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Author: Peter Mercer
Publisher: Austin Macauley Publishers
ISBN: 1528957113
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
The Promised End explores how the endings of Shakespeare’s tragedies work – how, in effect, they resist conventional closure. It looks back from the endings of five plays – Romeo and Juliet, Hamlet, Othello, Macbeth, and King Lear – to explore how their structures of action, imagery and the interaction of different genres – comedy, tragedy and romance – bring them to conclusions that are both inevitable and yet strangely incongruous, beyond explanation and moral understanding, almost too terrible to bear.
Author: Peter Mercer
Publisher: Austin Macauley Publishers
ISBN: 1528957113
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
The Promised End explores how the endings of Shakespeare’s tragedies work – how, in effect, they resist conventional closure. It looks back from the endings of five plays – Romeo and Juliet, Hamlet, Othello, Macbeth, and King Lear – to explore how their structures of action, imagery and the interaction of different genres – comedy, tragedy and romance – bring them to conclusions that are both inevitable and yet strangely incongruous, beyond explanation and moral understanding, almost too terrible to bear.
Author: Stanley Edgar Hyman
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
Author: Seth C. Hawkins
Publisher: Cambridge Scholars Publishing
ISBN: 1527537994
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Stanley Edgar Hyman
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Alexander Allen
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author:
Publisher: BRILL
ISBN: 9004282289
Category : Art
Languages : en
Pages : 407
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Book Description
Modernism, Christianity and Apocalypse stages an encounter between the fields of ‘Modernism and Christianity’ and ‘Apocalypse Studies’. The modernist impulse to ‘make it new’, to transform and reform culture, is an incipiently apocalyptic one, poised between imaginative representations of an Old Era or civilization and the experimental promise of the New. Christianity figures in formative tension with the ‘new’, but its apocalyptic paradigms continued to impact modernist visions of cultural revitalization. In three sections tracing a rough chronology from the late nineteenth century fin de siècle, via interwar conflicts and the rise of ‘political religions’, to post-1945 anxieties such as the Bomb, this thematic is explored in nineteen far-ranging scholarly contributions, outlining a distinctive and fresh interdisciplinary field of study.
Author: Jerry L. Walls Professor of Philosophy of Religion Asbury Theological Seminary
Publisher: Oxford University Press, USA
ISBN: 0199727635
Category : Religion
Languages : en
Pages : 744
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Book Description
Eschatology is the study of the last things: death, judgment, the afterlife, and the end of the world. Through centuries of Christian thoughtfrom the early Church fathers through the Middle Ages and the Reformationthese issues were of the utmost importance. In other religions, too, eschatological concerns were central. After the Enlightenment, though, many religious thinkers began to downplay the importance of eschatology which, in light of rationalism, came to be seen as something of an embarrassment. The twentieth century, however, saw the rise of phenomena that placed eschatology back at the forefront of religious thought. From the rapid expansion of fundamentalist forms of Christianity, with their focus on the end times; to the proliferation of apocalyptic new religious movements; to the recent (and very public) debates about suicide, martyrdom, and paradise in Islam, interest in eschatology is once again on the rise. In addition to its popular resurgence, in recent years some of the worlds most important theologians have returned eschatology to its former position of prominence. The Oxford Handbook of Eschatology will provide an important critical survey of this diverse body of thought and practice from a variety of perspectives: biblical, historical, theological, philosophical, and cultural. This volume will be the primary resource for students, scholars, and others interested in questions of our ultimate existence.
Author: R M Christofides
Publisher: Bloomsbury Publishing
ISBN: 1441183221
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
By connecting Shakespeare's language to the stunning artwork that depicted the end of the world, this study provides not only provides a new reading of Shakespeare but illustrates how apocalyptic art continues to influence popular culture today. Drawing on extant examples of medieval imagery, Roger Christofides uses poststructuralist and psychoanalytic accounts of how language works to shed new light on our understanding of Hamlet, Othello, Macbeth, and King Lear. He then links Shakespeare's dependence on his audience to appreciate the allusions made to the religious paintings to the present day. For instance, popular television series like Battlestar Galactica, seminal horror movies such as An American Werewolf in London and Carrie and recent novels like Cormac McCarthy's The Road. All draw on imagery that can be traced directly back to the depictions of the Doom, an indication of the cultural power these vivid imaginings of the end of the world have in Shakespeare's day and now.
Author: Nicholas Ansell
Publisher: Authentic Media Inc
ISBN: 1780783183
Category : Religion
Languages : en
Pages : 715
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Book Description
This work analyses and evaluates Jurgen Moltmann's model of universal salvation and its relation to his understanding of the redemption, or eschatological fulfilment, of time. For Jurgen Moltmann, Hell is the nemesis of Hope. The 'Annihilation of Hell' thus refers both to Hell's annihilative power in history and to the overcoming of that power as envisioned by Moltmann's distinctive theology of the cross in which God becomes 'all in all' through Christ's descent into Godforsakenness. The negation of Hell and the fulfilment of history are inseparable. Attentive to the overall contours and dynamics of Moltmann's thinking, especially his zimzum doctrine of creation, his eschatologically oriented philosophy of time, and his expanded understanding of the nature-grace relationship, this study asks whether the universal salvation that he proposes can honour human freedom, promise vindication for those who suffer, and do justice to biblical revelation. As well as providing an in-depth exposition of Moltmann's ideas, The Annihilation of Hell also explores how a 'covenantal universalism' might revitalise our web of beliefs in a way that is attuned to the authorising of Scripture and the spirituality of existence. If divine and human freedom are to be reconciled, as Moltmann believes, the confrontation between Hell and hope will entail rethinking issues that are not only at the centre of theology but at the heart of life itself.
Author: Melissa Croteau
Publisher: McFarland
ISBN: 0786453516
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
