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Author: Alexandra Gillespie
Publisher: Cambridge University Press
ISBN: 0521889790
Category : Business & Economics
Languages : en
Pages : 397
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Book Description
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Author: Alexandra Gillespie
Publisher: Cambridge University Press
ISBN: 0521889790
Category : Business & Economics
Languages : en
Pages : 397
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Book Description
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Author: Alexandra Gillespie
Publisher:
ISBN: 9781316098448
Category : Book industries and trade
Languages : en
Pages : 375
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Book Description
"Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England"--
Author: Alexandra Gillespie
Publisher: Cambridge University Press
ISBN: 1316102122
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.
Author: Margaret Connolly
Publisher: Cambridge University Press
ISBN: 1108652204
Category : Language Arts & Disciplines
Languages : en
Pages : 333
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Book Description
This innovative study investigates the reception of medieval manuscripts over a long century, 1470–1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.
Author: Sonja Drimmer
Publisher: University of Pennsylvania Press
ISBN: 0812250494
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
Author: Margaret Connolly
Publisher: Boydell & Brewer
ISBN: 184384575X
Category : History
Languages : en
Pages : 389
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Book Description
Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety.
Author: Philip Knox
Publisher: Oxford University Press
ISBN: 0192847171
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
This title provides a new account of the literary history of fourteenth-century England, arguing that many of this period's most distinctive literary experiments emerge through a productive dialogue with the 'Romance of the Rose', a jointly-authored medieval French poem.
Author: Mayumi Taguchi
Publisher: BoD – Books on Demand
ISBN: 3825346307
Category : Language Arts & Disciplines
Languages : en
Pages : 178
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Book Description
The Middle English prose ‘Pepysian Meditations on the Passion of Christ’ (PMPC) survives uniquely in Cambridge, Magdalene College, MS Pepys 2125 and has not previously been published. It is one of several Middle English translations of the Passion sequence of the pseudo-Bonaventuran Latin ‘Meditationes Vitae Christi’ (MVC). This part of the MVC circulated independently and in this form is known in modern scholarship as the ‘Meditationes de Passione Christi’ (MPC). The editors argue that although the Middle English version in Pepys 2125 followed the model of the MPC, it is probable that the translation derives directly from a recension of the MPC. Although the translator handles the original with a degree of freedom, the text is not indebted to other sources. The Introduction includes an extensive description of the manuscript which is a late medieval devotional miscellany, and a detailed account of the language of the PMPC. It also addresses the textual tradition out of which the PMPC grew and the work of the translator. The edited text is followed by a commentary, glossary and bibliography.
Author: Rachel Stenner
Publisher: Springer Nature
ISBN: 3030880559
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributions. Works printed in regional communities were a crucial part of developing narratives of local industrial, technological, and ideological progression. By moving away from understanding of print cultures outside of London as ‘provincial’, however, this book argues for a new understanding of ‘region’ as part of a network of places, emphasising opportunities for collaboration and creation that demonstrate the key role of regions within larger communities extending from the nation to the emerging sense of globality in this period. Through investigations of the men and women of the print trades outside of London, this collection casts new light on the strategies of self-representation evident in the work of regional print cultures, as well as their contributions to individual regional identities and national narratives.
Author: Dorsey Armstrong
Publisher: Medieval Institute Publications
ISBN: 1580442293
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
The great corpus that is medieval literature contains, at its very center, the tale. These verse and prose fictional narratives, as well as stories that are grounded in some degree of historical truth, are the foundation of what readers, scholars, and enthusiasts often point to as signifiers of the medieval age. These tales - from the skillfully crafted to the more rudimentary and plain - often make familiar to modern readers what seems so distant and foreign about the Middle Ages. This volume of essays focuses on the tale and its ability to create "mirth," what modern audiences would often define as "happiness" or "joy," and the significance that the book has had on the transference of this mirth to audiences. This volume also celebrates the scholarship of Thomas H. Ohlgren, a medievalist whose work encompasses a number of different areas, but at its center lives the power of the tale and its ability to create a lasting impression on readers, both medieval and modern.
