Author: Patricia Anderson
Publisher: Oxford University Press
ISBN: 9780198182764
Category : English periodicals
Languages : en
Pages : 211
Book Description
Between 1790 and 1860 the widening dissemination of print led to the transformation and unprecedented expansion of popular cultural experience; Patricia Anderson advances the challenging central argument that an essentially modern mass culture had begun to develop as early as 1840. This study questions the adequacy of simplistic concepts of class and culture. It combines modern cultural theory and historical evidence to demonstrate how people of all kinds, especially workers and women, interacted with the printed image and helped to shape an increasingly visual mass culture. In doing so, it offers a new way to look at and extract meaning from nineteenth-century popular illustration.
The Printed Image and the Transformation of Popular Culture, 1790-1860
Author: Patricia Anderson
Publisher: Oxford University Press
ISBN: 9780198182764
Category : English periodicals
Languages : en
Pages : 211
Book Description
Between 1790 and 1860 the widening dissemination of print led to the transformation and unprecedented expansion of popular cultural experience; Patricia Anderson advances the challenging central argument that an essentially modern mass culture had begun to develop as early as 1840. This study questions the adequacy of simplistic concepts of class and culture. It combines modern cultural theory and historical evidence to demonstrate how people of all kinds, especially workers and women, interacted with the printed image and helped to shape an increasingly visual mass culture. In doing so, it offers a new way to look at and extract meaning from nineteenth-century popular illustration.
Publisher: Oxford University Press
ISBN: 9780198182764
Category : English periodicals
Languages : en
Pages : 211
Book Description
Between 1790 and 1860 the widening dissemination of print led to the transformation and unprecedented expansion of popular cultural experience; Patricia Anderson advances the challenging central argument that an essentially modern mass culture had begun to develop as early as 1840. This study questions the adequacy of simplistic concepts of class and culture. It combines modern cultural theory and historical evidence to demonstrate how people of all kinds, especially workers and women, interacted with the printed image and helped to shape an increasingly visual mass culture. In doing so, it offers a new way to look at and extract meaning from nineteenth-century popular illustration.
The Printed Image and the Transformation of Popular Culture, 1790-1860
Author: Patricia J. Anderson
Publisher: Oxford University Press, USA
ISBN:
Category : Design
Languages : en
Pages : 234
Book Description
In mid-nineteenth century Britain, literacy was by no means universal, and printed imagery captured the popular imagination in a way that words alone could not. This study shows how the widening dissemination of print led to the transformation of popular cultural experience such that by 1840 an essentially modern mass culture had begun to develop. Focusing on four illustrated magazines, but looking also at penny fiction and broadsides, Anderson interprets a wide variety of neglected sources. A recurring theme is the decline of the role of high art reproduction. Anderson combines modern cultural theory and historical evidence to demonstrate how people of all kinds--especially workers and women--interacted with the printed image, helping to shape the increasingly visual culture that was ultimately to lead to the growth of twentieth-century mass media.
Publisher: Oxford University Press, USA
ISBN:
Category : Design
Languages : en
Pages : 234
Book Description
In mid-nineteenth century Britain, literacy was by no means universal, and printed imagery captured the popular imagination in a way that words alone could not. This study shows how the widening dissemination of print led to the transformation of popular cultural experience such that by 1840 an essentially modern mass culture had begun to develop. Focusing on four illustrated magazines, but looking also at penny fiction and broadsides, Anderson interprets a wide variety of neglected sources. A recurring theme is the decline of the role of high art reproduction. Anderson combines modern cultural theory and historical evidence to demonstrate how people of all kinds--especially workers and women--interacted with the printed image, helping to shape the increasingly visual culture that was ultimately to lead to the growth of twentieth-century mass media.
Reading Popular Prints 1790-1870
Author: Brian Maidment
Publisher: Manchester University Press
ISBN: 9780719033711
Category : Art
Languages : en
Pages : 212
Book Description
Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
Publisher: Manchester University Press
ISBN: 9780719033711
Category : Art
Languages : en
Pages : 212
Book Description
Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
The Printed Image and the Transformation of Popular Culture, 1790-1860
Author: Patricia J. Anderson
Publisher:
ISBN:
Category : England
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 714
Book Description
The Printed and the Built
Author: Mari Hvattum
Publisher: Bloomsbury Publishing
ISBN: 1350038393
Category : Architecture
Languages : en
Pages : 535
Book Description
The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.
Publisher: Bloomsbury Publishing
ISBN: 1350038393
Category : Architecture
Languages : en
Pages : 535
Book Description
The Printed and the Built explores the intricate relationship between architecture and printed media in the fast-changing nineteenth century. Publication history is a rapidly expanding scholarly field which has profoundly influenced architectural history in recent years. Yet, while groundbreaking work has been done on architecture and printing in the Renaissance, the Enlightenment, and the twentieth century, the nineteenth century has received little attention. This is the omission that The Printed and the Built seeks to address, thus filling a significant gap in the understanding of architecture's cultural history. Lavishly illustrated with colourful and eclectic visual material, from panoramas to printed ephemera, adverts, penny magazines, early photography, and even crime reportage, The Printed and the Built consists of five in-depth thematic essays accompanied by 25 short pieces, each examining a particular printed form. Altogether, they illustrate how new genres communicated architecture to a mass audience, setting the stage for the modern architectural era.
Graphic Design
Author: Paul Jobling
Publisher: Manchester University Press
ISBN: 9780719044670
Category : Art
Languages : en
Pages : 316
Book Description
This is an inventive a well-researched study which explores the production and consumption of graphic design in Europe.
Publisher: Manchester University Press
ISBN: 9780719044670
Category : Art
Languages : en
Pages : 316
Book Description
This is an inventive a well-researched study which explores the production and consumption of graphic design in Europe.
The Oxford Handbook of Victorian Medievalism
Author: Joanne Parker
Publisher: Oxford Handbooks
ISBN: 0199669503
Category : History
Languages : en
Pages : 709
Book Description
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval devotional verse to tripledecker novels It became a dominant architectural mode transforming the English landscape with 75% of new churches built on a 'Gothic' rather than a classical model as well as museums railway stations town halls and pumping stations It was appealed to by both Whigs and Tories But it also permeated domestic life influencing the popularity of beards the naming of children and the design of homes and furniture This landmark study is an attempt to draw together for the first time every major aspect of Victorian medievalism and to examine the phenomenon from the perspective of the many disciplines to which it is relevant including intellectual history religious studies social history literary history art history and architecture Bringing together the expertise of 39 experts from different subject areas it reveals the pervasiveness and multifaceted character of the movement in the nineteenth century and explains its continuing legacy today
Publisher: Oxford Handbooks
ISBN: 0199669503
Category : History
Languages : en
Pages : 709
Book Description
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval devotional verse to tripledecker novels It became a dominant architectural mode transforming the English landscape with 75% of new churches built on a 'Gothic' rather than a classical model as well as museums railway stations town halls and pumping stations It was appealed to by both Whigs and Tories But it also permeated domestic life influencing the popularity of beards the naming of children and the design of homes and furniture This landmark study is an attempt to draw together for the first time every major aspect of Victorian medievalism and to examine the phenomenon from the perspective of the many disciplines to which it is relevant including intellectual history religious studies social history literary history art history and architecture Bringing together the expertise of 39 experts from different subject areas it reveals the pervasiveness and multifaceted character of the movement in the nineteenth century and explains its continuing legacy today
Charles Knight
Author: Valerie Gray
Publisher: Routledge
ISBN: 1351161903
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Charles Knight: Educator, Publisher, Writer is the first modern book-length study of this important nineteenth-century educational reformer, author, and publisher. Though he made significant contributions during his lifetime to the cause of popular education, providing inexpensive but quality reading material for the newly literate working classes, Knight has been largely ignored by scholars. This neglect, the author suggests, may be related to Knight's association with the controversial Society for the Diffusion of Useful Knowledge and to the use scholars make of Knight's Penny Magazine and his two volumes on political economy to support their arguments on theories of social control and other issues. The author argues that Knight's reputation has suffered as a result. She reexamines the evidence to offer fresh assessments of Knight's life and work that illuminate his genuine achievements. She concludes with an evaluation of Knight's role as an innovative publisher who used the latest techniques to provide the emerging mass readership with unique combinations of text and image in his many 'pictorial' books and periodicals.
Publisher: Routledge
ISBN: 1351161903
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Charles Knight: Educator, Publisher, Writer is the first modern book-length study of this important nineteenth-century educational reformer, author, and publisher. Though he made significant contributions during his lifetime to the cause of popular education, providing inexpensive but quality reading material for the newly literate working classes, Knight has been largely ignored by scholars. This neglect, the author suggests, may be related to Knight's association with the controversial Society for the Diffusion of Useful Knowledge and to the use scholars make of Knight's Penny Magazine and his two volumes on political economy to support their arguments on theories of social control and other issues. The author argues that Knight's reputation has suffered as a result. She reexamines the evidence to offer fresh assessments of Knight's life and work that illuminate his genuine achievements. She concludes with an evaluation of Knight's role as an innovative publisher who used the latest techniques to provide the emerging mass readership with unique combinations of text and image in his many 'pictorial' books and periodicals.
Before Photography
Author: Kirsten Belgum
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110696444
Category : Social Science
Languages : en
Pages : 395
Book Description
Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110696444
Category : Social Science
Languages : en
Pages : 395
Book Description
Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.
Science and Beliefs
Author: Matthew D. Eddy
Publisher: Routledge
ISBN: 1351901931
Category : History
Languages : en
Pages : 285
Book Description
The years between 1700 and 1900 witnessed a fundamental transition in attitudes towards science, as earlier concepts of natural philosophy were replaced with a more modern conception of science. This process was by no means a simple progression, and the changing attitudes to science was marked by bitter arguments and fundamental differences of opinion, many of which are still not entirely resolved today. Approaching the subject from a number of cultural angles, the essays in this volume explore the fluid relationship between science and belief during this crucial period, and help to trace the development of science as an independent field of study that did not look to religion to provide answers to the workings of the universe. Taking a broadly chronological approach, each essay in this book addresses a theme that helps illuminate these concerns and highlights how beliefs - both religious and secular - have impinged and influenced the scientific world. By addressing such key issues such as the ongoing debate between Christian fundamentalists and followers of Darwin, and the rise of 'respectable atheism', fascinating insights are provided that help to chart the ever-shifting discourse of science and beliefs.
Publisher: Routledge
ISBN: 1351901931
Category : History
Languages : en
Pages : 285
Book Description
The years between 1700 and 1900 witnessed a fundamental transition in attitudes towards science, as earlier concepts of natural philosophy were replaced with a more modern conception of science. This process was by no means a simple progression, and the changing attitudes to science was marked by bitter arguments and fundamental differences of opinion, many of which are still not entirely resolved today. Approaching the subject from a number of cultural angles, the essays in this volume explore the fluid relationship between science and belief during this crucial period, and help to trace the development of science as an independent field of study that did not look to religion to provide answers to the workings of the universe. Taking a broadly chronological approach, each essay in this book addresses a theme that helps illuminate these concerns and highlights how beliefs - both religious and secular - have impinged and influenced the scientific world. By addressing such key issues such as the ongoing debate between Christian fundamentalists and followers of Darwin, and the rise of 'respectable atheism', fascinating insights are provided that help to chart the ever-shifting discourse of science and beliefs.