A Shropshire Lad. This is a significant addition to the Housman treasury because the English poet published a total of only 2216 lines of poetry during his lifetime. Dr. Haber has drawn the material for this volume from the four Housman notebooks in the Library of Congress, where they were deposited in 1940, four years after the poet's death. In an introductory section the editor describes the notebooks themselves and tells in detail the fascinating story of how the manuscripts—erased, canceled and glued fast to mounting sheets — were preserved and deciphered. The notebooks, dated from 1890 to 1925, contain the most valuable manuscript remains of Housman's poetic writings. In the material that is published here for the first time there are included complete poems, fragments of poems, and abandoned lines and stanzas from well-known lyrics. In addition the editor has provided a list of variants which the poet inserted into his printers' copies of A Shropshire Lad and Last Poems. Among the newly published complete poems are some that Dr. Haber believes should be ranked with Housman's outstanding work. In the material that shows the poet's revisions of his own writings, the reader is afforded an intimate glimpse into the creative processes of a poetic genius, a privilege that will be especially appreciated by students and critics. Many explanatory notes are appended to show how Housman's poetry matured from first draft, through final copy, to the printed page.
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Category : Electronic journals
Languages : en
Pages : 540
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Author:
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Category :
Languages : en
Pages : 1436
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Book Description
Author: Benjamin Dreyer
Publisher: Random House
ISBN: 0812995716
Category : Language Arts & Disciplines
Languages : en
Pages : 322
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Book Description
NEW YORK TIMES BESTSELLER • A sharp, funny grammar guide they’ll actually want to read, from Random House’s longtime copy chief and one of Twitter’s leading language gurus NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • Paste • Shelf Awareness “Essential (and delightful!)”—People We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike—not to mention his followers on social media—for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer’s English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it’s OK to begin a sentence with “And” or “But” and to confidently split an infinitive; and why it’s best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including “very,” “rather,” “of course,” and the dreaded “actually.” Dreyer will let you know whether “alright” is all right (sometimes) and even help you brush up on your spelling—though, as he notes, “The problem with mnemonic devices is that I can never remember them.” And yes: “Only godless savages eschew the series comma.” Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and—perhaps best of all—an utter treat for anyone who simply revels in language. Praise for Dreyer’s English “Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer’s English.”—The Wall Street Journal “Destined to become a classic.”—The Millions “Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He’ll entertain you while he’s at it.”—Newsday
Author: Robert L. Root
Publisher: University of Iowa Press
ISBN: 9780877456674
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Robert Root explores the milieu in which White began writing the "Notes and Comments" section of the New Yorker and puts in perspective the influence of popular "colyumists" like Don Marquis and Christopher Morley on the tone and form of White's work as a "paragrapher." He examines White's persistent disaffection with the demands and limitations inherent in his "Comment" pieces for the New Yorker and his experiences as a columnist for Harper's Magazine, where his "One Man's Meat" feature produced his most enduring essay, "Once More to the Lake," and took the segmented column form to new levels of accomplishment. Drawing on White's manuscripts, Root's literary analysis of early drafts demonstrates how unique White's essays were.
Author: Katherine Owen
Publisher: The Writing Works Group
ISBN: 0983570728
Category : Fiction
Languages : en
Pages : 343
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Book Description
A tragic past defines her. Will love save her or destroy them both? Julia Hamilton hates Athens, Afghanistan, and the U.S. Army; and now, Advil. She hates a lot of things that begin with the letter A, with good reason, because she's lost everyone she's ever loved to these very things. When an illicit connection to a stranger at her husband's funeral saves her life, it causes her to question everything, herself most of all. Owen's award-winning debut novel is heartbreakingly intense, achingly romantic, and ultimately captivating. Seeing Julia is an intense, emotional roller coaster of a ride, so hang on and don't forget to breathe. If you enjoy the tender scenes of P.S. I Love You, the poignant story lines of Nicholas Sparks, and the twists and turns in plot lines like those of Jodi Picoult, you are going to LOVE Katherine Owen's novel Seeing Julia! PRAISE for SEEING JULIA ★★★★★ "...an authentic look at grief and love. I believe anyone that has ever loved someone, lost them, and found a life and another love will devour Seeing Julia. Be forewarned: keep a box of Kleenex handy, as you will need them." "...You get a little of everything in this book. Love, anger, angst, misery, retribution, they're all in there and make for a wonderful read." "...Seeing Julia was everything I look for in a great book. Heartbreakingly sad, funny, enlightening, and best of all, heart mending...five stars are not enough..." This is an emotional roller coaster read. Seeing Julia will captivate readers and take them along for an incredible ride--one woman's personal journey--where she must battle grief, recover from incredible loss, and ultimately start over, but only after discovering the amazing depths to which love can go. Katherine Owen won the Zola Award and First Place in Romance category with the Pacific Northwest Writers Association in July 2010 with Seeing Julia. If you like dark, edgy compelling fiction with elements of love and romance, look for Katherine's other works in contemporary fiction by simply searching for NOT TO US or WHEN I SEE YOU or THIS MUCH IS TRUE. Please be advised that SEEING JULIA contains adult language and adult situations and is not appropriate for young readers. (New Adult Fiction, Contemporary Romance)
