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Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: John Kreiter
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Escape the prison without walls A very perceptive joker once said: the only real difference between people is the size of their cages. What he meant, is that humanity is now in a cage, and that this cage imprisons us as individuals to the extent that we have the knowledge, and the personal power to fight against its binding forces. This cage is so well hidden and designed that most either don't know that they are in it, or even care to know about their current imprisonment at all. But this lack of awareness or desire for freedom has a price as most things do, and that price is that the large majority of people will live and die within the boundaries of a three-dimensional prison, a prison without walls, never knowing just how much potential they have; that indeed we are all incredibly magical creatures that can even learn to fly free across the infinite cosmos. Alchemists are people who have awakened to the fact this prison without walls exists, and they have dedicated their lives to escaping it. Their work, their doing, has for the most part been kept a secret from the majority of the human world, with only small portions of this knowledge escaping into the mainstream in the form of riddles, cryptic images, arcane formulas, and hit and miss techniques and methodologies. In this second course book in the trilogy, dedicated to the Alchemical road to immortality, I reveal the way of the projectionist, and the SECRET FORMULA that can allow you to break free from the unseen prison that binds you and most of humanity. This hidden knowledge, along with step-by-step techniques are revealed to you as I show you how to move through the Rooms of the Projectionist. THE REAL KEY TO astral travel, lucid dreams, out of body experiences and ALL altered states of consciousness. Here you will find the TRIUNE FORMULA that can allow you to leave behind the physical body, and break free of the corporeal prison in order to do and see everything that you have ever desired. In this course book you will discover: What the prison without walls is all about How to discover and free the hidden self, the True Self How to project your consciousness beyond your body How to induce altered states of consciousness without ritual, subterfuge, or drugs How to discover any secret, go anywhere, and travel through endless dimensions How to overcome and bind any situation to your power using the art of Cubing How to achieve true enlightenment and unite the inner and outer aspects of the complete individuality The truth about how an Alchemist, as a projectionist, attains immortality...and how you can start this journey yourself! This second part of the trilogy, that started with The Magnum Opus, reveals the truth about the human condition and how to continue the journey towards eventual immortality, a journey that takes you, as a powerful practicing projectionist, on an unmeasurable road past incalculable pleasures and truly alien and awesome vistas beyond all rational understanding. Some have asked why each course is presented as a book. Why not make a video course or some other digital presentation that is more popular in this era? And the reason for this is quite simply: time. I have been around long enough, and my senses have become keen enough to see some of the intricacies of this world. Through such experience and perceptions, I have seen things peak and wane, and I have seen many things lost within the medium of time. Videos and digital formats require complex systems to work and be maintained, and such complex systems are usually the first to fall, or change when exposed to the brutal torrents and extreme pressures of time. But a print book (as well as an ebook for your convenience if you like), is something that you can keep in your personal library for a lifetime with only moderate care.
Author: Paolo Usai
Publisher: George Eastman House
ISBN: 9780935398311
Category : Art
Languages : en
Pages : 344
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Book Description
The history of cinema is full of love stories, but none has been as essential as the love between projectionists and their machines. The Art of Film Projection-A Beginner's Guide is a comprehensive outline of the materials, equipment, and knowledge needed to present the magic of cinema to an enthralled audience. Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most authoritative and accessible guide to film projection ever produced. No film comes to life until it is shown on the big screen, but with the proliferation of digital movie theaters, the expertise of film projection has become rare. Written for both the casual enthusiast and the professional projectionist in training, this book demystifies the process of film projection and offers an in-depth understanding of the aesthetic, technical, and historical features of motion pictures. Join in the fight to save the authentic experience of seeing motion pictures on film.
Author: Michael Helm
Publisher: Emblem Editions
ISBN: 1551996197
Category : Fiction
Languages : en
Pages : 326
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Book Description
A man of failing reputation, Toss Raymond lives alone by the South Saskatchewan River, near the drought-ruined farm town of Mayford. It’s the summer of 1988, a year since Toss’s marriage went south, and he made a public spectacle of himself by thrashing the neighbour who he wrongly thought had cuckolded him. Now, as he finishes what might be his last year as a high school teacher and the school board gathers grounds for his dismissal, Toss has taken up with two newcomers in town, and neither association is likely to help him appear any more upright. Here in his “summer of sobering first anniversaries,” in a place under siege from both drought and his friend Dewey’s dark inventions, Toss must decide what he will remain true to: his troublesome desire to follow his heart and his imagination, or his idea of “home” — unhistoried, dying, and likely to leave no trace. A dense, rich, and entirely rewarding novel, The Projectionist is original, moving, and surprisingly funny.
Author: Stephen Barber
Publisher: Diaphanes
ISBN: 9783035802894
Category : Motion picture projection
Languages : en
Pages : 0
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Book Description
Eadweard Muybridge is among the seminal originators of the contemporary world's visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge's work, as a moving-image projectionist, who toured Europe's cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World's Columbian Exposition. That final invention of Muybridge's was both an all-engulfing catastrophe and the vital precursor for the following century's worldwide manias for projection. Based on entirely new research into Muybridge's travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge's driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World's Exposition events and cinemas' overheated projection-boxes. The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge's experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence. The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge's first conjurations of projection's power for its spectators. Throughout, the book interrogates.
Author: Clem Harrod
Publisher: Clemco.U
ISBN: 9781734745221
Category : Business & Economics
Languages : en
Pages : 110
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Book Description
Professional Projectionist, Clem Harrod, brings over 25 years of knowledge and experience tohis company CLEMCO.AV. Clem established the organization with the mission to Coach, Lead,Educate and Mentor those studying Audio-Visual Technology and working in the Live EventProduction Industry.With this Video Projection 101 textbook, Clem shares some of his pre-production strategies andthose of other industry leading Video Projectionists from around the globe. By breaking down aPre-Production process to an easy-to-follow, step-by-step method, you will be able tounderstand how to effectively execute your own projects prior to arriving on-site. Clem believesthis book, along with access to the Video Projectionist Support Group, will be one of the mostvaluable tools you possess.See it... Believe it... Achieve it!#Projection101
Author: Gabriel Menotti
Publisher:
ISBN: 0190934115
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition. In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.
Author: Kimball King
Publisher: Routledge
ISBN: 113652567X
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Playwrights have been depicting Hollywood as a cultural desert and an industry of profit-driven philistines ever since the early days of the movies. This collection of original essays covers the period from the 1920s to the present but concentrates on such contempory playwrights as David Mamet, Sam Shepard, David Rabe, Arthur Kopit, and Adrienne Kennedy. A substantial proportion of the volume is devoted to a discussion of the way in which these authors deconstruct Hollywood myths to reveal painful social and psychological issues in American life, providing a deeper and darker picture than the simple satires of movie-making in the 1920s and 1930s or Odets's comparison of the commercially debased Hollywood with the higher, purer art of the theatre. To complete and further complicate the picture, the volume concludes with essays on the African American experience, gay writers, and feminist writing as seen through the lens of Marlane Myer's ETTA JENKS. It is obvious that the legitimate stage remains a watchdog and constant critic of what is possibly the world's most powerful cultural phenomenon This book will be eargerly read by all students of film, theatre, and 20th century literature.
Author:
Publisher:
ISBN:
Category : REFERENCE
Languages : en
Pages : 850
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Author:
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 1208
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