The Principal Dramatic Theories in Lessing's "Hamburgische Dramaturgie" and Their Application in His Later Works

The Principal Dramatic Theories in Lessing's Author: Rosa Mary Muench
Publisher:
ISBN:
Category :
Languages : en
Pages : 112

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The Principal Dramatic Theories in Lessing's "Hamburgische Dramaturgie" and Their Application in His Later Works

The Principal Dramatic Theories in Lessing's Author: Rosa Mary Muench
Publisher:
ISBN:
Category :
Languages : en
Pages : 112

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Lessing's Dramatic Theory

Lessing's Dramatic Theory PDF Author: John George Robertson
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 568

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Lessings's Dramatic Theory, Being an Introduction to & Commentary on His Hamburgische Dramaturgie

Lessings's Dramatic Theory, Being an Introduction to & Commentary on His Hamburgische Dramaturgie PDF Author: John George Robertson
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 544

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Lessing's dramatic Theory

Lessing's dramatic Theory PDF Author: John George Robertson
Publisher:
ISBN:
Category :
Languages : de
Pages : 544

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Hamburg Dramaturgy

Hamburg Dramaturgy PDF Author: Gotthold Ephraim Lessing
Publisher: New York : Dover Publications
ISBN:
Category : Philosophy
Languages : en
Pages : 294

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The Hamburg Dramaturgy (German: Hamburgische Dramaturgie) is a highly influential work on drama by Gotthold Ephraim Lessing, written between 1767 and 1769 when he worked as a dramaturg for Abel Seyler's Hamburg National Theatre. It was not originally conceived as a unified and systematical book, but rather as series of essays on the theater, which Lessing wrote as commentary on the plays of the short-lived Hamburg National Theater. This collection of 101 short essays represents one of the first sustained critical engagements with the potential of theater as a vehicle for the advancement of humanistic discourse. In many ways, the Hamburg Dramaturgy defined the new field of dramaturgy, and also introduced the term.

A Companion to the Works of Gotthold Ephraim Lessing

A Companion to the Works of Gotthold Ephraim Lessing PDF Author: Barbara Fischer
Publisher: Camden House
ISBN: 9781571132437
Category : Literary Criticism
Languages : en
Pages : 438

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One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the brgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathan der Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germany and internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students to seasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is associateprofessor of German and Thomas C. Fox is professor of German, both at the University of Alabama.

The Hamburg Dramaturgy

The Hamburg Dramaturgy PDF Author: Gotthold Ephraim Lessing
Publisher:
ISBN: 9780415662451
Category : Drama
Languages : en
Pages : 0

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Book Description
The Hamburg Dramaturgy's collection of 104 short essays represents one of the eighteenth-century's most important critical engagements with the theater and its potential to promote humanistic discourse. This is the first complete English translation of this text, with extensive annotations that place the work in its historical context.

The Encyclopaedia Britannica: Con to Edw

The Encyclopaedia Britannica: Con to Edw PDF Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1038

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The Encyclopaedia Britannica

The Encyclopaedia Britannica PDF Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1258

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Book Description
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.

Patriotism, Cosmopolitanism, and National Culture

Patriotism, Cosmopolitanism, and National Culture PDF Author:
Publisher: BRILL
ISBN: 9004490787
Category : Literary Criticism
Languages : en
Pages : 231

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The essays assembled in this volume grew out of a conference held at Cornell University in November 2001. The goal of the conference was to examine the claim that the city-state of Hamburg had a unique status in the cultural landscape of eighteenth and nineteenth-century Germany, a status based upon the city’s republican political constitution. Hamburg’s independence and its tolerant and cosmopolitan political traditions made it a focal point for progressive cultural developments during the period of the Enlightenment and after. The contributions collected here transcend traditional disciplinary boundaries by giving equal attention to literature, music, and theater, as well as to architecture and city planning. Key essays address the role that figures as diverse as C.P.E. Bach, Lessing, Klopstock, Heine, Brahms, and Thomas Mann played in shaping Hamburg’s exceptional quality as a center of culture. This volume will be of interest not only to scholars doing research on Hamburg, but also to anyone with an interest in the cultural history of eighteenth, nineteenth, and early twentieth-century Germany.