The Presentation of Gender in Relation to the Works of Virginia Woolf, Katherine Mansfield and Jean Rhys PDF Download
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Author: Gaby Schneidereit
Publisher: GRIN Verlag
ISBN: 3638836932
Category : Gender identity in literature
Languages : en
Pages : 36
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Book Description
Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), University of Cambridge (English Department), course: Hauptseminar: Modernism and the City, 9 entries in the bibliography, language: English, abstract: Although we have reached the twenty-first century, a period of sophisticated technology and progress, the debate about gender is still going on; it is present in many fields of our lives. Women and homosexuals, for example, are still facing impertinent treatment. It must have been even worse in the last century, the so-called fin de siècle. The last century was concerned with reshaping the image of usual relationships and behaviour radically. Relationships were no longer clearly defined or restricted to a specific combination; also the same sex became challenging, even if this meant the disobedience of the conventional idea of sexuality. Moreover, stereotypes concerning female roles started to be violated. The preoccupation with the representation of the female in politics, such as the right to vote, was amongst the most important topics raised. This was due to changes of the people's social and cultural life, evoked through the feminist movement. This piece of work will deal with the presentation of gender in selected works of the following female writers: Virginia Woolf and her both rival and friend Katherine Mansfield, as well as Jean Rhys, the modernist writer who died only twenty-three years ago. Building up on theoretical facts, the meaning of gender in the first half of the last century as well as gender-related problems which the protagonists encounter will be elicited. Examples from the novels and short stories will be included.
Author: Gaby Schneidereit
Publisher: GRIN Verlag
ISBN: 3638836932
Category : Gender identity in literature
Languages : en
Pages : 36
Get Book
Book Description
Essay from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), University of Cambridge (English Department), course: Hauptseminar: Modernism and the City, 9 entries in the bibliography, language: English, abstract: Although we have reached the twenty-first century, a period of sophisticated technology and progress, the debate about gender is still going on; it is present in many fields of our lives. Women and homosexuals, for example, are still facing impertinent treatment. It must have been even worse in the last century, the so-called fin de siècle. The last century was concerned with reshaping the image of usual relationships and behaviour radically. Relationships were no longer clearly defined or restricted to a specific combination; also the same sex became challenging, even if this meant the disobedience of the conventional idea of sexuality. Moreover, stereotypes concerning female roles started to be violated. The preoccupation with the representation of the female in politics, such as the right to vote, was amongst the most important topics raised. This was due to changes of the people's social and cultural life, evoked through the feminist movement. This piece of work will deal with the presentation of gender in selected works of the following female writers: Virginia Woolf and her both rival and friend Katherine Mansfield, as well as Jean Rhys, the modernist writer who died only twenty-three years ago. Building up on theoretical facts, the meaning of gender in the first half of the last century as well as gender-related problems which the protagonists encounter will be elicited. Examples from the novels and short stories will be included.
Author: K. Krueger
Publisher: Springer
ISBN: 1137359242
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This book addresses a critically neglected genre used by women writers from Gaskell to Woolf to complicate Victorian and modernist notions of gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.
Author: Nóra Séllei
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Katherine Mansfield and Virginia Woolf were bound together by a tie alternately characterised as a «curious friendship» and an «uneasy sisterhood». Relying on feminist and poststructural critiques of thinking about writing and writers in terms of autonomous creative subjects, the book reconsiders the relationship between these writers from the biographical and the literary points of view. Their respective self-created models show the multiplicity within the paradigm of the «New Woman», and correspond with their divergent but complementary female modernisms. Mansfield's thematic femininity and Woolf's feminine textuality are integrated into contemporary feminist theory and women writers' creative practice: like Mansfield, they utter previously unutterable experiences but in a language that flows like Woolf's sentences.
Author: Barbara Leonardi
Publisher: Springer
ISBN: 3319967703
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor. For example, by examining the re-signification of the “angel in the house” and the deviant woman in the context of unstable or contingent masculinities and across discourses of class and nation, the volume contributes to a more nuanced understanding of British cultural constructions in the long nineteenth century. The central idea is to unearth the historical roots of the family metaphor in the construction of national and imperial ideologies, and to uncover the interests served by its specific discursive formation. The book explores both male and female stereotypes, enabling a more perceptive comparison, enriched with a nuanced reflection on the construction and social function of class.
Author: Kimber Gerri Kimber
Publisher: Edinburgh University Press
ISBN: 1474454461
Category :
Languages : en
Pages : 317
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Book Description
Explores the literary connection between Katherine Mansfield and Elizabeth von ArnimElizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work.By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.
Author: Todd Martin
Publisher: Bloomsbury Publishing
ISBN: 1350111465
Category : Literary Criticism
Languages : en
Pages : 553
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Book Description
Through her formally innovative and psychologically insightful short stories, Katherine Mansfield is increasingly recognised as one of the central figures in early 20th-century modernism. Bringing together leading and emerging scholars and covering her complete body of work, this is the most comprehensive volume to Mansfield scholarship available today. The Bloomsbury Handbook to Katherine Mansfield covers the full range of contemporary scholarly themes and approaches to the author's work, including: · New biographical insights, including into the early New Zealand years · Responses to the historical crises: the Great War, empire and orientalism · Mansfield's fiction, poetry, criticism and private writing · Mansfield and modernist culture – from Bloomsbury to the little magazines · Mansfield and her contemporaries – Woolf, Lawrence and von Arnim · Mansfield and the arts – visual culture, cinema and music The book also includes a substantial annotated bibliography of key works of Mansfield scholarship from the last 30 years.
Author: Lorna Sage
Publisher: Cambridge University Press
ISBN: 9780521668132
Category : Literary Criticism
Languages : en
Pages : 708
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Book Description
An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.
Author: Tabitha Sparks
Publisher: University of Virginia Press
ISBN: 081394872X
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Critics agree in the abstract that "metafiction" refers to any novel that draws attention to its own fictional construction, but metafiction has been largely associated with the postmodern era. In this innovative new book Tabitha Sparks identifies a sustained pattern of metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. From the mid-nineteenth century through the fin de siècle, novels by Victorian women such as Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, Eliza Lynn Linton, and several New Women authors share a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metafiction reveals how these novels systemically dispute the assumptions that women wrote primarily about their emotions or were restricted to trivial, sentimental plots. Countering an established tradition that has read novels by women writers as heavily autobiographical and confessional, Sparks identifies the literary technique of metafiction in numerous novels by women writers and argues that women used metafictional self-consciousness to draw the reader’s attention to the book and not the novelist. By dislodging the narrative from these cultural prescriptions, Victorian Metafiction effectively argues how these women novelists presented the business and art of writing as the subject of the novel and wrote metafiction in order to establish their artistic integrity and professional authority.
Author: Max Saunders
Publisher: OUP Oxford
ISBN: 0191614734
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.
Author: Joyce Kelley
Publisher: Taylor & Francis
ISBN: 1134802854
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women’s traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys’s Voyage in the Dark to Virginia Woolf’s The Voyage Out and from Evelyn Scott’s Escapade to Dorothy Richardson’s Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley’s book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.
