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Author: Jeffry Denman
Publisher: Routledge
ISBN: 1135868980
Category : Biography & Autobiography
Languages : en
Pages : 203
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Book Description
A behind-the-scenes story with more than a touch of theatrical magic about it, A Year with The Producers is a book for actors and theater fans everywhere.
Author: Jeffry Denman
Publisher: Routledge
ISBN: 1135868980
Category : Biography & Autobiography
Languages : en
Pages : 203
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Book Description
A behind-the-scenes story with more than a touch of theatrical magic about it, A Year with The Producers is a book for actors and theater fans everywhere.
Author: Mel Brooks
Publisher: Miramax Books
ISBN: 9780786868803
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
This is the laugh-out-loud story of two scheming men, Bialystock, a shady producer, and Bloom, his nervous accomplice. Together they come up with the ultimate con: raise more money than needed, produce a show that is bound to flop, and pocket the change. Of course, all best laid plans are subject to be mucked up.
Author:
Publisher: Hal Leonard Corporation
ISBN: 145844998X
Category : Music
Languages : en
Pages : 255
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Book Description
(Vocal Selections). Mel Brooks' The Producers has the honorable distinction of being the biggest smash in the history of Broadway! The production, which won a record 12 Tony Awards, is based on Brooks' 1968 comedy classic film, and stars the loveable Nathan Lane and Matthew Broderick. Our deluxe vocal selections book features a stunning section of full-color photos from the Broadway production, and voice line with piano accompaniment arrangements of 19 fantastic songs: Along Came Bialy * Betrayed * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? (Have You Ever Heard the German Band?) * Heil Myself * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * The King of Broadway * Opening Night * Prisoners of Love (Leo & Max) * Springtime for Hitler * That Face * 'Til Him * We Can Do It * When You Got It, Flaunt It * Where Did We Go Right? * You Never Say Good Luck on Opening Night.
Author: John J. Lee, Jr.
Publisher: Taylor & Francis
ISBN: 1136050493
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
The Producer's Business Handbook provides a model for making a successful business of independent filmmaking. It will give you a comprehensive understanding of the business of entertainment and supply you with the information and tools you'll need to successfully engage all related aspects of global production and exploitation. The handbook also provides a global orientation to the relationships that the most successful producers have with the various participants in the motion picture industry. This includes how producers direct their relationships with domestic and foreign studios, agencies, attorneys, talent, completion guarantors, banks, and private investors. It provides a thorough orientation to operating production development and single purpose production companies, from solicitation of literary properties through direct rights sales, and the management of global distribution relationships. Also presented is an in-depth discussion of the team roles needed to operate these companies, as well as how to attach and direct them. For those outside of the US, this book also includes information about how to produce successful films without government funding. This edition has been updated to include comprehensive information on the internal greenlighting process, government financing, and determining actual cost-of-money. It includes new simplified project evaluation tools, expediting funding and distribution. Together with its companion CD-ROM, which contains valuable forms and spreadsheets; tutorials; and samples, this handbook presents both instruction and worksheet support to independent producers at all levels of experience.
Author: Buck Houghton
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Guide lines on choosing stories and rendering stories into screenplays are valuable, as are his insights into the whole of maviemaking process-preproduction, production, and postproduction. the nuts-and bolts issues that must be understood.
Author: Luke Ford
Publisher: iUniverse
ISBN: 0595320163
Category : Motion picture producers and directors
Languages : en
Pages : 568
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Book Description
Author: James Lapine
Publisher: Farrar, Straus and Giroux
ISBN: 0374720223
Category : Performing Arts
Languages : en
Pages : 417
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Book Description
A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.
Author: Paul White
Publisher: Sample Magic Limited
ISBN: 9780956446015
Category : Music
Languages : en
Pages : 352
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Book Description
"Guide to recording and mixing in the project studio. Featuring 350+ colour pages packed with pro techniques, practical photos, detailed illustrations and hands-on walkthroughs." -- Back cover.
Author: Daniel Martinez HoSang
Publisher: U of Minnesota Press
ISBN: 1452960348
Category : Political Science
Languages : en
Pages : 215
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Book Description
The shifting meaning of race and class in the age of Trump The profound concentration of economic power in the United States in recent decades has produced surprising new forms of racialization. In Producers, Parasites, Patriots, Daniel Martinez HoSang and Joseph E. Lowndes show that while racial subordination is an enduring feature of U.S. political history, it continually changes in response to shifting economic and political conditions, interests, and structures. The authors document the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy. From the militia movement to the Alt-Right to the mainstream Republican Party, Producers, Parasites, Patriots brings to light the changing role of race in right-wing politics.
Author: Virgil Moorefield
Publisher: MIT Press
ISBN: 0262261014
Category : Music
Languages : en
Pages : 164
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Book Description
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?
