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Author: Marc Robinson
Publisher: Yale University Press
ISBN: 0300170041
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
Author: Marc Robinson
Publisher: Yale University Press
ISBN: 0300170041
Category : Literary Criticism
Languages : en
Pages : 417
Get Book Here
Book Description
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
Author: William Winter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
Author: Douglas Neilson Cook
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 676
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Category : Jews
Languages : en
Pages : 76
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Category : Art
Languages : en
Pages : 190
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Category :
Languages : en
Pages : 836
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Author: Keith Chapin
Publisher: Fordham Univ Press
ISBN: 0823230112
Category : Music
Languages : en
Pages : 396
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Book Description
Musical understanding has evolved dramatically in recent years, principally through a heightened appreciation of musical meaning in its social, cultural, and philosophical dimensions. This collection of essays by leading scholars addresses an aspect of meaning that has not yet received its due: the relation of meaning in this broad humanistic sense to the shaping of fundamental values. The volume examines the open and active circle between the values and valuations placed on music by both individuals and societies, and the discovery, through music, of what and how to value. With a combination of cultural criticism and close readings of musical works, the contributors demonstrate repeatedly that to make music is also to make value, in every sense. They give particular attention to values that have historically enabled music to assume a formative role in human societies: to foster practices of contemplation, fantasy, and irony; to explore sexuality, subjectivity, and the uncanny; and to articulate longings for unity with nature and for moral certainty. Each essay in the collection shows, in its own way, how music may provoke transformative reflection in its listeners and thus help guide humanity to its own essential embodiment in the world. The range of topics is broad and developed with an eye both to the historical specificity of values and to the variety of their possible incarnations. The music is both canonical and noncanonical, old and new. Although all of it is “classical,” the contributors’ treatment of it yields conclusions that apply well beyond the classical sphere. The composers discussed include Gabrieli, Marenzio, Haydn, Beethoven, Mendelssohn, Brahms, Wagner, Puccini, Hindemith, Schreker, and Henze. Anyone interested in music as it is studied today will find this volume essential reading.
Author: Craig Timberlake
Publisher: Pickle Partners Publishing
ISBN: 178912204X
Category : History
Languages : en
Pages : 694
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Book Description
First published in 1954, THE BISHOP OF BROADWAY chronicles the life of David Belasco (1853-1931), an American theatrical producer, impresario, director and playwright who became the first writer to adapt the short story Madame Butterfly for the stage, thereby launching the theatrical career of many actors, including Mary Pickford, Lenore Ulric and Barbara Stanwyck. David Belasco also pioneered many innovative new forms of stage lighting and special effects in order to create realism and naturalism. Owing to his austere, clericlike dress and personal manner, David Belasco came to be known as the “bishop of Broadway.” Born in San Francisco, California, the son of Sephardic Jewish parents who had moved from London, England during the California Gold Rush, Belasco began his illustrious theatre career with a wide variety of jobs in in a San Francisco theatre, and gaining first experience as a stage manager while on the road. This eventually led to a role as stage manager, and he learned the business inside out. A gifted playwright, David Belasco went to New York City in 1882 to work as stage manager for the Madison Square Theatre, and the old Lyceum Theatre while writing plays. By 1895, the “bishop of Broadway” was so successful that he set himself up as an independent producer. During his long creative career, stretching between 1884 and 1930, David Belasco either wrote, directed, or produced more than 100 Broadway plays including Hearts of Oak, The Heart of Maryland, and Du Barry—making him the most powerful personality on the New York city theater scene. Written by fellow Broadway actor, Craig Timberlake, THE BISHOP OF BROADWAY provides an in-depth glimpse into the life and times of this remarkable Broadway figure of the early twentieth century. Beautifully illustrated throughout with black & white photographs.
Author: Richard Leppert
Publisher: Univ of California Press
ISBN: 0520287371
Category : Music
Languages : en
Pages : 368
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Book Description
Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumasÑcultural, social, and personalÑassociated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 824
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