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Author: Rex Stout
Publisher: Bantam
ISBN: 0307768066
Category : Fiction
Languages : en
Pages : 291
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Book Description
The President of the United States has vanished. As the guns of war begin to fire in Europe, wild rumors spread through the nation's capital. Some guess the right-wing Gray Shirts have kidnapped him. Others blame the Communists. But the Secret Service fears the culprit lies closer to the Oval Office. Every member of the Cabinet is suspect. The President's secretary is taken into custody. The richest banker in America, a powerful newspaper publisher and an influential steel lobbyist are all being carefully watched. Unless one of these men can be made to tell the truth, will a handkerchief, an empty chloroform bottle, and an abandoned van be enough to lead them to the President before it is too late?
Author: Rex Stout
Publisher: Bantam
ISBN: 0307768066
Category : Fiction
Languages : en
Pages : 291
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Book Description
The President of the United States has vanished. As the guns of war begin to fire in Europe, wild rumors spread through the nation's capital. Some guess the right-wing Gray Shirts have kidnapped him. Others blame the Communists. But the Secret Service fears the culprit lies closer to the Oval Office. Every member of the Cabinet is suspect. The President's secretary is taken into custody. The richest banker in America, a powerful newspaper publisher and an influential steel lobbyist are all being carefully watched. Unless one of these men can be made to tell the truth, will a handkerchief, an empty chloroform bottle, and an abandoned van be enough to lead them to the President before it is too late?
Author: Matthew Bernstein
Publisher: U of Minnesota Press
ISBN: 9781452904689
Category : Motion pictures
Languages : en
Pages : 540
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Book Description
A portrait of the trailblazing film producer whose career spanned five decades."Bernstein packs an astonishing amount of solid film history into his lucid chronicle of Wangers whirlwind corporate liaisons. ... A fully realized, A-line biopic of a fascinating life in the movies."Tom Doherty, Film Quarterly.
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813127920
Category : History
Languages : en
Pages : 458
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Book Description
" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
Author: Rex Stout
Publisher:
ISBN:
Category : Political kidnapping
Languages : en
Pages : 324
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Book Description
Author: Michael S. Shull
Publisher: McFarland
ISBN: 1476621780
Category : Performing Arts
Languages : en
Pages : 495
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Book Description
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Author: Jeff Menne
Publisher: Routledge
ISBN: 1135049912
Category : Performing Arts
Languages : en
Pages : 417
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Book Description
The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.
Author: Bernard F. Dick
Publisher: Univ. Press of Mississippi
ISBN: 1496805402
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer. The scenario changed when Nazi Germany invaded the Soviet Union in 1941, making Russia a short-lived ally. The Soviets were quickly glorified in such films as Song of Russia, The North Star, Mission to Moscow, Days of Glory, and Counter-Attack. But once the Iron Curtain fell on Eastern Europe, the scenario changed again. America was now swarming with Soviet agents attempting to steal some crucial piece of microfilm. On screen, the atomic detonations in the Southwest produced mutations in ants, locusts, and spiders, and revived long-dead monsters from their watery tombs. The movies did not blame the atom bomb specifically but showed what horrors might result in addition to the iconic mushroom cloud. Through the lens of Hollywood, a nuclear war might leave a handful of survivors (Five), none (On the Beach, Dr. Strangelove), or cities in ruins (Fail-Safe). Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans. More than eighty years later, the screen is still red.
Author: Dale Sherman
Publisher: Rowman & Littlefield
ISBN: 1493063944
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
Since the early days of the movie industry, filmmakers have created visions of what the presidency of the United States is like. Several have been biographical studies of famous individuals who have served, such as Lincoln, Kennedy, and Nixon. Many movies have also displayed fictional presidents, in roles big and small, in dramatic tales that displayed them at their best—and sometimes even at their worst. Four Scores and Seven Reels Ago: The U.S. Presidency through Hollywood Films examines the ways Hollywood has portrayed the presidency over the years. Pop culture expert Dale Sherman examines famous presidents and their movies, detailing historical information for each and how or if the filmmakers and artists came close to telling the real story. But let us not forget the many imagined examples of presidents that have appeared in movies and television, as well: presidents have battled aliens, fought monsters, and have even been caught on the wrong side of the law. Lincoln, Thirteen Days, Air Force One, Independence Day, All the President's Men, The President's Analyst, Escape from New York, and several of our favorite movies about real and fictional presidents are included in Four Scores and Seven Reels Ago.
Author: Jeff Smith
Publisher: Univ of Wisconsin Press
ISBN: 0299231836
Category : History
Languages : en
Pages : 408
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Book Description
In such popular television series as The West Wing and 24, in thrillers like Tom Clancy’s novels, and in recent films, plays, graphic novels, and internet cartoons, America has been led by an amazing variety of chief executives. Some of these are real presidents who have been fictionally reimagined. Others are “might-have-beens” like Philip Roth’s President Charles Lindbergh. Many more have never existed except in some storyteller’s mind. In The Presidents We Imagine, Jeff Smith examines the presidency’s ever-changing place in the American imagination. Ranging across different media and analyzing works of many kinds, some familiar and some never before studied, he explores the evolution of presidential fictions, their central themes, the impact on them of new and emerging media, and their largely unexamined role in the nation’s real politics. Smith traces fictions of the presidency from the plays and polemics of the eighteenth century—when the new office was born in what Alexander Hamilton called “the regions of fiction”—to the digital products of the twenty-first century, with their seemingly limitless user-defined ways of imagining the world’s most important political figure. Students of American culture and politics, as well as readers interested in political fiction and film, will find here a colorful, indispensable guide to the many surprising ways Americans have been “representing” presidents even as those presidents have represented them. “Especially timely in an era when media image-mongering increasingly shapes presidential politics.”—Paul S. Boyer, series editor “Smith's understanding of the sociopolitical realities of US history is impressive; likewise his interpretations of works of literature and popular culture. . . .In addition to presenting thoughtful analysis, the book is also fun. Readers will enjoy encounters with, for example, The Beggar's Opera, Duck Soup, Edward Bellamy's Looking Backward, Philip Roth's Plot against America, the comedic campaigns of W. C. Fields for President and Pogo for President, and presidential fictions that continue up to the last President Bush. . . . His writing is fluid and conversational, but every page reveals deep understanding and focus. Summing Up: Highly recommended. All readers.”—CHOICE
Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520079083
Category : Performing Arts
Languages : en
Pages : 1198
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Book Description
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
