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Author: Barbara Butts
Publisher: Motorbooks
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Exhibition catalog featuring the printing arts of Pieter Bruegel the Elder, Northern Renaissance artists. Includes 65 mostly black and white illustrations of prints.
Author: Barbara Butts
Publisher: Motorbooks
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Exhibition catalog featuring the printing arts of Pieter Bruegel the Elder, Northern Renaissance artists. Includes 65 mostly black and white illustrations of prints.
Author: Daniela Hammer-Tugendhat
Publisher: Hirmer Verlag GmbH
ISBN: 9783777428635
Category : Drawing, Renaissance
Languages : en
Pages : 0
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Book Description
Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tradition of earlier generations of artists, Bruegel introduced completely new ideas with regard to both subject and form.0On the eve of the Dutch War of Independence against Spanish hegemony, in a time of political, social and religious change, Pieter Bruegel (ca. 1525? 1569) created an equally complex pictorial world. Humorous and down-to-earth, sharp-witted and deeply critical, he reflected on the society of his time. The lavishly illustrated catalogue illuminates Bruegel?s artistic origins and offers an overview of his entire graphical oeuvre which unites contrasting subjects such as?Peasant Bruegel?; Bruegel as the?second Hieronymus Bosch?; as an innovator in landscape art; and as a satirical moralist.00Exhibition: Albertina, Vienna, Austria (08.09.-03.12.2017).
Author: H. Arthur Klein
Publisher: Courier Corporation
ISBN: 0486795411
Category : Art
Languages : en
Pages : 176
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Book Description
Unique survey of best works by16th-century Flemish printmaker presents 64 engravings and one woodcut, each accompanied by an informative essay. Subjects include landscapes, ships and the sea, peasants, humor, and religion.
Author: Pieter Bruegel
Publisher: Metropolitan Museum of Art
ISBN: 0870999915
Category : Art, Flemish
Languages : en
Pages : 337
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Book Description
Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an
Author: ToddM. Richardson
Publisher: Routledge
ISBN: 1351554026
Category : Art
Languages : en
Pages : 269
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Book Description
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfold in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities. In this regard, the author expands his base of primary sources to include convivial texts, dialogues and correspondences, and texts by rhetoricians and Northern humanists addressing art theoretical issues. Challenging the conventional wisdom that the artist eschewed Italianate influences, this study demonstrates how Bruegel's later peasant paintings reveal a complicated artistic dialogue in which visual concepts and pictorial motifs from Italian and classical ideas are employed for a subject that was increasingly recognized in the sixteenth century as a specifically Northern phenomenon. Similar to the Dutch rhetorician societies and French Pl?de poets who cultivated the vernacular language using classical Latin, the function of this interpictorial discourse, the author argues, was not simply to imitate international trends, a common practice during the period, but to use it to cultivate his own visual vernacular language. Although the focus is primarily on Bruegel's later work, the author's conclusions are applied to sketch a broader understanding of both the artist himself and the vibrant artistic dialogue occurring in the Netherl
Author: Elizabeth Alice Honig
Publisher: Reaktion Books
ISBN: 1789141087
Category : Art
Languages : en
Pages : 270
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Book Description
A fresh account of the life, ideas, and art of the beloved Northern Renaissance master. In sixteenth-century Northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel explored how people perceived human nature. Bruegel turned his critical eye and peerless paintbrush to mankind’s labors and pleasures, its foibles and rituals of daily life, portraying landscapes, peasant life, and biblical scenes in startling detail. Much like the great humanist scholar Erasmus of Rotterdam, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind’s ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride. This superbly illustrated volume examines how Bruegel’s art and ideas enabled people to ponder what it meant to be human. Published to coincide with the four-hundred-fiftieth anniversary of Bruegel’s death, it will appeal to all those interested in art and philosophy, the Renaissance, and Flemish painting.
Author: Toby Ferris
Publisher: HarperCollins
ISBN: 0062931776
Category : Art
Languages : en
Pages : 329
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Book Description
“Oddly charming, deeply intelligent. . . . Anyone asking questions about their own place in the world might be drawn to these portrayals of ordinary life from almost 500 years ago—scenes of human beings who work and return home, who carry their kids and tend to chores, who nap, play, eat, drink and do other, less decorous things. And, with the author’s help, we look at them more closely than before." — Washington Post “Graceful, transcendent even.” — Los Angeles Times “Captivating . . . a vibrant portrait of the artist’s work and world…. A profusely illustrated, deeply thoughtful meditation.” — Kirkus “Thought-provoking. . . . [Ferris] blends memoir with philosophic meditation on art criticism in his thoughtful debut.” — Publishers Weekly
Author: René van Bastelaer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Author: Joseph Leo Koerner
Publisher: Princeton University Press
ISBN: 0691253005
Category : Art
Languages : en
Pages : 432
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Book Description
A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Stephanie Porras
Publisher: Penn State Press
ISBN: 0271084553
Category : Art
Languages : en
Pages : 441
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Book Description
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.
